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      바이오필릭 디자인 요소를 적용한 뮤럴벽지 디자인 연구 = A Study on the Design of Mural Wallpaper with Biophilic Design Elements

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      https://www.riss.kr/link?id=A108991509

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      With the importance of design reflecting nature-friendly concepts emerging, the purpose of this study is to develop a mural wallpaper design reflecting biophilic design to incorporate the concept into surface pattern design in the textile field. First...

      With the importance of design reflecting nature-friendly concepts emerging, the purpose of this study is to develop a mural wallpaper design reflecting biophilic design to incorporate the concept into surface pattern design in the textile field. First, a theoretical review of biophilic design was conducted through the synthesis of prior research. Biophilic design was derived from the concept of life love called biophilia and inherited the concept that humans instinctively love nature and choose things related to nature unconsciously.
      Biophilic design aims to help consumers feel psychological stability by providing direct and indirect experiences of nature, and Stephen Callert proposed empirical elements and attributes for the effective application and realization of biophilic design. This research proposed this by converting each element and attribute into an example of a method that can be expressed in pattern design in order to apply it to surface pattern design. Among the elements and attributes of biophilic design, the natural shape and shape items were considered suitable as elements that can be practically used for surface pattern design, and buildings and plants from the Greek and Roman periods, where the elements were best revealed, were selected as the main motif. In expressing the motif derived through this process, it was judged that the mural wallpaper applying a relatively larger motif and refit than the general wallpaper was appropriate. A total of four designs, Artemis, Demeter, Hera, and Dioni, were created, and buildings from the Greek and Roman periods were developed as the main motif, and the 12 symbolic plants of Greek and Roman mythology, which are closely related to this, were expressed as sub or point motifs. Through this, we intend to develop a design that can provide indirect beneficial natural experiences and psychological stability to consumers.

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