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    Architects' Professional Alliance with the Furniture Design Industry in Interwar America - As Reflected in Public Exhibitions -

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    https://www.riss.kr/link?id=A104344003

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The professional alliance between disciplines of architecture and furniture design in the interwar years as displayed in the prominent architectural exhibitions of the era is interesting in the context of professionalization of American architecture. The way furniture design gradually became part of the architectural shows not only reflected but provided the practical field in which the architectural institution sought, under the new social order since the mid 1910s, a new professional cast—departing from the former milieu in the realm of high-art by the Beaux-Arts Movement. Exhibitions held by the Architectural League of New York in the 1920s revealed that the early impetus for reformation toward efficiency had been subsumed by the system of Beaux-Arts. By contrast, “The Architect and the Industrial Arts” show of the Metropolitan Museum of Art, in which the most prominent architects of the era exercised their professional expertise in the design of “Moderne Style” interior furnishings, clearly shows how architects, in the milieu of expanding commercial market, sought to align their profession as industrial designers.
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    The professional alliance between disciplines of architecture and furniture design in the interwar years as displayed in the prominent architectural exhibitions of the era is interesting in the context of professionalization of American architecture. ...

    The professional alliance between disciplines of architecture and furniture design in the interwar years as displayed in the prominent architectural exhibitions of the era is interesting in the context of professionalization of American architecture. The way furniture design gradually became part of the architectural shows not only reflected but provided the practical field in which the architectural institution sought, under the new social order since the mid 1910s, a new professional cast—departing from the former milieu in the realm of high-art by the Beaux-Arts Movement. Exhibitions held by the Architectural League of New York in the 1920s revealed that the early impetus for reformation toward efficiency had been subsumed by the system of Beaux-Arts. By contrast, “The Architect and the Industrial Arts” show of the Metropolitan Museum of Art, in which the most prominent architects of the era exercised their professional expertise in the design of “Moderne Style” interior furnishings, clearly shows how architects, in the milieu of expanding commercial market, sought to align their profession as industrial designers.

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    참고문헌 (Reference)

    1 Unnamed author, "With the Publishers" 12 (12): 1921

    2 Mikkelsen,M.A, "Two Problems of Architecture" 65 (65): 65-66, 1929

    3 Meikle,J.L.1979.Twentieth Century Limited:Industrial Design in America,1925-, "Twentieth Century Limited: Industrial Design in America, 1925-1939" Temple University Press 38-, 1939

    4 Unnamed author, "Thirty-Ninth Annual Exhibition, The Architectural League of New York" 125 (125): 143-144, 1924

    5 Unnamed author, "The International Exposition of Architecture and the Allied Arts" 127 (127): 459-, 1925

    6 Draper,J, "The Ecole des Beaux-Arts and the Architectural Profession in the United States: The Case of John Galen Howard. The Architect: Chapters in the History of the Profession"

    7 Solon,L.V, "The Architect and the Industrial Arts: An Exhibition of Contemporary American Design"

    8 Unnamed author, "The Architect and the Decorative Furnishing Industries" 7 (7): 113-, 1916

    9 Unnamed author, "The 1926 League Exhibition" 44 (44): 52-, 1926

    10 Richards,C.R, "Exhibition of American Contemporary Design" 24 (24): 78-, 1919

    1 Unnamed author, "With the Publishers" 12 (12): 1921

    2 Mikkelsen,M.A, "Two Problems of Architecture" 65 (65): 65-66, 1929

    3 Meikle,J.L.1979.Twentieth Century Limited:Industrial Design in America,1925-, "Twentieth Century Limited: Industrial Design in America, 1925-1939" Temple University Press 38-, 1939

    4 Unnamed author, "Thirty-Ninth Annual Exhibition, The Architectural League of New York" 125 (125): 143-144, 1924

    5 Unnamed author, "The International Exposition of Architecture and the Allied Arts" 127 (127): 459-, 1925

    6 Draper,J, "The Ecole des Beaux-Arts and the Architectural Profession in the United States: The Case of John Galen Howard. The Architect: Chapters in the History of the Profession"

    7 Solon,L.V, "The Architect and the Industrial Arts: An Exhibition of Contemporary American Design"

    8 Unnamed author, "The Architect and the Decorative Furnishing Industries" 7 (7): 113-, 1916

    9 Unnamed author, "The 1926 League Exhibition" 44 (44): 52-, 1926

    10 Richards,C.R, "Exhibition of American Contemporary Design" 24 (24): 78-, 1919

    11 Hood,R, "Business Executive’s Office. The Architect and the Industrial Arts: An Exhibition of Contemporary American Design"

    12 Unnamed author, "American Industrial Art: Exhibition Plans" 23 (23): 290-, 1928

    13 Bach,R.F, "American Industrial Art: An Exhibit of Contemporary Design" 24 (24): 40-41, 1929

    14 Pulos,A.J, "American Design Ethic" MIT Press 354-, 1983

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2014-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2013-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2012-01-01 등재 등재후보학술지 유지 (기타) KCI등재후보
    2011-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2010-01-01 등재 신청제한 (등재후보1차) KCI등재후보
    2009-01-01 등재 등재후보 1차 FAIL (등재후보1차) KCI등재후보
    2007-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.19 0.19 0.21
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.23 0.22 0.375 0.02
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