1 Roche, Anthony, "Woman on the Threshold: J. M. Synge’s The Shadow of the Glen, Teresa Deevy’s Katie Roche, and Marina Carr’s The Mai" Leeney and McMullan 17-42,
2 Murray, Christopher, "Twentieth-Century Irish Drama: Mirror up to Nation. Manchester" Manchester UP 1997
3 Wallace, Clare, "Tragic Destiny and Abjection in Marina Carr's The Mai, Portia Coughlan and By the Bog of Cats ." 31 (31): 431-449, 2001
4 Leeney, Cathy, "The Theatre of Marina Carr: “before rules was made" Carysfort 2003
5 Carr, Marina, "The Mai. Plays" 187-255,
6 Sihra, Melissa, "The House of Woman and the Plays of Marina Carr.” Women in Irish Drama: A Century of Authorship and Representation. Ed. Melissa Sihra" Palgrave Macmillan 201-218, 2007
7 Schneider, Rebecca, "The Explicit Body in Performance" Routledge 1997
8 McGuinness, Frank, "The Dazzling Dark: New Irish Plays" Faber and Faber 1996
9 Murphy, Paula, "Staging Histories in Marina Carr’s Midlands Plays" 36 (36): 289-402, 2006
10 Deleuze, Gilles, "Pure Immanence: Essays on a Life. Intro. John Reichman. Trans. Anne Boyman" Zone Books 2001
1 Roche, Anthony, "Woman on the Threshold: J. M. Synge’s The Shadow of the Glen, Teresa Deevy’s Katie Roche, and Marina Carr’s The Mai" Leeney and McMullan 17-42,
2 Murray, Christopher, "Twentieth-Century Irish Drama: Mirror up to Nation. Manchester" Manchester UP 1997
3 Wallace, Clare, "Tragic Destiny and Abjection in Marina Carr's The Mai, Portia Coughlan and By the Bog of Cats ." 31 (31): 431-449, 2001
4 Leeney, Cathy, "The Theatre of Marina Carr: “before rules was made" Carysfort 2003
5 Carr, Marina, "The Mai. Plays" 187-255,
6 Sihra, Melissa, "The House of Woman and the Plays of Marina Carr.” Women in Irish Drama: A Century of Authorship and Representation. Ed. Melissa Sihra" Palgrave Macmillan 201-218, 2007
7 Schneider, Rebecca, "The Explicit Body in Performance" Routledge 1997
8 McGuinness, Frank, "The Dazzling Dark: New Irish Plays" Faber and Faber 1996
9 Murphy, Paula, "Staging Histories in Marina Carr’s Midlands Plays" 36 (36): 289-402, 2006
10 Deleuze, Gilles, "Pure Immanence: Essays on a Life. Intro. John Reichman. Trans. Anne Boyman" Zone Books 2001
11 Carr, Marina, "Plays I" Faber and Faber 1999
12 ?i?ek, Slavoj, "Organs without Bodies: On Deleuze and Consequences" Routledge 2004
13 Deleuze, Gilles, "One Less Manifesto.” Mimesis, Masochism, and Mime: The Politics of Theatricality in Contemporary French Thought. Ed. Timothy Murray" U of Michigan P 239-258, 1997
14 McMullan, Anna, "In touch with some otherness’: Gender, Authority and the Body in Dancing at Lughnasa" 29 (29): 90-101, 1999
15 Deleuze, Gilles, "Dialogues. Trans. Hugh Tomlinson and Barbara Habberjam" Columbia UP 1977
16 Carr, Marina, "Dealing with the Dead" 28 (28): 190-196, 1998
17 Doyle, Maria, "Dead Center: Tragedy and the Reanimated Body in Marina Carr’s The Mai and Portia Coughlan" 49 (49): 41-59, 2006
18 Roche, Anthony, "Close to Home but Distant’: Irish Drama in the 1990s.” Ireland on Stage: Beckett and After. Ed. Hiroko Mikami, Minako Okamuro, Naoko Yagi" Carysfort 5-28, 2007
19 Bourke, Bernadette, "Carr’s ‘cut-throats and gargiyles’: Grotesque and Carnivalesque Elements in By the Bog of Cats ." Leeney and McMullan 128-144,
20 Kelly, Catherine, "Breaking the Mould: Three Plays by Marina Carr" 8 : 105-114, 2002
21 Wallace, Clare, "Authentic Reproductions: Marina Carr and the Inevitable" Leeney and McMullan 43-64,