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    산수시와의 관계에서 본 산수화의 기원-종병(宗炳)의 「화산수서(畵山水序)」 출현을 중심으로- = The origin of ShanShuiHua(山水畵), in relation to ShanShuiShi(山水詩) -Focusing on the appearance of 「HuaShanShuiXu(畵山水序)」 by ZongBing(宗炳)-

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    No change occurs without any reason, at any moment. Evolutionary biology, one of the most foundational branches of modern biology, acknowledges evolution as a phenomenon of gradual process. Evolutionary biology also explains that the discontinuity of species is a result of continuous speciation and extinction rather than sudden leaps from a linear evolutionary process. Therefore, the evolution of species does not necessarily mean its improvement of survival capacity from before or voluntary choice to evolve on its own. In other words, the natural environment has allowed species to survive, not the species itself choosing the evolutionary direction.
    The emergence and development of ShanShuiHua, which is a product of not only biological phenomena but also cultural systems at that time, as well as the disappearance of ShanShuiHua in the historical changes, are similar to this. 「HuaShanShuiXu(畵山水序)」 by ZongBing, considered to be significant evidence as the origin of ShanShuiHua, did not just appear overnight. However, the research on the origin of ShanShuiHua has primarily been conducted only within the framework of ZongBing’s individual belief system in Buddhism, interpretations of the concept of ‘Shen(神)’ in his writings, and the nature of Buddhism introduced at that time. Although this perspective allows us to understand the unique Buddhist interpretation of ‘Shen(神)’ by ZongBing and his relationship to developing ShanShuiHua, it cannot explain the fundamental cause of how his belief system brought about the appearance of ShanShuiHua. Concerning the origin of ShanShuiHua, this research aims to investigate the characteristics of ShanShuiHua in the Northern and Southern dynasties by examining ShanShuiShi, which emerged around the same time as the ShanShuiHua, and the context of ideological changes in Neo-Taoism(新道家).
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    No change occurs without any reason, at any moment. Evolutionary biology, one of the most foundational branches of modern biology, acknowledges evolution as a phenomenon of gradual process. Evolutionary biology also explains that the discontinuity of ...

    No change occurs without any reason, at any moment. Evolutionary biology, one of the most foundational branches of modern biology, acknowledges evolution as a phenomenon of gradual process. Evolutionary biology also explains that the discontinuity of species is a result of continuous speciation and extinction rather than sudden leaps from a linear evolutionary process. Therefore, the evolution of species does not necessarily mean its improvement of survival capacity from before or voluntary choice to evolve on its own. In other words, the natural environment has allowed species to survive, not the species itself choosing the evolutionary direction.
    The emergence and development of ShanShuiHua, which is a product of not only biological phenomena but also cultural systems at that time, as well as the disappearance of ShanShuiHua in the historical changes, are similar to this. 「HuaShanShuiXu(畵山水序)」 by ZongBing, considered to be significant evidence as the origin of ShanShuiHua, did not just appear overnight. However, the research on the origin of ShanShuiHua has primarily been conducted only within the framework of ZongBing’s individual belief system in Buddhism, interpretations of the concept of ‘Shen(神)’ in his writings, and the nature of Buddhism introduced at that time. Although this perspective allows us to understand the unique Buddhist interpretation of ‘Shen(神)’ by ZongBing and his relationship to developing ShanShuiHua, it cannot explain the fundamental cause of how his belief system brought about the appearance of ShanShuiHua. Concerning the origin of ShanShuiHua, this research aims to investigate the characteristics of ShanShuiHua in the Northern and Southern dynasties by examining ShanShuiShi, which emerged around the same time as the ShanShuiHua, and the context of ideological changes in Neo-Taoism(新道家).

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    참고문헌 (Reference)

    1 김연주, "劉宋 宗炳의 「畵山水序」 : 道의 體現으로서 初期山水畵 연구" 호남사학회 (64) : 133-155, 2016

    2 천촨시, "중국산수화사" 심포니 2014

    3 조송식, "종병의 불교사상과 그의 『화산수서』에 나타난 와유론(臥遊論)" 1999

    4 양희정, "종병(宗炳)의 ‘와유(臥遊)’개념에 관한 연구" 한국철학사연구회 (68) : 149-170, 2021

    5 김석주, "종병 산수화론의 도(道)·신(神)·물(物) 이중체용구조 고찰" 한국미학회 88 (88): 1-35, 2022

    6 다카시나 슈지, "미의 사색가들" 학고재 2005

    7 寧稼雨, "魏晉風度" 東方出版社 1992

    8 葛立方, "韵语阳秋"

    9 屈原, "離騷"

    10 曹植, "遠遊篇"

    1 김연주, "劉宋 宗炳의 「畵山水序」 : 道의 體現으로서 初期山水畵 연구" 호남사학회 (64) : 133-155, 2016

    2 천촨시, "중국산수화사" 심포니 2014

    3 조송식, "종병의 불교사상과 그의 『화산수서』에 나타난 와유론(臥遊論)" 1999

    4 양희정, "종병(宗炳)의 ‘와유(臥遊)’개념에 관한 연구" 한국철학사연구회 (68) : 149-170, 2021

    5 김석주, "종병 산수화론의 도(道)·신(神)·물(物) 이중체용구조 고찰" 한국미학회 88 (88): 1-35, 2022

    6 다카시나 슈지, "미의 사색가들" 학고재 2005

    7 寧稼雨, "魏晉風度" 東方出版社 1992

    8 葛立方, "韵语阳秋"

    9 屈原, "離騷"

    10 曹植, "遠遊篇"

    11 朱光潛, "遊仙詩" 3 (3): 1949

    12 鍾嶸, "詩品序"

    13 小川裕充, "臥遊: 中國山水畵, その世界" 中央公論美術出版 2008

    14 謝靈運, "石壁精舍還湖中作"

    15 宗炳, "畵山水序"

    16 張彥遠, "歷代名畫記, 卷4"

    17 宗炳, "明佛論"

    18 劉勰, "文心雕龍"

    19 左思, "招隱詩 一"

    20 何錫光, "從士族文化心理觀念看謝靈運山水詩" (1) : 1988

    21 王士禎, "帶經堂詩話, 卷5"

    22 橫山永三, "山水詩起源" 1975

    23 林庚, "山水詩是怎樣生産的" (3) : 1961

    24 林文月, "山水與古典" 純文學出版社 1976

    25 "宋書"

    26 王次澄, "南朝詩硏究" 大進印刷公司 1984

    27 이광철, "南朝 山水詩 硏究" 1999

    28 周娜维, "以‘观道’始, 以‘畅神’终-宗炳≪画山水序≫的美学内涵" 2014

    29 曹道衡, "也論山水詩的形成與發展" (2) : 1961

    30 袁行霈, "也談山水詩的産生問題" (4) : 1961

    31 徐福觀, "中國藝術精神" 臺灣學生書局 1966

    32 王瑤, "中國文學風貌" 上海棠棣出版社 1953

    33 小尾郊一, "中國文學に現れた自然と自然觀" 岩波書店

    34 윤정현, "中國 六朝時의 山水詩 硏究" 1988

    35 张岱年, "中国古典哲学概念范畴要论" 社会科学出版社 2000

    36 劉義慶, "世說新語"

    37 罗诗螈, "≪画山水序≫之‘畅神’审美内涵研究" 2020

    38 김백균, "‘흥(興)’과 ‘신(神)’의 의미 확장과 위진남북조시대 ‘문(文)’의 자각" 한국미학예술학회 67 : 60-81, 2022

    39 张梅, "‘澄怀味象畅神而已’-宗炳的山水美学思想" 2018

    40 Fung Yu-Lan, "A Short History of Chinese Philosophy" The Free Press 1948

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