RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      The Birthday Party와 King Lear의 상호텍스트성 = The Intertextual Reading of The Birthday Party and King Lear

      한글로보기

      https://www.riss.kr/link?id=A109041437

      • 0

        상세조회
      • 0

        다운로드
      서지정보 열기
      • 내보내기
      • 내책장담기
      • 공유하기
      • 오류접수

      부가정보

      다국어 초록 (Multilingual Abstract)

      This study aims at the intertextual reading of The Birthday Party and King Lear. Harold Pinter, our contemporary playwright, is generally regarded as one of the absurd dramatists or postmodern literary artists. Actually his plays deal with essentially absurd human conditions on the basis of existential thought of our time. Shakespeare, the literary genius of the sixteenth century, is the great and distant ancestor of Harold Pinter. Shakespeare's characters, however, are so vivid even in this time that we think of them as detachable from the play, like real people. It means that there are fundamental theme and situation about our mankind presented by the maestro, that are not so changed according to the age.
      In this study, intertextuality of those two plays by the two playwrights is read in terms of their languages, dramatic situation of menace, and the motif of disabilities such as madness, aphasia, and blindness. In The Birthday Party, the human condition of menace is delivered through the shift of strength revealed in the dialogue of the characters. The language of Goldberg and McCann is full of verbal strategies to make Stanley give in, and we see Stanley become unable to see and articulate as the play goes on. Stanley's aphasia and blindness is in fact the representation of his state of absolute subservience. Shakespearean language in King Lear also contributes to survey the unbalance of power among characters in the course of development of dramatic situation. Interpreting Shakespeare's dialogue, the audience appreciate the rise of victor and the fall of victim, the result of which is blindness and death, although the surface meaning of the language may not be as logical and grammatical as we expect language to be, as in the case of Pinter.
      번역하기

      This study aims at the intertextual reading of The Birthday Party and King Lear. Harold Pinter, our contemporary playwright, is generally regarded as one of the absurd dramatists or postmodern literary artists. Actually his plays deal with essentially...

      This study aims at the intertextual reading of The Birthday Party and King Lear. Harold Pinter, our contemporary playwright, is generally regarded as one of the absurd dramatists or postmodern literary artists. Actually his plays deal with essentially absurd human conditions on the basis of existential thought of our time. Shakespeare, the literary genius of the sixteenth century, is the great and distant ancestor of Harold Pinter. Shakespeare's characters, however, are so vivid even in this time that we think of them as detachable from the play, like real people. It means that there are fundamental theme and situation about our mankind presented by the maestro, that are not so changed according to the age.
      In this study, intertextuality of those two plays by the two playwrights is read in terms of their languages, dramatic situation of menace, and the motif of disabilities such as madness, aphasia, and blindness. In The Birthday Party, the human condition of menace is delivered through the shift of strength revealed in the dialogue of the characters. The language of Goldberg and McCann is full of verbal strategies to make Stanley give in, and we see Stanley become unable to see and articulate as the play goes on. Stanley's aphasia and blindness is in fact the representation of his state of absolute subservience. Shakespearean language in King Lear also contributes to survey the unbalance of power among characters in the course of development of dramatic situation. Interpreting Shakespeare's dialogue, the audience appreciate the rise of victor and the fall of victim, the result of which is blindness and death, although the surface meaning of the language may not be as logical and grammatical as we expect language to be, as in the case of Pinter.

      더보기

      동일학술지(권/호) 다른 논문

      동일학술지 더보기

      더보기

      분석정보

      View

      상세정보조회

      0

      Usage

      원문다운로드

      0

      대출신청

      0

      복사신청

      0

      EDDS신청

      0

      동일 주제 내 활용도 TOP

      더보기

      주제

      연도별 연구동향

      연도별 활용동향

      연관논문

      연구자 네트워크맵

      공동연구자 (7)

      유사연구자 (20) 활용도상위20명

      이 자료와 함께 이용한 RISS 자료

      나만을 위한 추천자료

      해외이동버튼