两汉艺术观念的融通性研究 = Research on the compatibility of Artistic Ideas in Han Dynasty

다국어 초록 (Multilingual Abstract)

两汉艺术作品，以“相通相契”为主要特征，即不同的艺术门类之间存在着共同审美特征。两汉艺术精神作为本民族独具的审美意识，有形或无形地贯穿于本民族整体历史发展脉络中，在历史演变过程中不断获得意义的增殖。艺术观念作为连接艺术精神与艺术现象的中间环节，“融通性”是其必然特征。从艺术审美特征、艺术价值等角度切入，基于两汉艺术普遍存在的“雅俗共存”的审美形态，表明两汉艺术观念不仅受到儒家“美善合一”的伦理思想影响，亦呈现出汉代人之于生活、功利、享乐等多方面的永恒追求，之于自我存在价值持之以恒的探索。

다국어 초록 (Multilingual Abstract)

The main feature of the art works of the Han Dynasty is “interlinked and compatible”, that is, there are common aesthetic characteristics among different art categories. The artistic spirit of the Han Dynasty, as the unique aesthetic consciousness of Chinese nation, tangibly or intangibly runs through the whole historical development of our nation, and constantly gains the proliferation of significance in the process of historical evolution. Artistic ideas are an intermediate link between artistic spirit and artistic phenomenon that “interlinked and compatible” are its inevitable characteristic. Mainly starting from the perspectives of aesthetic characteristics, artistic value and aesthetic form of “coexistence of elegant and vulgarity” , this article shows that artistic ideas of the Han Dynasty are not only influenced by the Confucian ethics of “the harmony of beauty and goodness”, but also shows the Han People's eternal pursuit of daily life, utility, enjoyment, and absolutely the constant exploration of self-existence value..