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      16세기 수학과 회화 사이: 존 디의 ‘수학 서문’(1570) 속 수학의 유용성과 학문적 지위 = Between Mathematics and Painting in the 16th Century: The Usefulness and Academic Status of Mathematics in John Dee’s Mathematical Preface (1570)

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      https://www.riss.kr/link?id=A108438681

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      다국어 초록 (Multilingual Abstract)

      The mathematician John Dee, who wrote the Mathematical Preface (1570) to the first English translation of Euclid’s Elements, gained fame by systematically organizing the various fields of mathematics in the 16th century. In particular, the large table (Groundplat) he inserted in the preface attracted great attention by providing an overview of the fields that could be called mathematical at the time.
      Scholars who studied Dee’s Mathematical Preface have shown that Dee introduced vast fields of arts such as alchemy and astrology as mathematical applications, emphasizing the usefulness of mathematics, and could defend himself against criticism that he was a magician. However, given the status of universities at the time and the strict academic hierarchy, the strategy emphasizing the usefulness of mathematics by presenting various arts as mathematical applications could be an obstacle to revealing the essential value of mathematics and solidifying the academic status of mathematics. This paper compares the mathematical characteristics found in the books on painting published in the 15th and 16th centuries and the way to introduce painting techniques such as the arts of Perspective and Zography in Dee’s mathematical preface. The study purports to reveal what strategies Dee had taken to emphasize the usefulness of mathematics without compromising its essential value. It is to be hoped that this paper will provide a meaningful perspective to understand what position mathematics and painting had in the academic hierarchy of the time and how they were changing.
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      The mathematician John Dee, who wrote the Mathematical Preface (1570) to the first English translation of Euclid’s Elements, gained fame by systematically organizing the various fields of mathematics in the 16th century. In particular, the large tab...

      The mathematician John Dee, who wrote the Mathematical Preface (1570) to the first English translation of Euclid’s Elements, gained fame by systematically organizing the various fields of mathematics in the 16th century. In particular, the large table (Groundplat) he inserted in the preface attracted great attention by providing an overview of the fields that could be called mathematical at the time.
      Scholars who studied Dee’s Mathematical Preface have shown that Dee introduced vast fields of arts such as alchemy and astrology as mathematical applications, emphasizing the usefulness of mathematics, and could defend himself against criticism that he was a magician. However, given the status of universities at the time and the strict academic hierarchy, the strategy emphasizing the usefulness of mathematics by presenting various arts as mathematical applications could be an obstacle to revealing the essential value of mathematics and solidifying the academic status of mathematics. This paper compares the mathematical characteristics found in the books on painting published in the 15th and 16th centuries and the way to introduce painting techniques such as the arts of Perspective and Zography in Dee’s mathematical preface. The study purports to reveal what strategies Dee had taken to emphasize the usefulness of mathematics without compromising its essential value. It is to be hoped that this paper will provide a meaningful perspective to understand what position mathematics and painting had in the academic hierarchy of the time and how they were changing.

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      참고문헌 (Reference) 논문관계도

      1 레온 바티스타 알베르티, "회화론" 기파랑 2011

      2 조은정, "유클리드 광학과 초기 선 원근법 이론의 형성" 한국미술이론학회 (18) : 7-31, 2014

      3 데이비드 C. 린드버그, "서양과학의 기원들: 철학ㆍ종교ㆍ제도적 맥락에서 본 유럽의 과학전통, BC 600∼AD 1450" 나남 231-233, 2009

      4 피터 디어, "과학혁명: 유럽의 지식과 야망, 1500-1700" 뿌리와이파리 61-152, 2011

      5 김영식, "과학혁명: 근대과학의 출현과 그 배경" 민음사 1984

      6 Mancini, Antonio, "“Introduction” in Aristarchus’s Book on the Sizes and Distances of the Sun and of the Moon"

      7 Hill, Katherine, "‘Juglers or Schollers?’: Negotiating the Role of a Mathematical Practitioner" 31 (31): 253-274, 1998

      8 Dee, John, "The Works of. John Dee. Modernizations of his Main. Mathematical Masterpieces" Cosmopolite Press 145-198, 2010

      9 Egan, James Alan, "The Works of John Dee: Modernizations of His Main Mathematical Masterpieces" Create Space 2012

      10 Frangenberg, Thomas, "The Image and the Moving Eye: Jean. Pélerin (Viator) to Guidobaldo del Monte" 49 : 156-, 1986

      1 레온 바티스타 알베르티, "회화론" 기파랑 2011

      2 조은정, "유클리드 광학과 초기 선 원근법 이론의 형성" 한국미술이론학회 (18) : 7-31, 2014

      3 데이비드 C. 린드버그, "서양과학의 기원들: 철학ㆍ종교ㆍ제도적 맥락에서 본 유럽의 과학전통, BC 600∼AD 1450" 나남 231-233, 2009

      4 피터 디어, "과학혁명: 유럽의 지식과 야망, 1500-1700" 뿌리와이파리 61-152, 2011

      5 김영식, "과학혁명: 근대과학의 출현과 그 배경" 민음사 1984

      6 Mancini, Antonio, "“Introduction” in Aristarchus’s Book on the Sizes and Distances of the Sun and of the Moon"

      7 Hill, Katherine, "‘Juglers or Schollers?’: Negotiating the Role of a Mathematical Practitioner" 31 (31): 253-274, 1998

      8 Dee, John, "The Works of. John Dee. Modernizations of his Main. Mathematical Masterpieces" Cosmopolite Press 145-198, 2010

      9 Egan, James Alan, "The Works of John Dee: Modernizations of His Main Mathematical Masterpieces" Create Space 2012

      10 Frangenberg, Thomas, "The Image and the Moving Eye: Jean. Pélerin (Viator) to Guidobaldo del Monte" 49 : 156-, 1986

      11 Rampling, Jennifer M., "The Elizabethan Mathematics of Everything: John Dee’s ‘Mathematicall Praeface’ to Euclid’s Elements" 26 (26): 135-146, 2011

      12 Grendler, Paul F., "Schooling in Renaissance Italy: Literacy and Learning, 1300–1600" The Johns Hopkins University Press 22-23, 1989

      13 Halwas, Robin, "PÈLERIN, Jean, called Viator Vihiers (Anjou) circa 1433–1440 —Toul 1524 De artificiali p[er]spectiva. Toul, Pierre Jacobi, 9 July (i.e. 23 June) 1505"

      14 Banker, James R., "Piero della Francesca: Artist and Man" Oxford University Press 79-86, 2014

      15 Almeida, Bruno, "On the origins of Dee’s mathematical programme: The John Dee–Pedro Nunes connection" 43 : 460-469, 2012

      16 Woods, Kim W., "Making Renaissance Art. Vol. 1, Renaissance Art Reconsidered" Yale University Press 2007

      17 Clulee, Nicholas H., "John Dee’s Natural Philosophy: Between Science and Religion" Routledge 1988

      18 St. Clair, Norman Charles, "John Dee’s "Mathematicall Praeface": A Sixteenth Century Classification of the Mathematical Arts and Sciences" 165-168, 1963

      19 Jonston, Stephen, "John Dee: Interdisciplinary Studies in English Renaissance Thought" Springer 65-84, 2006

      20 Johnston, Stephen, "John Dee on Geometry: Texts, Teaching and the Euclidean Tradition" 43 : 470-479, 2012

      21 Peterson, Mark A., "Galileo’s Muse: Renaissance Mathematics and the Arts" Harvard University Press 99-124, 2011

      22 Seneca, J. Henderson, "Epistles 66-92" Harvard University Press 1920

      23 Cigola, Michela, "Distinguished Figures in Descriptive Geometry and Its Applications for Mechanism Science: From the Middle Ages to the 17th Century" Springer 2016

      24 Easton, Joy B., "Complete Dictionary of Scientific Biography, Vol. 4" Charles Scribner’s Sons 2007

      25 Reilly, Kara, "Automata and Mimesis on the Stage of Theatre History" Palgrave Macmillan 2011

      26 Darrigol, Olivier, "A History of Optics: From Greek Antiquity to the Nineteenth Century" Oxford University Press 2012

      27 야마모토 요시타카, "16세기 문화혁명" 동아시아 2010

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