슈만의 작품에 나타난 성부의 동등성을 성취하는 대화기법 = The Dialogue Technique for Voices Equality in R. Schumann`s Work

다국어 초록 (Multilingual Abstract)

This study is an analysis of R. Scumann`s song cycle <Dichterliebe>, <Frauenliebe und Leben>, <Liederkreis op.24, op.39> and string quartet op.41. Mutually complemented texture of homophonic and polyphonic is premised I-V-I harmonic structure. In this basis, the analysis shows how the independent role of voices is achieved. The lied is formed with homophonic texture, which is made of melody and piano accompaniment. However, when it is analysed in detail, the piano accompaniment is consist of three different roles of the voices which are melody, rhythm and harmony voices. Accordingly, the piano accompaniment is formed with polyphonic texture, which is led to the conclusion that the lied ultimately has "Homophonic-Polyphonic texture." And this "Homophonic-Polyphonic texture" makes the equal importance among the voices or among the media by imitation and counterpoint. The dialogue that is initiated by the exchange of the motive has a transit role to the structure harmony or is used to prolong the tention harmony. Thus the effect of the dialogue technique is a creation of "mobility" and "tension."