In this article, I tried to apply dance criticism based on the relativistic critique based on ontology of the works of art by Margolis. This application explored the applicability of dance criticism through the part of the description of the ontology ...
In this article, I tried to apply dance criticism based on the relativistic critique based on ontology of the works of art by Margolis. This application explored the applicability of dance criticism through the part of the description of the ontology of dance art which was presented in the article of "Dance Art Person Handwriting Nature" which he wrote about dance. In conclusion, according to the discussion of the marginalism, the criticism of dance art is not limited to the evaluation of the style considering only the movement of the body, but at the same time it claims to include cultural consideration because it has the cultural attribute of dance art, It can be said that it should include historical considerations because of the self - nature of dance art. In short, the scope of dance criticism is to evaluate the beautiful movements of the body, to evaluate the cultural part, and to evaluate the historical aspect. This view is more likely to be applied to the various dance works performed in modern times than in the classical ballet of the past, and that the Marxist relativistic criticism can consider various aspects of dance art than any other viewpoint It will be value.