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    명성황후(明成皇后)의 어필(御筆) = The text of empress Myeongseong

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    https://www.riss.kr/link?id=A82388323

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    A text of empress Myeongseong(明成皇后) shows that her character was calm, cool, strict, exact and delicate. In a word, she was a strong personality and a woman with distinct and drive. And she had a dignified appearance and an iron hand in a velvet glove. A text of empress Myeongseong was based on Guyangsun`s style(歐陽詢體). And it show partially style of Anjingyeong(顔眞卿) and Yugonggweon(柳公權). Her remained art works show that empress Myeongseong concerned calligraphy in the thirties. She gave trusted courtiers who were Leejoyeon(李祖淵) in thirty four years old and Minyounhwan (閔泳煥), Leebeomjin(李範晉), Jeongnakyong(鄭洛鎔), Kimgubok (金圭復), Hwangyunmyeon (黃允明), and Kimkyuseok(金圭錫) in thirty five years old and Minyounhwan, Simsuntaek (沈舜澤) and Minyeongdal(閔泳達) in later thirty years old special tablets and scrolls to increase royalty to royal family. Especially, she wrote excellent folding screens Haklimcheongdamsippokbyeong(鶴林淸談十幅屛) and Jasubyoung(刺繡屛) and excellent tablets Chwigan(翠磵), Unhyangokjojae(芸香玉藻齋) after later thirty years old. If you compare texts before middle thirty years old and texts after thirty years old on improving writing skill, you confirmed how focused she devote herself to write calligraphy in busy time. Her character made this progress in busy life of court.
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    A text of empress Myeongseong(明成皇后) shows that her character was calm, cool, strict, exact and delicate. In a word, she was a strong personality and a woman with distinct and drive. And she had a dignified appearance and an iron hand in a velv...

    A text of empress Myeongseong(明成皇后) shows that her character was calm, cool, strict, exact and delicate. In a word, she was a strong personality and a woman with distinct and drive. And she had a dignified appearance and an iron hand in a velvet glove. A text of empress Myeongseong was based on Guyangsun`s style(歐陽詢體). And it show partially style of Anjingyeong(顔眞卿) and Yugonggweon(柳公權). Her remained art works show that empress Myeongseong concerned calligraphy in the thirties. She gave trusted courtiers who were Leejoyeon(李祖淵) in thirty four years old and Minyounhwan (閔泳煥), Leebeomjin(李範晉), Jeongnakyong(鄭洛鎔), Kimgubok (金圭復), Hwangyunmyeon (黃允明), and Kimkyuseok(金圭錫) in thirty five years old and Minyounhwan, Simsuntaek (沈舜澤) and Minyeongdal(閔泳達) in later thirty years old special tablets and scrolls to increase royalty to royal family. Especially, she wrote excellent folding screens Haklimcheongdamsippokbyeong(鶴林淸談十幅屛) and Jasubyoung(刺繡屛) and excellent tablets Chwigan(翠磵), Unhyangokjojae(芸香玉藻齋) after later thirty years old. If you compare texts before middle thirty years old and texts after thirty years old on improving writing skill, you confirmed how focused she devote herself to write calligraphy in busy time. Her character made this progress in busy life of court.

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