RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      KCI등재

      이찬 시의 낭만성과 비극성 = The romance and tragedy in Lee Chan’s poetry

      한글로보기

      https://www.riss.kr/link?id=A103964861

      • 0

        상세조회
      • 0

        다운로드
      서지정보 열기
      • 내보내기
      • 내책장담기
      • 공유하기
      • 오류접수

      부가정보

      다국어 초록 (Multilingual Abstract)

      Lee Chan’s early poems were defined as the world of romance. His second-term poems were defined as proletarian poetry and poems written in prison when he made the romance as the core point through longing and desire for lost world. Maximizing the romance was proletarian poetry. His third-term poems were feelings of the northern countries called the spirit of Lee Chan‘’s poems. He recognized the emotion of diaspora as the tragedy in these poems. It was remarkable time that the poet’s tragedy observing and expressing the reality of colony. Afterward he wrote poems related inside withdrawal and war cooperation, finally he wrote poem after defecting to North Korea.
      Lee Chan showed the romance of desire in early poems and proletarian poems. Then he indicated acute scenery of the tragedy in the late 1930s’ poems. In heavy situation, he moved from pro-Japanese literature to North Korean literature. However he didn’t throw introspected self-reflection language to himself each his changing. But through several form of garden, he clearly showed consistent of maximizing his utopia sense.
      The time Lee Chan experienced was an icon which intensively indicated several features of deformed modern Korean poetic history. He was a unique poet who expressed various traces of modern Korean poetry in short time step by step. His path informed that he was a special poet who stepped the trace of many modern Korean poetry’s extremes such as romantic poetry, proletarian poetry, prison poetry, pro-Japanese poetry and North Korean poetry. Likewise we can call his life as a grudge return. Because he left hometown, experienced the light and darkness of modern times and returned his hometown.
      번역하기

      Lee Chan’s early poems were defined as the world of romance. His second-term poems were defined as proletarian poetry and poems written in prison when he made the romance as the core point through longing and desire for lost world. Maximizing the ro...

      Lee Chan’s early poems were defined as the world of romance. His second-term poems were defined as proletarian poetry and poems written in prison when he made the romance as the core point through longing and desire for lost world. Maximizing the romance was proletarian poetry. His third-term poems were feelings of the northern countries called the spirit of Lee Chan‘’s poems. He recognized the emotion of diaspora as the tragedy in these poems. It was remarkable time that the poet’s tragedy observing and expressing the reality of colony. Afterward he wrote poems related inside withdrawal and war cooperation, finally he wrote poem after defecting to North Korea.
      Lee Chan showed the romance of desire in early poems and proletarian poems. Then he indicated acute scenery of the tragedy in the late 1930s’ poems. In heavy situation, he moved from pro-Japanese literature to North Korean literature. However he didn’t throw introspected self-reflection language to himself each his changing. But through several form of garden, he clearly showed consistent of maximizing his utopia sense.
      The time Lee Chan experienced was an icon which intensively indicated several features of deformed modern Korean poetic history. He was a unique poet who expressed various traces of modern Korean poetry in short time step by step. His path informed that he was a special poet who stepped the trace of many modern Korean poetry’s extremes such as romantic poetry, proletarian poetry, prison poetry, pro-Japanese poetry and North Korean poetry. Likewise we can call his life as a grudge return. Because he left hometown, experienced the light and darkness of modern times and returned his hometown.

      더보기

      다국어 초록 (Multilingual Abstract)

      Lee Chan’s early poems were defined as the world of romance. His second-term poems were defined as proletarian poetry and poems written in prison when he made the romance as the core point through longing and desire for lost world. Maximizing the romance was proletarian poetry. His third-term poems were feelings of the northern countries called the spirit of Lee Chan‘’s poems. He recognized the emotion of diaspora as the tragedy in these poems. It was remarkable time that the poet’s tragedy observing and expressing the reality of colony. Afterward he wrote poems related inside withdrawal and war cooperation, finally he wrote poem after defecting to North Korea.
      Lee Chan showed the romance of desire in early poems and proletarian poems. Then he indicated acute scenery of the tragedy in the late 1930s’ poems. In heavy situation, he moved from pro-Japanese literature to North Korean literature. However he didn’t throw introspected self-reflection language to himself each his changing. But through several form of garden, he clearly showed consistent of maximizing his utopia sense.
      The time Lee Chan experienced was an icon which intensively indicated several features of deformed modern Korean poetic history. He was a unique poet who expressed various traces of modern Korean poetry in short time step by step. His path informed that he was a special poet who stepped the trace of many modern Korean poetry’s extremes such as romantic poetry, proletarian poetry, prison poetry, pro-Japanese poetry and North Korean poetry. Likewise we can call his life as a grudge return. Because he left hometown, experienced the light and darkness of modern times and returned his hometown.
      번역하기

      Lee Chan’s early poems were defined as the world of romance. His second-term poems were defined as proletarian poetry and poems written in prison when he made the romance as the core point through longing and desire for lost world. Maximizing the ro...

      Lee Chan’s early poems were defined as the world of romance. His second-term poems were defined as proletarian poetry and poems written in prison when he made the romance as the core point through longing and desire for lost world. Maximizing the romance was proletarian poetry. His third-term poems were feelings of the northern countries called the spirit of Lee Chan‘’s poems. He recognized the emotion of diaspora as the tragedy in these poems. It was remarkable time that the poet’s tragedy observing and expressing the reality of colony. Afterward he wrote poems related inside withdrawal and war cooperation, finally he wrote poem after defecting to North Korea.
      Lee Chan showed the romance of desire in early poems and proletarian poems. Then he indicated acute scenery of the tragedy in the late 1930s’ poems. In heavy situation, he moved from pro-Japanese literature to North Korean literature. However he didn’t throw introspected self-reflection language to himself each his changing. But through several form of garden, he clearly showed consistent of maximizing his utopia sense.
      The time Lee Chan experienced was an icon which intensively indicated several features of deformed modern Korean poetic history. He was a unique poet who expressed various traces of modern Korean poetry in short time step by step. His path informed that he was a special poet who stepped the trace of many modern Korean poetry’s extremes such as romantic poetry, proletarian poetry, prison poetry, pro-Japanese poetry and North Korean poetry. Likewise we can call his life as a grudge return. Because he left hometown, experienced the light and darkness of modern times and returned his hometown.

      더보기

      참고문헌 (Reference)

      1 김용직, "한국현대시사 1" 한국문연 1996

      2 윤영천, "한국의 유민시" 실천문학사 1987

      3 유성호, "한국 현대시의 형상과 논리" 국학자료원 1997

      4 김윤태, "한국 현대시와 리얼리티" 소명출판 2001

      5 윤여탁, "한국 현대 리얼리즘 시인론" 태학사 1990

      6 김응교, "이찬과 한국 근대문학" 소명출판 2007

      7 박세영, "이찬 시집 대망을 읽고"

      8 이동순, "이찬 시 전집" 소명출판 2003

      9 이찬, "분향(焚香)" 한성도서주식회사 1938

      10 김용직, "문예사조" 문학과지성사 1983

      1 김용직, "한국현대시사 1" 한국문연 1996

      2 윤영천, "한국의 유민시" 실천문학사 1987

      3 유성호, "한국 현대시의 형상과 논리" 국학자료원 1997

      4 김윤태, "한국 현대시와 리얼리티" 소명출판 2001

      5 윤여탁, "한국 현대 리얼리즘 시인론" 태학사 1990

      6 김응교, "이찬과 한국 근대문학" 소명출판 2007

      7 박세영, "이찬 시집 대망을 읽고"

      8 이동순, "이찬 시 전집" 소명출판 2003

      9 이찬, "분향(焚香)" 한성도서주식회사 1938

      10 김용직, "문예사조" 문학과지성사 1983

      11 이찬, "망양(茫洋)" 대동출판사 1940

      12 이광수, "동포에 고함" 철학과현실사 1997

      13 지명렬, "독일낭만주의연구" 일지사 1988

      14 이찬, "대망(待望)" 풍림사 1937

      15 임화, "담천하의 시단 일년, in : 문학의 논리" 학예사 1940

      16 유성호, "근대시의 모더니티와 종교적 상상력" 소명출판 2008

      17 Charles Taylor, "Sources of The Self : The Making of the Modern Identity" Harvard University Press 1989

      더보기

      동일학술지(권/호) 다른 논문

      동일학술지 더보기

      더보기

      분석정보

      View

      상세정보조회

      0

      Usage

      원문다운로드

      0

      대출신청

      0

      복사신청

      0

      EDDS신청

      0

      동일 주제 내 활용도 TOP

      더보기

      주제

      연도별 연구동향

      연도별 활용동향

      연관논문

      연구자 네트워크맵

      공동연구자 (7)

      유사연구자 (20) 활용도상위20명

      인용정보 인용지수 설명보기

      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2014-01-08 학술지명변경 외국어명 : 미등록 -> Cross-Cultural Studies KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2009-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2007-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
      더보기

      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.34 0.34 0.33
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.31 0.3 0.588 0.1
      더보기

      이 자료와 함께 이용한 RISS 자료

      나만을 위한 추천자료

      해외이동버튼