The paper reviewed example sentences with a work of Chikamatsu Monzaemon under the themes of Early modern Japanese drama and Joseon. First of all, examples related to Joseon varied, for example, ‘高麗(kourai/koma)’, ‘百済(hakusai)’, ‘新...

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다국어 초록 (Multilingual Abstract)
The paper reviewed example sentences with a work of Chikamatsu Monzaemon under the themes of Early modern Japanese drama and Joseon. First of all, examples related to Joseon varied, for example, ‘高麗(kourai/koma)’, ‘百済(hakusai)’, ‘新...
The paper reviewed example sentences with a work of Chikamatsu Monzaemon under the themes of Early modern Japanese drama and Joseon. First of all, examples related to Joseon varied, for example, ‘高麗(kourai/koma)’, ‘百済(hakusai)’, ‘新羅(sila)’, ‘朝鮮(chosen)’, ‘三韓(sankan)’, ‘韓国 (karakuni/karakoku)’ etc. ‘高麗’ which is most widely said to represent Joseon was often recognized as a foreign country with a negative image. What is noteworthy is that reality and contemporariness were emphasized, using ‘Joseon朝鮮’ for an objective and geographical view of world, distinguished from ‘Goryeo高麗’ which is a conceptual representative foreign country. This shows an aspect of recognition on foreign countries for early modern Japanese people. In the aspect, ‘foreign country of dream’ which the traditional view of world had, and ‘foreign country in real world’ obtained by various information on foreign countries in early modern period coexist. On the other hand, Chikamatsu Monzaemon sensitively responded to information and trend of foreign countries so that he was very interested in The Joseon Tongsinsa(goodwill missions sent intermittently, at the request of the Japanese authority, by Joseon Dynasty Korea to Japan). Whenever The Joseon Tongsinsa visited Japan, he put a work related work on stage. However, the writer’s attitude shown on his works was sometimes contrary. It seems that Chikamatsu’s recognition on Joseon was flexible or fluid in front of the destiny of drama world which is a request and an interest from the audiences, and focusing on performance success.
참고문헌 (Reference)
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4 原道生, "近松の対「異国」意識" 學燈社 45 : 37-38, 2000
5 朴麗玉, "近松の作品と朝鮮通信使-『大職冠』の場合" 京都大学文学部国語学国文学研究室 80 : 33-36, 2011
6 朴麗玉, "近世演劇の比較文學的研究" 京都大学 2010
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8 荒野泰典, "近世日本と東アジア" 東京大学出版部 1-3, 1989
9 "朝鮮人大行列記大全"
10 崔官, "日本近世文學と朝鮮" 勉誠出版 58-59, 2013
1 최관, "近松門左衛門의 『本朝三國志』에 대한 한 고찰" 한국일본문화학회 3 : 186-, 1996
2 鳥越文蔵, "近松浄瑠璃集 二" 小学館 580-, 1980
3 한경자, "近松の浄瑠璃における台湾への関心 ー『唐船噺今国性爺』を中心にー" 일본연구소 42 : 131-159, 2014
4 原道生, "近松の対「異国」意識" 學燈社 45 : 37-38, 2000
5 朴麗玉, "近松の作品と朝鮮通信使-『大職冠』の場合" 京都大学文学部国語学国文学研究室 80 : 33-36, 2011
6 朴麗玉, "近世演劇の比較文學的研究" 京都大学 2010
7 倉地克直, "近世日本人は朝鮮をどうみていたか" 角川書店 169-198, 2001
8 荒野泰典, "近世日本と東アジア" 東京大学出版部 1-3, 1989
9 "朝鮮人大行列記大全"
10 崔官, "日本近世文學と朝鮮" 勉誠出版 58-59, 2013
11 高木市之助, "平家物語 上" 岩波書店 333-, 1979
12 "寛永漂流記"
13 原道生, "大職冠(近松浄瑠璃集上)" 岩波書店 333-334, 1993
14 "増補華夷通商考"
15 "和漢三才図会"
16 "万国総図"
17 김성은, "『고쿠센야갓센』 (國性爺合戰)에 나타난 대외의식" 한국일본문화학회 14 : 2002
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학술지 이력
| 연월일 | 이력구분 | 이력상세 | 등재구분 |
|---|---|---|---|
| 2026 | 평가 | 재인증평가 신청대상 (재인증) | |
| 2020-01-01 | 등재 | 등재학술지 유지 (재인증) | ![]() |
| 2017-01-01 | 등재 | 등재학술지 유지 (계속평가) | ![]() |
| 2013-01-01 | 등재 | 등재학술지 유지 (등재유지) | ![]() |
| 2010-01-01 | 등재 | 등재학술지 유지 (등재유지) | ![]() |
| 2008-01-01 | 등재 | 등재학술지 유지 (등재유지) | ![]() |
| 2005-01-01 | 등재 | 등재학술지 선정 (등재후보2차) | ![]() |
| 2004-01-01 | 등재 | 등재후보 1차 PASS (등재후보1차) | ![]() |
| 2002-01-01 | 등재 | 등재후보학술지 선정 (신규평가) | ![]() |
학술지 인용정보
| 기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
|---|---|---|---|
| 2016 | 0.25 | 0.25 | 0.27 |
| KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
| 0.25 | 0.23 | 0.565 | 0.11 |