This study attempted to extract the geopolitical specificity of the so-called ‘K-content’ by analyzing the representation of ‘North Korea’ in Netflix’s original content (Korea). As a result of the analysis, the following points were confirme...
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https://www.riss.kr/link?id=A109475835
2024
Korean
넷플릭스 ; 북한 ; 표상 ; 난민 ; 젠더 역할 ; Netflix ; North Korea ; Representation ; Refugees ; Gender Roles
802
KCI등재
학술저널
229-254(26쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This study attempted to extract the geopolitical specificity of the so-called ‘K-content’ by analyzing the representation of ‘North Korea’ in Netflix’s original content (Korea). As a result of the analysis, the following points were confirme...
This study attempted to extract the geopolitical specificity of the so-called ‘K-content’ by analyzing the representation of ‘North Korea’ in Netflix’s original content (Korea). As a result of the analysis, the following points were confirmed. As the episode of ‘Bulkogi Ghost Story’ in <D.P>, the representation of North Korea reproduced based on the past Cold War ideology evokes the reality of absolute ‘evil’ and functions as a device to conceal the contradiction of South Korean society. On the other hand, Netflix original contents, which have been successful in box office worldwide in recent years, show a pattern of representation of North Korea being reproduced in a wide variety of ways. First, a new stereotype tends to appear as a blank space in the narrative. Second, a new female character emerges to evangelize the existing mainstream gender role. Third, the possibility of solidarity between minorities in the two Koreas as a ‘refugee’ is raised. These trends are important not only to show the world’s public perception of North Korea at present, but also to raise rich questions about the direction of ‘K-content’ based on the geopolitical specificity of the Korean Peninsula in the future.
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