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あぁかがさざただなはばぱまやゃらわゎんいぃきぎしじちぢにひびぴみりうぅくぐすずつづっぬふぶぷむゆゅるえぇけげせぜてでねへべぺめれおぉこごそぞとどのほぼぽもよょろを

アァカサザタダナハバパマヤャラワヮンイィキギシジチヂニヒビピミリウゥクグスズツヅッヌフブプムユュルエェケゲセゼテデヘベペメレオォコゴソゾトドノホボポモヨョロヲ ―

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中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.

ㅥ ㅦ ㅧ ㅨ ㅩ ㅪ ㅫ ㅬ ㅭ ㅮ ㅯ ㅰ ㅱ ㅲ ㅳ ㅴ ㅵ ㅶ ㅷ ㅸ ㅹ ㅺ ㅻ ㅼ ㅽ ㅾ ㅿ ㆀ ㆁ ㆂ ㆃ ㆄ ㆅ ㆆ ㆇ ㆈ ㆉ ㆊ ㆋ ㆌ ㆍ ㆎ

Α Β Γ Δ Ε Ζ Η Θ Ι Κ Λ Μ Ν Ξ Ο Π Ρ Σ Τ Υ Φ Χ Ψ Ω α β γ δ ε ζ η θ ι κ λ μ ν ξ ο π ρ σ τ υ φ χ ψ ω

á à Á À é è É È ç Ç ê

Ä Ö Ü ä ö ü ß

ְ ֳ ֲ ֱ ָ ַ ֵ ֶ ִ ֹ ּ ֻ ׂ ׁ ּ פ ם ן ו ט א ר ק ף ך ל ח י ע כ ג ד ש ץ ת צ מ נ ה ב

‘ ’ “ ” 〔〕〈〉「」『』【】＂（）［］｛｝

± × ÷ ≠ ≤ ≥ ∞ ∴ ♂ ♀ ∠ ⊥ ⌒ ∂ ∇ ≡ ≒ ≪ ≫ √ ∽ ∝ ∵ ∫ ∬ ∈ ∋ ⊆ ⊇ ⊂ ⊃ ∪ ∩ ∧ ∨ ￢ ⇒ ⇔ ∀ ∃ ∮ ∑ ∏ ＋－＜＝＞

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½ ⅓ ⅔ ¼ ¾ ⅛ ⅜ ⅝ ⅞ ¹ ² ³ ⁴ ⁿ ₁ ₂ ₃ ₄

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Transforming type : new directions in kinetic typography

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https://www.riss.kr/link?id=M14380493

저자

Brownie, Barbara
발행사항
London : Bloomsbury, 2015
발행연도
2015
작성언어
영어
주제어

Graphic design (Typography) ; Kinetic art ; Credit titles (Motion pictures, television, etc.) ; Logos (Symbols) ; CRAFTS & HOBBIES ; DESIGN ; TECHNOLOGY & ENGINEERING ; Credit titles (Motion pictures, television, etc.) ; Graphic design (Typography) ; Kinetic art ; Logos (Symbols) ; Typographie ; Kinetik ; Bewegung
DDC
686.2/2 판사항(23)
ISBN
9780857855336
0857855336
9780857855664
0857855662
자료형태
EBOOK
발행국
England
형태사항
1 online resource.
일반주기명
Includes bibliographical references and index.
FC; Half title; Title; Copyright; Contents; List of illustrations; Introduction; Towards a classification of temporal typography; A note on terminology; PART ONE Mapping the field: Categories of kineticism; 1 What is kineticism?; Typography in temporal media; Temporal typography; Serial presentation; Scrolling typography; Dynamic layout; Kinetic typography: Motion and change; 2 Global v. local events; Global displacement and local kineticism; Elasticity or transformation; 3 Local kineticism and fluctuating identity; Fluid typography; Metamorphosis; Construction; Revelation.
A note on false fluidityPART TWO Issues in transforming typography; 4 Illusory space: The page and screen as a virtual environment; Construction in three-dimensional space; Revelation in three-dimensional objects; 5 Legibility and asemisis in fluid typography; Legibility at the poles of transformation; A temporal relationship between word and image; Fluctuating legibility and asemisis; Asemisis and the search for new knowledge; 6Reactive and generative behaviors; Interactivity and reactivity; Generative typography: The next step in reactivity; PART THREE Case studies.
7 Fluid branding: Channel 4 and its imitatorsMartin Lambie Nairn and new forms of kinetic branding; Modularity and text/image relationships in the Channel 4 logo; Masquerade and illusion; Influence; Ident families; 8 Telling titles: The credit sequences of Kyle Cooper and his peers; Bridging the gap between typography and film; Overlaying and integration; Kyle Cooper and text/image relationships; 9 Kinetic poetry; Temporal poetry and the static page; Kineticism as performance; Fluidity in holopoetry; Conclusion; Kineticism elsewhere; Appendix: Categories of Temporal Typography; Notes.
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