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      Reflections on Human Salvation and Deification in Russian Orthodox Culture and Dostoevsky's Religiosity: Centering on The Brothers Karamazov

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      https://www.riss.kr/link?id=A104227281

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      다국어 초록 (Multilingual Abstract)

      This paper aims at reflecting the relationship between Russian Orthodoxy and Dostoevsky's religiosity from the biblical viewpoint. The viewpoint might be identified as a complicated evangelical perspective, acknowledging the absolute authority of the Bible on the one hand and admitting diversity and incompleteness of human apprehension on the other hand.
      From the biblical viewpoint, the Russian Orthodox culture is very idiosyncratic. The one reason may be the historic fact that it has been formulated under heterogeneous religions, philosophies, politics, ecosystem, historic vicissitudes, etc. The Russian Orthodoxy includes the universal Orthodox ideas of Jesus' Crucifixion and Resurrection, human salvation and deification and the national elements of its dual belief structure with pre-Christian slavic paganism, nationalism, messianism. Among them there are several ambiguous ideas which have exerted a great influence on the Russian Orthodox culture: collective and general salvation, which are not in accordance with the biblical ideas of personal salvation according to individual's choice; the idea of human deification.
      Comparatively in the Bible, human salvation by repentance and baptism is put in the word “justify,” and successive spiritual growth in the word “sanctify.” Humans are saved only by personal unit and granted the Holy Spirit. Afterwards, redeemed people should take the successive stage of being sanctified by the Holy Spirit and the Bible, unable to reach the completeness.
      On the other hand, Russian Orthodoxy does not provide with time order and mechanism between human salvation and deification. In the idea of deification the range and level of the Holy Spirit's intervention to humans are considerably restricted, while the inner intuition and ascetic self-abnegation are emphasized s main agents of deification. The theological foundation of this dogma is laid on Dionysius the Areopagite's apophaticism, which manifests that men could approach the Absolute nearer in negative way than in positive way. According to this negative theology, men can reach a unity with the divine by self-abnegation in this world, which accounts for the cult of many saints and icons. In the Eastern Orthodoxy the idea of Jesus Christ as Savior is ambiguously related to that of Jesus as the archetype of transfiguration, and the relationship between the dogma of human salvation and deification is ambiguous. Additionally the Russian Orthodoxy emphasizes the joy of Jesus' Resurrection than His birth or suffering. And in the process of introduction of the Byzantine Orthodoxy, its original mystic tendency contributes to the formulation of a complicated dual belief system with pantheistic slavic paganism.
      The Russian Orthodox culture is in a dynamic interrelationship to Dostoevsky's religiosity. Dostoevsky tried to represent his new Orthodoxy-based religiosity aesthetically, integrating Russian Orthodoxy with his own modernized humanistic ideas and pantheistic Pochvennichestvo in the form of “minimal religion.”
      Dostoevksy's religiosity is more closely interrelated with the Orthodox Church than the biblical understanding in respect of the relationship between human salvation and deification, and Jesus Christ's status and functions. In his new landscape, the dogma of salvation through Christ' Crucifixion and Resurrection and the dogma of human deification, grafted with mystic “pochvennichestvo”(Return to the Soil) are overlapped, which is the case of the Russian Orthodoxy. In his idea of salvation is repeated the Orthodox ideas of the kenosis(self-abnegation) and the general and collective salvation. And the Orthodox orientation toward transformation through mystic immersion into the Divine and moral self-completion is more intensified.
      On the other hand he tried to integrate the Orthodox ideas of humility and self-abnegation, unconditional forgiveness, cosmic harmony with his subjective ideas of human freedom, practical lo...
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      This paper aims at reflecting the relationship between Russian Orthodoxy and Dostoevsky's religiosity from the biblical viewpoint. The viewpoint might be identified as a complicated evangelical perspective, acknowledging the absolute authority of the ...

      This paper aims at reflecting the relationship between Russian Orthodoxy and Dostoevsky's religiosity from the biblical viewpoint. The viewpoint might be identified as a complicated evangelical perspective, acknowledging the absolute authority of the Bible on the one hand and admitting diversity and incompleteness of human apprehension on the other hand.
      From the biblical viewpoint, the Russian Orthodox culture is very idiosyncratic. The one reason may be the historic fact that it has been formulated under heterogeneous religions, philosophies, politics, ecosystem, historic vicissitudes, etc. The Russian Orthodoxy includes the universal Orthodox ideas of Jesus' Crucifixion and Resurrection, human salvation and deification and the national elements of its dual belief structure with pre-Christian slavic paganism, nationalism, messianism. Among them there are several ambiguous ideas which have exerted a great influence on the Russian Orthodox culture: collective and general salvation, which are not in accordance with the biblical ideas of personal salvation according to individual's choice; the idea of human deification.
      Comparatively in the Bible, human salvation by repentance and baptism is put in the word “justify,” and successive spiritual growth in the word “sanctify.” Humans are saved only by personal unit and granted the Holy Spirit. Afterwards, redeemed people should take the successive stage of being sanctified by the Holy Spirit and the Bible, unable to reach the completeness.
      On the other hand, Russian Orthodoxy does not provide with time order and mechanism between human salvation and deification. In the idea of deification the range and level of the Holy Spirit's intervention to humans are considerably restricted, while the inner intuition and ascetic self-abnegation are emphasized s main agents of deification. The theological foundation of this dogma is laid on Dionysius the Areopagite's apophaticism, which manifests that men could approach the Absolute nearer in negative way than in positive way. According to this negative theology, men can reach a unity with the divine by self-abnegation in this world, which accounts for the cult of many saints and icons. In the Eastern Orthodoxy the idea of Jesus Christ as Savior is ambiguously related to that of Jesus as the archetype of transfiguration, and the relationship between the dogma of human salvation and deification is ambiguous. Additionally the Russian Orthodoxy emphasizes the joy of Jesus' Resurrection than His birth or suffering. And in the process of introduction of the Byzantine Orthodoxy, its original mystic tendency contributes to the formulation of a complicated dual belief system with pantheistic slavic paganism.
      The Russian Orthodox culture is in a dynamic interrelationship to Dostoevsky's religiosity. Dostoevsky tried to represent his new Orthodoxy-based religiosity aesthetically, integrating Russian Orthodoxy with his own modernized humanistic ideas and pantheistic Pochvennichestvo in the form of “minimal religion.”
      Dostoevksy's religiosity is more closely interrelated with the Orthodox Church than the biblical understanding in respect of the relationship between human salvation and deification, and Jesus Christ's status and functions. In his new landscape, the dogma of salvation through Christ' Crucifixion and Resurrection and the dogma of human deification, grafted with mystic “pochvennichestvo”(Return to the Soil) are overlapped, which is the case of the Russian Orthodoxy. In his idea of salvation is repeated the Orthodox ideas of the kenosis(self-abnegation) and the general and collective salvation. And the Orthodox orientation toward transformation through mystic immersion into the Divine and moral self-completion is more intensified.
      On the other hand he tried to integrate the Orthodox ideas of humility and self-abnegation, unconditional forgiveness, cosmic harmony with his subjective ideas of human freedom, practical lo...

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      참고문헌 (Reference)

      1 Осипов, А.И., "Ф. М. Достоевский и христианство К 175-летию со дня рождения вечер, посвященный 175- летию со дня рождения великого русского писателя Ф. М. Достоевского"

      2 Эсаулов,И.А., "Категория соборности в русскойлитературе"

      3 Stanton,L.J., "Zedergolm’s Life of Elder Leonid of Optina as a Source of Dostoevsky’s The Brothers Karamazov" 49 : 443-455, 1990

      4 Rosenshield,G., "Western Law, Russian Justice: Dostoevsky, the Jury Trial, and the Law" The University of Wisconsin Press 2005

      5 Gibson,A.B., "The Religion of Dostoevsky" Modern Thoughts History 1988

      6 Flath,C.A., "The Passion of Dmitry Karamazov" 58 (58): 584-599, 1999

      7 Billington,J.H., "The Icon and the Axe: An Interpretive History of Russian Culture" Vintage Books 1970

      8 Dostoevsky,M.F., "The Brothers Karamazov"

      9 Yancy, P., "Student Bible"

      10 Ivanits,L.J., "Russian folk belief"

      1 Осипов, А.И., "Ф. М. Достоевский и христианство К 175-летию со дня рождения вечер, посвященный 175- летию со дня рождения великого русского писателя Ф. М. Достоевского"

      2 Эсаулов,И.А., "Категория соборности в русскойлитературе"

      3 Stanton,L.J., "Zedergolm’s Life of Elder Leonid of Optina as a Source of Dostoevsky’s The Brothers Karamazov" 49 : 443-455, 1990

      4 Rosenshield,G., "Western Law, Russian Justice: Dostoevsky, the Jury Trial, and the Law" The University of Wisconsin Press 2005

      5 Gibson,A.B., "The Religion of Dostoevsky" Modern Thoughts History 1988

      6 Flath,C.A., "The Passion of Dmitry Karamazov" 58 (58): 584-599, 1999

      7 Billington,J.H., "The Icon and the Axe: An Interpretive History of Russian Culture" Vintage Books 1970

      8 Dostoevsky,M.F., "The Brothers Karamazov"

      9 Yancy, P., "Student Bible"

      10 Ivanits,L.J., "Russian folk belief"

      11 Seok.Y.J., "Russian Orthodoxy: History, Theology, Art" Korea University Press 2007

      12 Comer,W.J., "Rogozhin and the Castrates: Russian Religious Traditions in Dostoevsky’s The Idiot" 40 (40): 85-99, 1996

      13 Griffiths, F.T., "Novel Epics: Gogol, Dostoevsky, and National Narrative" Northwestern University Press 1990

      14 Figes,O, "Natasha’s Dance" Icarusmedia 2005

      15 Rosenshield,G., "Mystery and Commandment in The Brothers Karamazov: Leo Baeck an Fedor Dostoevsky" 52 (52): 483-508, 1994

      16 Meerson,O., "Ivolgin and Holbein: Non-Christ Risen vs. Christ Non-Risen" 39 (39): 200-213, 1995

      17 Mether, T., "Is Orthodoxy Neo-Platonic? A Response to the Credenda Agenda"

      18 Lee,D.H., "Icon and Avant-garde: Cultural Representation of Transcendental Holiness" Tree of Thought 2008

      19 Scanlan,J.P., "Dostoevsky’s Arguments for Immortality" 59 : 1-20, 2000

      20 Jones,M.V., "Dostoevsky and the Dynamics of Religious Experience" Anthem Press 2005

      21 Rudicina,A.F., "Crime and Myth: The Archetypal Pattern of Rebirth in Three Novels of Dostoevsky" 87 (87): 1065-1074, 1972

      22 Moore, E., "Book review, Lossky, Vladimir, The Mystical Theology of the Eastern Church"

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      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2022 평가예정 재인증평가 신청대상 (재인증)
      2019-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2016-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2012-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2011-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2009-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.55 0.55 0.47
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.47 0.46 0.727 0.13
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