RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      헨리 제임스 작품에 나타난 죽음: 포기(Renunciation)의 극단적 형식 = The Death in Henry James's Works: Extreme Form Renunciation

      한글로보기

      https://www.riss.kr/link?id=A2115045

      • 0

        상세조회
      • 0

        다운로드
      서지정보 열기
      • 내보내기
      • 내책장담기
      • 공유하기
      • 오류접수

      부가정보

      다국어 초록 (Multilingual Abstract)

      E. M. Forster says death is congenial to a novelist because it ends a book conveniently. However, death in Henry James's works is more than formal device and has to do with the quintessence of James's thought. This thesis is to study the meaning of death in James's novels by analyzing his two tales "Daisy Miller" and "The Pupil."
      The Roman society criticises Daisy for her innocent but ignorant 'going round' with Giovanelli. Daisy ignores all the public opinion on her of the society. Adventurous, full of life, Daisy Miller captivates and perpelexes Winterbourne, who devotes all his energy to finding the correct formula to describe this young American. Seeing her alone with Giovanelli at the Colosseum, he is with a relief for her being a young lady whom a gentleman no longer be at pains to respect. Then he deliberately visibly her. Winterboune's failure to understand and to offer his esteem destroys Daisy's will to live. Roman fever only does her mind's bidding.
      Morgan in "The Pupil" is one of the characters whom it is impossible to regard except in the light of death. The studies of "The Pupil"have been centered upon finding out the responsibility of adults for the death of Morgan. The most responsible is Pemberton who promised Morgan to escape from his parents together but didn't keep it with no reason. Pemberton's wavering and scruple makes sensitive Morgan greatly disappointed. Morgan just can't stand the shock and the violent emotion with his infirmity. By seeing into the chaos of self that is his world, Morgan has gained the ultimate vision and has been destroyed by it.
      Thus what Korenman says in the follow well summrizes the meaning of death in James's works. It is through the mind that James's characters reach out for "experience," for "life." But the world continually proves gross and sinister. Observing that life in inadquate to their vision of it, James's characters retreat to that ideal vision. Frequently, However, such retreat is not enough. When the mind is sufficiently sensitive, the only effective retreat is often death. The major Jamesian vehicle of experience--the mind-- becomes the major instrument of escape from experience. Indeed, physical death in James is simply the impulse in extreme form, the renunciation of life.
      번역하기

      E. M. Forster says death is congenial to a novelist because it ends a book conveniently. However, death in Henry James's works is more than formal device and has to do with the quintessence of James's thought. This thesis is to study the meaning of de...

      E. M. Forster says death is congenial to a novelist because it ends a book conveniently. However, death in Henry James's works is more than formal device and has to do with the quintessence of James's thought. This thesis is to study the meaning of death in James's novels by analyzing his two tales "Daisy Miller" and "The Pupil."
      The Roman society criticises Daisy for her innocent but ignorant 'going round' with Giovanelli. Daisy ignores all the public opinion on her of the society. Adventurous, full of life, Daisy Miller captivates and perpelexes Winterbourne, who devotes all his energy to finding the correct formula to describe this young American. Seeing her alone with Giovanelli at the Colosseum, he is with a relief for her being a young lady whom a gentleman no longer be at pains to respect. Then he deliberately visibly her. Winterboune's failure to understand and to offer his esteem destroys Daisy's will to live. Roman fever only does her mind's bidding.
      Morgan in "The Pupil" is one of the characters whom it is impossible to regard except in the light of death. The studies of "The Pupil"have been centered upon finding out the responsibility of adults for the death of Morgan. The most responsible is Pemberton who promised Morgan to escape from his parents together but didn't keep it with no reason. Pemberton's wavering and scruple makes sensitive Morgan greatly disappointed. Morgan just can't stand the shock and the violent emotion with his infirmity. By seeing into the chaos of self that is his world, Morgan has gained the ultimate vision and has been destroyed by it.
      Thus what Korenman says in the follow well summrizes the meaning of death in James's works. It is through the mind that James's characters reach out for "experience," for "life." But the world continually proves gross and sinister. Observing that life in inadquate to their vision of it, James's characters retreat to that ideal vision. Frequently, However, such retreat is not enough. When the mind is sufficiently sensitive, the only effective retreat is often death. The major Jamesian vehicle of experience--the mind-- becomes the major instrument of escape from experience. Indeed, physical death in James is simply the impulse in extreme form, the renunciation of life.

      더보기

      동일학술지(권/호) 다른 논문

      동일학술지 더보기

      더보기

      분석정보

      View

      상세정보조회

      0

      Usage

      원문다운로드

      0

      대출신청

      0

      복사신청

      0

      EDDS신청

      0

      동일 주제 내 활용도 TOP

      더보기

      주제

      연도별 연구동향

      연도별 활용동향

      연관논문

      연구자 네트워크맵

      공동연구자 (7)

      유사연구자 (20) 활용도상위20명

      이 자료와 함께 이용한 RISS 자료

      나만을 위한 추천자료

      해외이동버튼