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      KCI등재

      디완 시인 이브라힘 압드 알까디르 알마지니의 시 비평과 낭만성 연구 = A study on the poetic criticism and romanticism of Ibrāhīm ‘Abd al-Qādir al-Māzinī

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      다국어 초록 (Multilingual Abstract)

      Mazini was the most apparently Romantic of the Diwan group. In its expression of Romantic sentiment, his poetry of the self was in complete contrast with the objective poetry where the personality of the poet disappears behind the public mind. Also he...

      Mazini was the most apparently Romantic of the Diwan group. In its expression of Romantic sentiment, his poetry of the self was in complete contrast with the objective poetry where the personality of the poet disappears behind the public mind. Also he expressed the malaise of the Egyptian intellectual at a time of uncertainly hovering between Arab and Western values. In that sense, his poetry was an authentic record of his age.
      Actually in the greater part of his poems, he experimented the subjective emotions, for example anxiety, sorrow, alienation of himself, with a few exceptions. And formally he used the blank verse, the rhyming couplets and the short poem, but in the most poems he used the Qasidah form.
      Meanwhile, he made a contribution to the development of the modern Arabic Free Verse. First, he emphasized the opinion that the poetry is emotion and feeling, and expressed it in his most poems. Second, he used the myth through the translation of John Milton's The Paradise Lost, which was the major motif of poets of Free Verse in 1950's. Third, he made a experiment on the several forms freer than Qasidah the fixed form.

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      다국어 초록 (Multilingual Abstract)

      Mazini was the most apparently Romantic of the Diwan group. In its expression of Romantic sentiment, his poetry of the self was in complete contrast with the objective poetry where the personality of the poet disappears behind the public mind. Also he...

      Mazini was the most apparently Romantic of the Diwan group. In its expression of Romantic sentiment, his poetry of the self was in complete contrast with the objective poetry where the personality of the poet disappears behind the public mind. Also he expressed the malaise of the Egyptian intellectual at a time of uncertainly hovering between Arab and Western values. In that sense, his poetry was an authentic record of his age.
      Actually in the greater part of his poems, he experimented the subjective emotions, for example anxiety, sorrow, alienation of himself, with a few exceptions. And formally he used the blank verse, the rhyming couplets and the short poem, but in the most poems he used the Qasidah form.
      Meanwhile, he made a contribution to the development of the modern Arabic Free Verse. First, he emphasized the opinion that the poetry is emotion and feeling, and expressed it in his most poems. Second, he used the myth through the translation of John Milton's The Paradise Lost, which was the major motif of poets of Free Verse in 1950's. Third, he made a experiment on the several forms freer than Qasidah the fixed form.

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      참고문헌 (Reference)

      1 Ahmad Swailam, "al-’A‘mal al-Shi‘riyyah ‘Abd al-Qadir al-Mazini" maktabah al-Usrah 2004

      2 ‘Abd al-Badi‘ ‘Abdulla, "Ibrahim ‘Abd al-Qadir al-Mazini"

      1 Ahmad Swailam, "al-’A‘mal al-Shi‘riyyah ‘Abd al-Qadir al-Mazini" maktabah al-Usrah 2004

      2 ‘Abd al-Badi‘ ‘Abdulla, "Ibrahim ‘Abd al-Qadir al-Mazini"

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재 1차 FAIL (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2006-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2005-10-14 학술지등록 한글명 : 한국이슬람학회논총
      외국어명 : 미등록
      KCI등재후보
      2004-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.57 0.57 0.52
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.41 0.36 1.151 0.19
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