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      Philosophies of beauty from Socrates to Robert Bridges : being the source of aesthetic theory

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      https://www.riss.kr/link?id=M10014597

      • 저자
      • 발행사항

        Oxford: The Clarendon press, [1962]

      • 발행연도

        1962

      • 작성언어

        영어

      • 주제어
      • DDC

        111.85

      • 자료형태

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      • 서명/저자사항

        Philosophies of beauty from Socrates to Robert Bridges: being the source of aesthetic theory / selected and edited by E.F. Carrit...

      • 형태사항

        xxi, 334 p.

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      목차 (Table of Contents)

      • CONTENTS
      • INTRODUCTION = xv
      • 1. XENOPHON (about 430-35O B.C.)
      • Memorabilia = 1
      • 2. PLATO (428-348 B.C.)
      • CONTENTS
      • INTRODUCTION = xv
      • 1. XENOPHON (about 430-35O B.C.)
      • Memorabilia = 1
      • 2. PLATO (428-348 B.C.)
      • Hippias Major = 3
      • Phaedrus = 16
      • Symposium = 16
      • Re,bublic = 17
      • Timaeus = 28
      • Philebus = 29
      • 3. ARISTOTLE (about 384-322 B.C.)
      • Poetics = 31
      • Politics = 33
      • Problems = 35
      • Metaphysics = 36
      • 4. MARCUS TULLIUS CICERO (106-43 B.C.)
      • Tusculan Dismsions = 36
      • The Orator = 36
      • 5. 'LONGINUS' (1st Century A.D.)
      • On the Sublime = 37
      • 6. MARCUS AURELIUS ANTONINUS (121-180)
      • Meditations = 39
      • 7. PHILOSTRATUS (about A.D. 170-245)
      • Life of Apollonius of Tyana = 4
      • 8. PLOTINUS (about A.D. 205-270)
      • Enneads = 44
      • 9. ST. THOMAS AQUINAS (about 1225-1274)
      • Summa Theologica = 50
      • Commentary on the Sentences = 52
      • 10. SIR PHILIP SIDNEY (I554-1586)
      • An Apologiefor Poetrie = 52
      • 11. FRANCIS BACON, LORD VERULAM (1561-1626)
      • The Proficience and Advancement of learning = 54
      • Essayes or Counsels, xliii = 56
      • 12. THOMAS HOBBES (1588-1679)
      • Leviathan = 56
      • 13. GOTTFRIED WILHELM LEIBNIZ (1646-1716)
      • Meditations on Knowledge, Truth, and Ideas. = 57
      • Theodicy = 57
      • 14. GIANVINCENZOGRAVINA (1664-1718)
      • A Discourse on the Ancient Fictions = 57
      • 15. JOHN DENNIS (1657-1734)
      • The Advancement and Reformation of Modern Poetry = 58
      • 16. LUDOVICO ANTONIO MURATORI (1672-1750)
      • The Perfection of Italian Poetry = 60
      • 17. ANTHONY ASHLEY COOPER, LORD SHAFTESBURY (1671-1713)
      • Characteristicks = 65
      • 18. JOSEPH ADDISON (1672-1719)
      • The Spectator = 65
      • 19. FRANCIS HUTCHESON (1694-1740)
      • An Enquity into the Original ofour Ideas of Beauty and Virtue = 70
      • 20. GIAMBATTISTA VICO (1668-1744)
      • The New Science = 73
      • 20 A. GEORGE BERKELEY, BISHOP OF CLOYNE (1685-1753)
      • The New Alciphron = 74
      • 21. BARON CHRISTIAN VON WOLFF (1679-1764)
      • Empirical PVchology = 81
      • 22. ALEXANDER GOTTLIEB BAUMGARTEN (1714-1762)
      • Philosophical Thoughts on Matters connected with Poetry = 81
      • Metaphysics = 84
      • Aesthetics = 84
      • 23. DAVID HUME (1711-1776)
      • A Treatise of Human Nature = 85
      • Essays, xxiii = 86
      • 24. WILLIAM HOGARTH (1697-1764)
      • The Analysis of Beauty = 88
      • 25. EDMUND BURKE (1729-1797)
      • A Philosophicd Enquity into the Or4gin of our Iikas on the Sublime and Beauttful = 88
      • 26. HENRY HOME, LORD KAMES (1696-1782)
      • Elements of Criticism = 94
      • 27. SIR JOSHUA REYNOLDS (1723-1792)
      • Discourses = 95
      • 28. THOMAS REID (1710-1796)
      • Essays, viii = 100
      • 29. ARCHIBALD ALISON (1757-1839)
      • Essays on tlw Nature and Principles of Taste = 104
      • 30. IMMANUEL KANT (1724-1804)
      • The Critique of Judgement = 110
      • 31. SIR UVEDALE PRICE (1747-1829)
      • Essays on the Picturesque = 124
      • 32. JOHANN CHRISTOPH FRIEDRICH VON SCHILLER (1759-1805)
      • Letters an the Aesthetic Education of Mankind = 125
      • 33. WILLIAM WORDSWORTH (1770-1850)
      • Preface to Lyrical Ballads = 128
      • Essay Supplementary to the Preface = 129
      • Preface to Poems = 130
      • Letter to a Friend of Burns = 130
      • 34. SAMUEL TAYLOR COLERIDGE (1772-1834)
      • Dejection, an Ode = 131
      • On the Principles of Sound Critiuism = 133
      • On Poesy or Art = 134
      • 35. FRIEDRICH WILHELMJOSEPH VON SCHELLING (1775-1854)
      • The Relation of the Arts of Form to Nature = 135
      • 36. ARTHUR SCHOPENHAUER (1788-1860)
      • The World as Will and Idea = 137
      • 37. PERCY BYSSHE SHELLEY (1792-1822)
      • A Defence of Poetty = 148
      • 38. JOHANN FRIEDRICH HERBART (1776-1841)
      • Practical Philosophy = 151
      • Introduction to Philosophy = 154
      • Engclopaedia of Philosophy = 155
      • 39. JOHN STUART MILL (1806-1873)
      • Poetry and its Varieties = 158
      • 40. GEORG WILHELM FRIEDRICH HEGEL (1770-1831)
      • Aesthetics = 160
      • 41. JOHN RUSKIN (1819-1900)
      • Modern Painters = 175
      • The Seven Lamps of Architecture = 180
      • 42. EDUARD HANSLICK (1825-1904)
      • The Beautiful in Music = 180
      • 43. HERBERT SPENCER (1820-1903)
      • Principles of Psychology = 182
      • 44. FRIEDRICH NIETZSCHE (1844-1900)
      • The Birth of Tragedy = 185
      • 45. WALTER PATER (1839-1894)
      • Appreciations = 186
      • 46. RICHARD LEWIS NETTLESHIP (1846-1892)
      • Philosophical Remains, Lectures on Logic = 188
      • 47. BERNARD BOSANQUET (1848-1923)
      • A Histoiy of Aesthetic = 190
      • Three Lectures on Aesthetic = 191
      • 48. LYOV NIKOLAVEVITCH TOLSTOY (1828-1910)
      • What is Art? = 191
      • 49. OSCAR FINGALL O'FLAHERTIE WILLS WILDE (1856-1900)
      • The Picture of Dorian Gray = 196
      • 50. ROBERT ALAN MOWBRAY STEVENSON (1847-1900)
      • Velasquez = 197
      • 51. GEORGE SANTAYANA (1863)
      • The Sense of Beauty = 198
      • 52. HENRI BERGSON (1859)
      • Laughter = 204
      • 53. ANDREW CECIL BRADLEY (1851)
      • Oxford Lectures on Poetty = 209
      • 54. BENEDETTO CROCE (1866)
      • A Brtviaiy of Aesthetics = 233
      • New Essays in Aesthetics = 243
      • Aesthetics = 243
      • ProblemsofAesthetics = 244
      • 55. GEORGE EDWARD MOORE (1873)
      • Principia Ethica = 245
      • 56. THEODOR LIPPS (1851-1914)
      • 'Empathy', Inward Imitation, and Sense Feelings = 252
      • A Further Consideration of 'Empathy' = 256
      • 57. SIR WILLIAM MITCHELL (1861)
      • Structure and Growth of the Mind = 258
      • 58. CLIVE BELL (1881)
      • Art = 264
      • 59. ROGER FRY (1866)
      • Vision and Design = 266
      • Transformptions = 267
      • 60. SAMUEL ALEXANDER(1859)
      • Space, Time, and Deity = 267
      • 61. THOMAS ERNEST HULME (1883-1917)
      • Speculations = 273
      • 62. C. K. OGDEN, I. A. RICHARDS, and JAMES WOOD
      • The Foundations of Aesthetics. = 276
      • 63. IVORARMSTRONGRICHARDS (1893)
      • Principles of Literary Criticism = 277
      • 64. PHILIP LEON (1895)
      • Aesthetic Knowledge = 284
      • Suggestions from Aestheticsfor the Metaphysic of Quality = 290
      • 65. ROBIN GEORGECOLLINGWOOD (1889)
      • Outlines of a Philosophy of Art = 292
      • Speculum Mentis = 296
      • 66. RALPH BARI'ON PERRY (1876)
      • General Theory of Value = 298
      • 67. JOHN LAIRD (1887)
      • The Idea of Value = 300
      • 68. WALTER TERENCE STACE (1886)
      • The Meaning of Beauty = 301
      • 69. JOHN DEWEY (1859)
      • Experience and Nature = 306
      • 70. DAVID WIGHT PRALL (1886)
      • Aesthetic Judgement = 308
      • 71. CURTJOHN DUCASSE (1881)
      • The Philosophy of Art = 312
      • 72. WILLIAM DAVID ROSS (1877)
      • The Right and the Good = 316
      • 73. GIOVANNI GENTILE (1875)
      • The Philosophy of Art = 320
      • 74. ROBERT BRIDGES (1844-1930)
      • The Testament of Beauty = 331
      • INDEX = 332
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