트리스트럼의 하비 호스(Hobby-Horse)와 싸이의 B급 순수 에너지:『트리스트럼 샌디』와 함께 <강남 스타일> 읽기 = Tristram’s Hobby-horse and Psy’s B-rated Pure Energy: Reading Gangnam Style alongside Tristram Shandy

다국어 초록 (Multilingual Abstract)

This paper examines the source of South Korean rapper Psy’s B-rated pure energy in his globally viral song and music video(MV) Gangnam Style. In doing so, this paper focuses on the notion of Tristram’s hobby-horse in the novel Tristram Shandy. Despite the vast temporal and spatial distance that separates the novel and Psy’s MV, Tristram’s hobby-horse, that is, the lively movement of the pen evoking the dynamic movement of a nimble horse, could serve as an appropriate conceptual tool for examining the way in which Psy’s hobby horse, that is, his singular and comic B-rated pure energy manifests itself in the diverse and compelling forms of invisible horse-riding movement in the MV. Psy’s intense enjoyment of self-absorption, the main source of his comic charisma, is derived from the strong affirmation of his hobby-horse. Furthermore, Psy’s hobby-horse becomes a profound and compelling comic medium through which the MV pungently critiques the snobbish pretentiousness and wooden conventionality of Gangnam culture in unique and hilarious ways. In the process, the artist himself becomes an object of parody and derision without locating him at a privileged and exceptional position. That is the essence of Psy’s comic spirit. As opposed to recent attempts to exploit Gangnam Style’s global popularity through commercial and government-based institutional means, this paper focuses on the source of the inventiveness of Psy’s hobby horse, which gracefully embodies the spirit of Tristram’s motto, “to let people tell their stories their own way” and its significance in various cultural contexts.

목차 (Table of Contents)

• Ⅰ. 들어가며
• Ⅱ. 스턴의 하비 호스 철학과 창조성의 기원
• Ⅲ. <강남스타일> 혹은 싸이의 B급 똘끼의 기원
• Ⅳ. <강남 스타일> 이후
• 인용문헌
• Abstract

참고문헌 (Reference)

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2 정재식, "갤로핑(Galloping)의 이중의 리듬: 트리스트람 샌디와 들뢰즈의 강렬한 건강의 글쓰기" 6 (6): 93-121, 2009

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5 Mahdawi, Arwa, "What’s so funny about Gangnam Style?"

6 Žižek, Slavoj, "The Parallax View" MIT P 2006

7 Diderot, Denis, "The Paradox of the Actor, In Selected Writings on Art and Literature" Penguin 98-158, 1994

8 Zupančič, Alenka, "The Odd One in : On Comedy" MIT P 2008

9 Sterne, Lawrence, "The Life and Opinions of Tristram Shandy 3 Vols" U of Florida P 1978

10 Greene, Robert, "The Art of Seduction" Viking 2001

11 Chung, Jaesik, "Tears, Humor and ‘The Critical and Clinical’: Reading The Baroque and Sympathy in Clarissa, Tristram Shandy and Deleuze" SUNY at Buffalo 2005

12 Lee, Rachel., "Psy hopes to top Billboard"

13 정재식, "On the Paradox of Sympathy and Its Visualization: Denis Diderot, Adam Smith, and the Art of (De)theatricalization" 영미문학연구회 11 (11): 215-238, 2006

14 Gombrich, E. H, "Meditations on a Hobby Horse : And Other Essays on the Theory of Art" Phaidon Publishers 1963

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