소설 <벌레이야기>와 영화 <밀양>의 서사구조 비교 = A structure comparative study between a novel “The Story of A Worm,” and a movie “Milyang”

다국어 초록 (Multilingual Abstract)

In a comparative study between a novel and a movie which adapts the novel, the movie has not been unnoticed yet, because the novel has been considered much more important. So, this thesis studies “Milyang,” which dramatizes a novel, “The Story of A Worm” but has its own story values, and tries to identify its own originality.
By analyzing “The Story of A Worm,” this thesis finds out some facts. First, it has an enigmatic structure which repeats encoding and decoding. Secondly, it ends with a wife's death and the limitation of human power before God. Thirdly, mental process of a wife or a narrator repeats and changes by stages, and it engages with tragic descending structure which ends in catastrophic death.
“Milyang” has a ‘secret’ structure, which induces detection of a tragic life's reason which is hidden in a veil of mystery, by analyzing the characteristics of ‘Shinae.’ And the secret of God's existence presented as parts of Nature, such as sky, cloud, sunlight, etc. is described as the theme of sin, forgiveness, and redemption. “Milyang” shows a possibility of redemption through its ending. It ends with not Shinae's death but her attempted suicide. And she gets back to normal when she is out of a mental hospital. She also has her hair cut for herself. There would be always Jongchan next to her, reflecting her with a mirror. And at that moment, sun shines brightly.
“Story of Worm” and “Milyang” use the same motif: disappearance and kidnapping in their surface structure, and forgiveness and redemption in deep structure. Especially, Both of them focus on not missing and death of a child but human's ineffective struggle against God through mental process of a wife/Shinae.
They have some differences, however. Disappearance of a child in “The Story of A Worm” is like a violence of a life without any previous warning. It is because of tragic reality. On the other hand, a child missing in “Milyang” is caused by Shinae's show-off. A wife in “The Story of A Worm” accepts naturally the existence of God after disappearance and death of her child. However, Shinae denies the invisible thing at first but in the end meets God, sobbing desperately after her child's death. At the last scene of “Milyang,” Shinae has her hair cut looking into a mirror, contrary to a wife's death in “The Story of A Worm.” It means a new possibility of her recovery.
In conclusion, there are major two differences between them. First, although it is an adapted movie from a novel, “Milyang” becomes more extensive work through creative reconstruction of characters, intense and dramatic confrontation consciousness, symbolic ending, etc. Secondly, the common themes of both works, such as life and death, sin and redemption, forgiveness and revenge, God and human, etc. meet with various movie elements, like music, illumination, direction, camera technique, etc., and thus leads to new aesthetic possibility and philosophic introspection.

참고문헌 (Reference)

1 캐스린 흄, "환상과 미메시스" 푸른나무 2000

2 이국진, "한영해설성경" 아가페 2003

3 이광하, "하늘에서 땅으로 임하는 구원,밀양"

4 김혜리, "타인과 끝내 나눌 수 없는 고통 <밀양>" 2007

5 강순영, "인간이기 위하여" 2008

6 김주희, "이청준의 {벌레이야기}가 '증언'하는 용서의 도리" 한국현대문예비평학회 (14) : 127-155, 2004

7 이대규, "이청준 소설 벌레이야기의 상상력 연구" (5) : 1996

8 허문영, "이창동의 <밀양>② 이창독 감독, 영화평론가 허문영 대담" 2007

9 허문영, "이창동의 <밀양>① 비밀의 빛, 밀양으로 가는 길" 2007

10 티브 코핸, "이야기하기의 이론-소설과 영화의 문화 기호학" 한나래 1996

11 정이현, "이런 사랑도 정말 있다" 2007

12 시모어 채트먼, "영화와 소설의 서사구조" 민음사 1990

13 권택영, "영화와 소설 속의 욕망이론" 민음사 1995

14 사이드 필드, "시나리오란 무엇인가" 민음사 1991

15 최수웅, "소설과 영화의 창작방법론 비교분석－<벌레 이야기>와 <밀양>을 중심으로" 어문연구학회 54 : 481-503, 2007

16 송상일, "소설가 아담의 고뇌. 이청준 특집" (가을) : 1992

17 김석회, "소설 <벌레이야기>와 영화 <밀양> 사이" 한국문학치료학회 7 : 31-54, 2007

18 울리히 바이스슈타인, "비교문학론" 기린원 1989

19 윤호병, "비교문학" 민음사 1994

20 이청준, "벌레이야기. in: 이청준문학전집" 열림원 2002

21 이창동, "밀양 DVD"

22 김 현, "떠남과 되돌아옴. in: 분석과 해석" 문학과지성사 1988

23 김혜리, "끈질긴 이야기꾼의 도돌이표, 영화감독 이창동" 2007

24 현길언, "구원의 실현을 위한 사랑과 용서. in: 청준론" 삼인행 1991

25 송효정, "구성된 피해의식,부질없는 구원의 논리" 2007

26 한용환, "각색영화와의 비교를 통해 본 소설의 의미 재고―‘꿈’, ‘우리들의 일그러진 영웅’, ‘서편제’를 중심으로" 현대문학이론학회 (24) : 409-435, 2005

27 장안수, "反抗으로서의 自殺 -李淸俊 단편 <벌레 이야기>의 실존주의문학적 성격" 한국문학회 34 : 21-615, 2003

28 김용규, "<벌레이야기>를 통해서 본 ‘용서’의 의미. in: 한겨레"

29 김주연, "'제의와 화해' 이청준 작품집 <비화밀교>해설. in: 이청준론" 삼인행 1991