Entitled : discriminating tastes and the expansion of the arts

목차 (Table of Contents)

• CONTENTS
• Preface = vii
• Acknowledgments = xiii
• 1 The Invention of American Art, 1825-1945 = 1
• Museums and Symphony Orchestras = 1
• Rationalizing Governance = 3
• The Second Wave : Ballet, Modern Dance, Theater, and Opera = 6
• Early Life Exposure = 18
• What Is an "American Art"? = 19
• Heading into the Great Depression = 24
• 2 The WPA and the Opening of the American Arts = 26
• The WPA's Impact = 27
• A Cultural Democracy = 30
• The Long Arm of WPA Influence : Artists, Organizations, Administrators = 35
• Conclusion = 39
• 3 The Museum of Primitive Art, 1940-1982 = 41
• Nelson Rockefeller, Art Collector = 43
• Primitive and Modern : Frontiers of Legitimacy in the Midcentury = 47
• Inventing the Field of Primitive Art = 48
• Influencing the Postcolonial Art World = 60
• Move to the Met = 62
• Primitive Art and Artistic Legitimation = 63
• Conclusion = 68
• 4 Opportunity Structures = 70
• Economic, Political, and Technological Change = 71
• Changes to Regulations = 73
• Changes within Arts Nonprofits = 76
• Changes to Funding = 80
• Conclusion = 84
• 5 Expansion : 1900-2000 = 86
• Building a Model of Aesthetic Legitimation = 87
• Conclusion = 111
• 6 Cultural Appropriation = 114
• Cosmopolitanism = 115
• Slumming = 118
• Monet's Kimono = 123
• Chinatown Plaid = 126
• Conclusion = 129
• 7 Conclusion = 132
• Twentieth-Century American Artistic Legitimation, in Brief = 137
• Trajectories = 140
• Aesthetic Continuities across Legitimizing Fields = 144
• Alliances with Legitimate Fields = 147
• People Power = 148
• Appropriation from Outside = 149
• Never Art : Kitsch ISO = 150
• Partial Legitimation: Designer Toys = 153
• Appendix : Methodological Appendix = 157
• Notes = 165
• Works Cited = 193
• Index = 229