According to Aristotle, drama is the imitation of human action.The origin of the word ‘Drama’ came from ‘dram’ which means ‘todo.’ Hence, drama has been recognized as the genre of action. The momentum which motivates and propels the action...
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https://www.riss.kr/link?id=A100126781
2013
English
학술저널
67-90(24쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
According to Aristotle, drama is the imitation of human action.The origin of the word ‘Drama’ came from ‘dram’ which means ‘todo.’ Hence, drama has been recognized as the genre of action. The momentum which motivates and propels the action...
According to Aristotle, drama is the imitation of human action.The origin of the word ‘Drama’ came from ‘dram’ which means ‘todo.’ Hence, drama has been recognized as the genre of action. The momentum which motivates and propels the action forward is dialogue. Dialogue is the very channel which the actions in our minds and imagination are presented in words. As a verbal interaction assuming speaker and listener, dialogue is considered mainly as human activity. Since Aristotle, however, drama has gone through various changes in its form and content as human mind and action, along with historical and social conditions, changed. So has dialogue, the most funda mental element of drama. The form of dialogue has changed from inter-personal dialogue to intra-personal and to extra-personal following the change of the content in drama. These seemingly separate three modes of dialogue are not that the one state is the alternative to the other. They are rather connected anticipating each other. Therefore, it is a dialogue expanded. Considering the importance of dialogue in our lives and thinking that drama is the representation of human action, studying the change in dramatic dialogue is also to trace how we define ourselves and the reality.
목차 (Table of Contents)
Motherhood and Creative Energy in Toni Morrison’s Beloved
An Analysis of Language in Court
The Theatre of Self-Fashioning in Dickens’ Mid-Career
Split Female Selfhood in Daniel Defoe’s Roxana