舞踊專攻別 人間關係 特性 分析 : 서울市內 舞踊科 女大生을 中心으로

다국어 초록 (Multilingual Abstract)

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*Var. 1 : Piano part takes a melodic-variation of theme, and violin part expresses an obligato effect by triplet.
*Var. 2 : Violin part takes a melodic-variation of theme with 32 notes.
*Var. 3 : Modulating to F minor, it's the most characteritic variation with a dark feeling.
*Var. 4 : The most splendid, decorative variation, and has a finale-grandor with using an execution of trill, pizz, double-stop, and imitating-methods.
The 3rd movement is Sonata form with a reduced recapitulation and an expanded coda, which is under the lively-taratelistic rhythm, splendid and freely.
Unlike the general violin sonatas, this one makes an effect of a splendid performance, not only external permance effect, but dramatic spiritual undulation of his time with a butalso dynamic emotion of the 1st and 3rd movements, and a soft gracefulness of the 2nd one between them.

목차 (Table of Contents)

• 목차
• I. 序論 = 1
• 1. 硏究의 必要性 및 目的 = 1
• 2. 硏究 內容 = 7
• II. 理論的 背景 = 8
• 1. FIRO-B 理論 = 8
• 2. FIRO-B 理論의 基礎槪念 = 9
• 3. 人性과 人間關係 = 15
• 4. 舞踊과 人性 = 19
• III. 硏究方法 = 22
• 1. 硏究對象 = 22
• 2. 測定道具 및 測定方法 = 23
• 3. 測定期間 = 24
• 4. 資料處理方法 = 25
• IV. 結果 및 考察 = 27
• 1. 舞踊專攻別 舞踊硏習期間別로 본 舞踊專攻者의 對人關係의 志向性 = 27
• 1) 舞踊專攻別 舞踊硏習期間別로 본 舞踊專攻者의 行動特性 = 27
• 2) 相互交換量과 創始行動 = 31
• 3) 舞踊專攻別 舞踊硏習期間別로 본 舞踊專攻者들의 行動타입 = 32
• 2. 舞踊專攻別, 舞踊硏習期間別로 본 舞踊專攻集團의 兩立性 = 36
• 1) 相互交換量 = 39
• 2) 創始行動 = 40
• V. 結論 = 43
• 參考文獻 = 45
• 英文抄錄 = 47
• 附錄 = 49