센다이 미디어테크의 자유로운 평면구성에 의한 건축공간의 특징에 관한 연구 = Architectural Space Characteristics Based on the Free Planar Composition of Sendai Mediatheque

다국어 초록 (Multilingual Abstract)

The free planar composition is one of five principles asserted by Le Corbusier, and the Domino structure allows the composition of the interior space to be free from the structural limitations of a building. To understand the free plan of the architectural space designed by Toyo Ito, it is necessary to analyze his architectural concept pursuits. His outlook is that today's society is constantly changing; these changes along with diversity are resultant phenomena caused by homogenization, and the homogeneity of cities and architecture creates diversity and novelty of space. The architectural space characteristics pertaining to the free layout of Sendai Mediatheque involves a visual sense of space that changes and expands from moment to moment by the element of light rather than a general sense of space. The void penetrated the standardized slab plate up to the roof floor and was irregularly arranged in a free planar composition. This flexible spatial composition of architecture is expressed by the movement of pedestrians, and the composition of the floor, wall, and ceiling; corresponding to these movements forms a free space. The boundary between spaces is weakened when blurring the boundary of internal space by free planar composition. The free plan creates an inhomogeneous space by tubes, which are irregularly arranged structures. Upon analyzing the composition, characteristics, and background of free plans, it provided a new way to understand the architectural space of Sendai Mediatheque, and also confirmed the evolution of the free plan argued by Le Corbusier.

국문 초록 (Abstract)

자유로운 평면구성은 르 코르뷔지에가 주장한 5원칙 중의 하나이고, 도미노 구조에 의한 내부 공간의 구성이 건축물의 구조적 제한에서 벗어나 자유로운 평면구성이 가능케 되었다. 이러한 자유로운 평면의 구성은 센다이 미디어테크(Sendai Mediatheque)의 가장 큰 특징적인 요소 중의 하나이다. 센다이 미디어테크의 자유로운 평면구성을 분석하여 르 코르뷔지에의 건축공간과 비교하였고, 토요이토 건축공간의 자유로운 평면구성의 특징 및 이와 연관된 현대건축이 시사하는 건축공간의 의미를 살펴보았다.

참고문헌 (Reference)

1 장용순, "이토 토요 건축에 나타난 구조/표피/공간 개념에 대한 연구" 대한건축학회 31 (31): 111-120, 2015

2 황성희, "이토 도요 건축의 신체인식에 관한 연구" 서울대학교 대학원 2003

3 박형진, "라이트와 이토 건축의 유기적 개념과 해석 특성에 관한 연구 - 라이트의 로비 하우스와 이토의 센다이 미디어 테크를 중심으로 -" 한국실내디자인학회 22 (22): 23-32, 2013

4 Park, J., "Toyo Ito and His Blurring Architecture" 53 (53): 68-72, 2009

5 Maffei, A., "Toyo Ito : works, projects, writings" Milano 65-80, 2002

6 Sebastioan, J., "The Sendai Mediatheque"

7 Corbusier, L., "Le Corbusier et Pierre Jeanneret vol. 1-8" Bowon 10-14, 1994

8 Kim, H., "Blurring architecture : a study on the architectural design of Toyo Ito" 36 : 37-43, 2003

9 Toyo, I., "Architecture in a simulated city" 71 : 12-15, 1995

10 Ryu, M., "A Study on the Time-based Processes in Digital Architecture" Seoul National University 2002

11 Choi, T., "A Study on Transparency in the Architecture of Toyo Ito" Seoul National University 2009

12 Chang, E., "A Study of the Publicity in Landscape Architecture" Seoul National Universit 2002