이찬 시의 낭만성과 비극성 = The romance and tragedy in Lee Chan’s poetry

다국어 초록 (Multilingual Abstract)

Lee Chan’s early poems were defined as the world of romance. His second-term poems were defined as proletarian poetry and poems written in prison when he made the romance as the core point through longing and desire for lost world. Maximizing the romance was proletarian poetry. His third-term poems were feelings of the northern countries called the spirit of Lee Chan‘’s poems. He recognized the emotion of diaspora as the tragedy in these poems. It was remarkable time that the poet’s tragedy observing and expressing the reality of colony. Afterward he wrote poems related inside withdrawal and war cooperation, finally he wrote poem after defecting to North Korea.
Lee Chan showed the romance of desire in early poems and proletarian poems. Then he indicated acute scenery of the tragedy in the late 1930s’ poems. In heavy situation, he moved from pro-Japanese literature to North Korean literature. However he didn’t throw introspected self-reflection language to himself each his changing. But through several form of garden, he clearly showed consistent of maximizing his utopia sense.
The time Lee Chan experienced was an icon which intensively indicated several features of deformed modern Korean poetic history. He was a unique poet who expressed various traces of modern Korean poetry in short time step by step. His path informed that he was a special poet who stepped the trace of many modern Korean poetry’s extremes such as romantic poetry, proletarian poetry, prison poetry, pro-Japanese poetry and North Korean poetry. Likewise we can call his life as a grudge return. Because he left hometown, experienced the light and darkness of modern times and returned his hometown.

다국어 초록 (Multilingual Abstract)

Lee Chan’s early poems were defined as the world of romance. His second-term poems were defined as proletarian poetry and poems written in prison when he made the romance as the core point through longing and desire for lost world. Maximizing the romance was proletarian poetry. His third-term poems were feelings of the northern countries called the spirit of Lee Chan‘’s poems. He recognized the emotion of diaspora as the tragedy in these poems. It was remarkable time that the poet’s tragedy observing and expressing the reality of colony. Afterward he wrote poems related inside withdrawal and war cooperation, finally he wrote poem after defecting to North Korea.
Lee Chan showed the romance of desire in early poems and proletarian poems. Then he indicated acute scenery of the tragedy in the late 1930s’ poems. In heavy situation, he moved from pro-Japanese literature to North Korean literature. However he didn’t throw introspected self-reflection language to himself each his changing. But through several form of garden, he clearly showed consistent of maximizing his utopia sense.
The time Lee Chan experienced was an icon which intensively indicated several features of deformed modern Korean poetic history. He was a unique poet who expressed various traces of modern Korean poetry in short time step by step. His path informed that he was a special poet who stepped the trace of many modern Korean poetry’s extremes such as romantic poetry, proletarian poetry, prison poetry, pro-Japanese poetry and North Korean poetry. Likewise we can call his life as a grudge return. Because he left hometown, experienced the light and darkness of modern times and returned his hometown.

참고문헌 (Reference)

1 김용직, "한국현대시사 1" 한국문연 1996

2 윤영천, "한국의 유민시" 실천문학사 1987

3 유성호, "한국 현대시의 형상과 논리" 국학자료원 1997

4 김윤태, "한국 현대시와 리얼리티" 소명출판 2001

5 윤여탁, "한국 현대 리얼리즘 시인론" 태학사 1990

6 김응교, "이찬과 한국 근대문학" 소명출판 2007

7 박세영, "이찬 시집 대망을 읽고"

8 이동순, "이찬 시 전집" 소명출판 2003

9 이찬, "분향(焚香)" 한성도서주식회사 1938

10 김용직, "문예사조" 문학과지성사 1983

11 이찬, "망양(茫洋)" 대동출판사 1940

12 이광수, "동포에 고함" 철학과현실사 1997

13 지명렬, "독일낭만주의연구" 일지사 1988

14 이찬, "대망(待望)" 풍림사 1937

15 임화, "담천하의 시단 일년, in : 문학의 논리" 학예사 1940

16 유성호, "근대시의 모더니티와 종교적 상상력" 소명출판 2008

17 Charles Taylor, "Sources of The Self : The Making of the Modern Identity" Harvard University Press 1989