This study examines the artistic world of Lee Ho-cheol’s novel, “Ugukhoesa (Patriot Company)” (1967), focusing on patriotism play. In Chapter 2, the generational dimension of “Ugukhoesa” was identified. “Ugukhoesa” criticizes the old gen...
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https://www.riss.kr/link?id=A108735965
조현일 (원광대학교)
2023
Korean
세속화 ; 환속화 ; 함석헌 ; 안중근 ; 정약용 ; 미키 키요시 ; 놀이 ; 장난감 ; 우국 놀이 ; 재건국민운동 ; 우국 ; 세대교체론 ; 굴종 세대 ; 모방 놀이 ; profanation ; secularization ; Ham Seok-heon ; Ahn Jung-geun ; Jeong Yak-yong ; Miki Kiyoshi ; play ; toy ; patriotism play ; national reconstruction movement ; patriotism ; generation change theory ; subservient generation ; imitation play
KCI등재
학술저널
75-101(27쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This study examines the artistic world of Lee Ho-cheol’s novel, “Ugukhoesa (Patriot Company)” (1967), focusing on patriotism play. In Chapter 2, the generational dimension of “Ugukhoesa” was identified. “Ugukhoesa” criticizes the old gen...
This study examines the artistic world of Lee Ho-cheol’s novel, “Ugukhoesa (Patriot Company)” (1967), focusing on patriotism play. In Chapter 2, the generational dimension of “Ugukhoesa” was identified. “Ugukhoesa” criticizes the old generation’s reality-compromising, militaristic inner side through journalist Sohn Sang-mun, history professor Kim Wal-jin, and Jeong Hyong-un, who creates a ‘patriotism loyalty professional association’. In Chapter 3, this study looked at the point that the ‘patriotism loyalty professional association’ satirized the ‘reconstruction’ (national reconstruction movement). Superficially, the patriotism loyalty professional association is an organization that aims at a national moral movement. It satirizes the militaristic national reconstruction movement including trainees in green uniforms, morning meeting instruction every morning, plancards saying ‘Let’s all gather in the great line of patriotism, patriotism, patriotism!’, and Jeong Hyong-un’s speeches and military songs, etc. Chapter 4 clarified that the real reason why Jeong Hyong-un created the patriotism loyalty professional association was to play patriotism play. Jeong Hyong-un plays to imitate Ahn Jung-geun representing the historical patriots and Ham Seok-heon representing the contemporary patriots. In the 1960s, not only the forces of the 5-16 coup, but also Ham Seok-heon, who resisted it, called for a national movement and advocated “patriotism,” a time when it was sacred. Ham Seok-heon as well as coup forces could not be free from secularization work as a form of political oppression. Lee Ho-cheol fully demonstrates the lightness and liberation of an artist who plays through “Patriot Company”. And it carries out the political work of profanating the political theology that dominated the 1960s through Jeong Hyong-un’s patriot play, or the sanctified politics.
민족과 사회의 공(公)적 기관이라는 연극관의 탄생 — 1920년대 초반 식민지 조선에서의 쓰보우치 쇼요의 연극론 수용을 중심으로 —
정세랑의 『시선으로부터,』에 나타난 애도의 양상과 의미 탐구
언어의 애매성과 소설의 내재적 능동성 — 사회학적 망설임의 의미를 경유하여 —