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      자동창작시대의 예술 작품 -인공지능은 예술 창작의 주체가 될 수 있는가? = The Work of Art in the Age of Computational Creativity -Can AI Be Considered as a Subject of Artistic Creations?

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      https://www.riss.kr/link?id=A106981421

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      다국어 초록 (Multilingual Abstract)

      Computational creativity is emerging as a sub-field of computer science; it attempts to make machines the subjects of artistic creations. Therefore, we examine whether machines can be considered the subjects of artistic creations through experiments o...

      Computational creativity is emerging as a sub-field of computer science; it attempts to make machines the subjects of artistic creations. Therefore, we examine whether machines can be considered the subjects of artistic creations through experiments on audiences’ appreciation of works by artificial intelligence (AI) and humans. According to our qualitative and quantitative findings, audiences reported no significant differences in appreciating works by AI and humans. Thus, it seems inappropriate to declare that “AI cannot be the subject of an artistic creation.”
      Prior to asking, “Can machines create art?” it is necessary to ask “Isn’t a human a kind of machine?” It is contradictory if we deny that humans are machines, because they are also formed by evolution, a mechanical algorithm. If humans are a type of machine, and if they also make art, eventually, this will come to mean that machines create art. In conclusion, it is not natural to deny the hypothesis, “Machines can be the subjects of artistic creations.”

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      참고문헌 (Reference)

      1 Gombrich, E. H., "The story of art" Phaidon Press 1972

      2 Riedl, M. O., "The lovelace 2.0 test of artificial creativity and intelligence"

      3 Danto, A. C., "The end of art : A philosophical defense" 37 (37): 127-143, 1998

      4 Boden, M. A., "The Turing test and artistic creativity" 39 (39): 409-413, 2010

      5 Bringsjord, S., "The Turing Test: The Elusive Standard of Artificial Intelligence" Springer 215-239, 2003

      6 de Mántaras, R. L., "The Next Step: Exponential Life" BBVA-Open Mind 99-123, 2016

      7 Domingos, P. M, "The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World" Basic Books 2016

      8 Van Loon, H. W., "The Arts" Simon & Schuster 1937

      9 Champandard, A. J., "Semantic style transfer and turning two-bit doodles into fine artworks"

      10 Huang, H., "Real-time neural style transfer for videos" 2017

      1 Gombrich, E. H., "The story of art" Phaidon Press 1972

      2 Riedl, M. O., "The lovelace 2.0 test of artificial creativity and intelligence"

      3 Danto, A. C., "The end of art : A philosophical defense" 37 (37): 127-143, 1998

      4 Boden, M. A., "The Turing test and artistic creativity" 39 (39): 409-413, 2010

      5 Bringsjord, S., "The Turing Test: The Elusive Standard of Artificial Intelligence" Springer 215-239, 2003

      6 de Mántaras, R. L., "The Next Step: Exponential Life" BBVA-Open Mind 99-123, 2016

      7 Domingos, P. M, "The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World" Basic Books 2016

      8 Van Loon, H. W., "The Arts" Simon & Schuster 1937

      9 Champandard, A. J., "Semantic style transfer and turning two-bit doodles into fine artworks"

      10 Huang, H., "Real-time neural style transfer for videos" 2017

      11 Frey, B. S., "Muses and markets: explorations in the economics of the arts" Blackwell 1989

      12 de Smedt, T., "Modeling Creativity : Case Studies in Python" University Press Antwerp 2013

      13 Searle, J. R., "Mind: A Brief Introduction" Oxford University Press 2007

      14 Quintana, C. S., "Melomics: A case-study of AI in Spain" 34 (34): 99-103, 2013

      15 Springer Nature Group, "Lithium-Ion Batteries: A Machine-Generated Summary of Currnt Research" Springer 2019

      16 Krizhevsky, A., "Imagenet classification with deep convolutional neural networks" 2012

      17 Gatys, L. A., "Image style transfer using convolutional neural networks" 2016

      18 Benjamin, W., "Historical Perspectives in the Conservation of Works of Art on Paper" Getty Conservation Institute 144-148, 1935

      19 Goodfellow, I., "Generative Adversarial Nets" 27 : 2672-2680, 2014

      20 Avital, T, "Emotion, Creativity, & Art, Perm" Perm Cultural Institute 1997

      21 Boden, M. A., "Dimensions of creativity" MIT Press 76-117, 1994

      22 Turing, A. M., "Computing Machinery and Intelligence" 49 : 433-460, 1950

      23 Boden, M. A., "Computer Models of Creativity" 30 (30): 23-, 2009

      24 Colton, S., "Computational creativity: Coming of age" 30 (30): 11-, 2009

      25 Fukushima, K., "Competition and cooperation in neural nets" Springer 267-285, 1982

      26 Neumann, L., "Color style transfer techniques using hue, lightness and saturation histogram matching" 2005

      27 Schwartz, O., "Can a computer write poetry?" TEDxYouth@Sydney

      28 Elgammal, Ahmed, "CAN: Creative adversarial networks, generating “art” by learning about styles and deviating from style norms"

      29 Moravec, H., "Bodies, robots, minds"

      30 Jeffri, J., "Between extremities: The artist described" 19 (19): 5-14, 1989

      31 LeCun, Y., "Backpropagation applied to handwritten zip code recognition" 1 (1): 541-551, 1989

      32 Osborne, R., "Art theory for beginners" For Beginners 2006

      33 Mccarthy, J, "A Proposal for the Dartmouth Summer Research Project on Arti cial Intelligence" 27 (27): 12-, 2006

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      연월일 이력구분 이력상세 등재구분
      2025 평가예정 재인증평가 신청대상 (재인증)
      2022-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2020-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
      2019-09-18 학회명변경 영문명 : The Research Institute for Humanities Contents -> Humanities Research Institute
      2007-08-21 학회명변경 한글명 : 인문콘텐츠연구센터 -> 인문콘텐츠연구소
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