한국가면극의 창조적 복원 연구 Ⅲ -오청 채록본의 “미얄마당”을 중심으로 = A Study of Creative Restoration in Korean Mask Dance Ⅲ

다국어 초록 (Multilingual Abstract)

This study regarded the Korean mask dance as one of the anthropological products and made a start at the potential establishment of "creative restoration" concept to restore the so-called "Miyal Scene" of the Ocheong Chaerokbon. For scene segmentation based on the stage performance units, the study set the criteria of "unit scene" segmentation as events perceived by the lines, acts of characters, entrance and exit of a character, and beginning and stop of dance, song, and music. Scenes of stage performance units were turned into sentences by combining lines with texts. The investigator took all the theatrical elements characterizing the stage performance of Miyal Scene as theatrical devices and described them. Finally, the study described theatrical significance in the dimension of the field since it would present the performance situations more clearly. The results are summarized as follows: The theatrical device of the Miyal Scene has a basic axis in the triangular relations among Miyal, Yeonggam, and Yongsansamgaedoelmoeri-woman. Lines or conversation reactions were the combinations of dances and songs based on Ungdoengi-choreography, Sinayi-music, and Gutgoeri-beat, developing in a repeating symmetrical structure among scenes. The format of lines being exchanged between the court musician and character was particularly used. Based on the basic axis of triangular relations, Miyal Scene creates a lively atmosphere with exciting, vigorous, and firm beats through conversation reactions in a repeating symmetrical structure combined with the Ungdoengi-choreography, Sinayi-music, and Gutgoeri-beat. It also wraps up the finale by wishing for the well-being of the community members with a scene that reaches an ecstatic state and delivers vitality with excitement.

참고문헌 (Reference)

1 서연호, "황해도 탈놀이" 열화당 1988

2 정병호, "한국의 민속춤" 삼성출판사 1991

3 심우성, "한국의 민속극" 창작과 비평사 1975

4 김태곤, "한국무속연구" 집문당 1982

5 김일출, "조선민속 탈놀이 연구" 과학원출판사 1958

6 조만호, "전통희곡의 제식적 미학" 태학사 1985

7 강한영, "신재효 판소리사설集" 민중서관 1971

8 이경식, "셰익스피어 연구" 서울대학교 출판부 2005

9 조만호, "한국가면극의 창조적 복원 연구 Ⅱ —‘第三場 社黨舞’를 중심으로—" 영주어문학회 21 : 293-312, 2011

10 조만호, "한국가면극의 창조적 복원 연구" 반교어문학회 (26) : 555-609, 2009

11 김진옥, "한국가면극"

12 조만호, "탈춤 자료 ‘읽기’에 대한 반성적 제안(Ⅱ)" 한국역사민속학회 9 : 75-95, 1999

13 조만호, "탈춤 연행원리의 연구사적 검토" 비교연극학회 (창간) : 2000

14 조만호, "탈춤 연행 원리의 한 국면 ; 불림, In 한국연극학의 위상" 태학사 2002

15 "조선의 민간오락"

16 "조선왕조실록"

17 임석재, "자료 鳳山탈춤 臺詞[봉산탈춤대사]" 창립 5주년 기념 특집 (18) : 1957

18 "신증동국여지승람"

19 "시경"

20 "사기"

21 조만호, "봉산탈춤 자료 분석 연구" 반교어문학회 17 : 109-142, 2004

22 서연호, "봉산탈춤 오청채록원본의 연구" 고려대학교 민족문화연구원 2002

23 조만호, "봉산탈춤 1936년 사리원 공연 채록자료 연구" 반교어문학회 (24) : 211-263, 2008

24 "동국세시기"

25 "논어"

26 임석재, "鳳山탈춤 臺詞後記" (18) : 188-222, 1957

27 "脚本"

28 "敎坊諸譜"

29 "1940년 송석하 채록, 문장 2 통권 6․7, (한국민속고에 재수록)"

30 "1936년 오청, 8월 31일 (음력 7월 15일) 구자균필사본 假面舞踊鳳山탈"