‘뿌리깊은나무 판소리 감상회’ 개최의 의미와 판소리 부흥에 끼친 영향 = The Significance of “The Deep-rooted tree Pansori Appreciation Society” held and the impact on the revival of pansori

다국어 초록 (Multilingual Abstract)

In January 1974 to September 1978 "The Deep-rooted tree Pansori Appreciation Society" was held by Pansori Society and the Britannica's sponsorship. The name "The Deep-rooted tree Pansori Appreciation Society", are those called by changing to suit the March 1976 of the magazine The Deep-rooted treelaunched, until 1975 was called "Britannica Pansori Appreciation Society".
This appreciation society, which was held up to 100 times, has the very important significance in the history of pansori. Through the time of the Japanese colonial period and the Korean War, pansori lost a viable and
competitive. And It was to wind up floating and lost popular appeal. Then, pansori is since the 1960s that are on the verge of death, is obtained the momentum of revival little by little, had some important opportunity there.
First, the Cultural Properties Protection Law was enacted in 1962, it is designated as an important intangible cultural asset No. 5 from 1964, pansori became the object to be officially protected and saved. Then, Park Dong-jin
was steadily successful Wan-chang(完唱, full version singing of pansori) as a starting point the September 30, 1968. And other artists who want to validate their skills even while being joined in their ranks, and that was done
before the changed atmosphere.
Then during the pansori it is, academically and popularly, to meet the new instruments. It's the beginning of "Britannica pansori Appreciation Society", and it subsequently published the complete works pansori music. The
appreciation society, not only was a good example to allow other appreciation society similar results, had various effects on pansori system. When you organize its impact and significance, it is as follows.
First, lively atmosphere that was created to hold "pansori appreciation society" here and there.
Second, the bottom of the pansori is expanded around the young people.
Third, it was an opportunity to complete the process to record the traditional pansori that has been handed down to those days. In particular this is instead of finished appreciation society only, since led to the publication of pansori Complete Works album, it can be a to achieve the results.
Fourth, it was recognized the value of Jeonpan-pansori(singing pansori from the start to the end). So it gives should be treated carefully motivation authentic pansori than Tomak-sori(partial singing of pansori) and Chang-geuk(唱劇).
Fifth, it was a chance to be able to look back on the value of the drummer.
In particular, Kim Myeong-hwan, the success is continued until pansori Complete Works album announcement, came to be recognized ability to ensure its. And, he was designated as an important intangible cultural heritage performing arts person for the first time February 2, 1978 as the drummer.

목차 (Table of Contents)

• 1. 머리말
• 2. ‘브리태니커 판소리 감상회’를 시작한 계기
• 3. 연창자 선정 기준과 공연 기획
• 4. 감상회 100회의 출연자와 곡목
• 5. 대중의 반응과 장정의 끝
• 6. 판소리계에 끼친 영향과 의의

참고문헌 (Reference)

1 김명곤, "평생 인연 맺어진 첫 직장 뿌리깊은 나무"

2 유영대, "판소리 전승현황과 보존방안－중요무형문화재 지정현황을 중심으로－" 판소리학회 (36) : 351-387, 2013

3 박황, "판소리 이백년사" 사사연 1987

4 최동현, "판소리 완창의 탄생과 변화" 판소리학회 (38) : 340-385, 2014

5 뿌리깊은나무, "판소리 다섯 마당" 한국 브리태니커 회사 1982

6 정병욱, "판소리 다섯 마당" 한국 브리태니커 회사 1982

7 김혜정, "판소리" 국립문화재연구소 2011

8 "이보형과의 전화 면담"

9 김석배, "뿌리깊은나무 판소리 음반 전집의 현황과 가치" 열상고전연구회 (41) : 15-49, 2014

10 이유진, "동아방송(DBS) 판소리 녹음의 보존 현황 및 활용 방안" 판소리학회 (38) : 91-119, 2014

11 "네이버 뉴스 라이브러리"

12 김명환, "내 북에 앵길 소리가 없어요" 뿌리깊은나무 1991

13 이보형, "금요일마다 남몰래 들인 공 -일백 고개 넘은 뿌리깊은 나무 판소리"

14 이보형, "국립국악원"

15 "강운구와 쉰여덟 사람, 특집! 한창기"

16 이보형, "‘뿌리깊은나무’ 판소리 감상회 100회 공연"