What quality of Beckett"s literature made Adorno have an idea to dedicate his entire Aesthetic Theory to Beckett? Earlier on, he also dedicated an extended study of Beckett"s play Endgame to Beckett. This paper tries to solve thi...
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https://www.riss.kr/link?id=A76486988
2007
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아도르노 ; 베케트 ; 『엔드게임』 ; 미메시스 ; 정지상태의 변증법 ; 부정성으로서의 유토피아 ; 이미지 없는 이미지 ; Adorno ; Beckett ; Endgame ; mimesis ; dialectic at a standstill ; utopia ; imageless image
840
KCI등재
학술저널
111-140(30쪽)
2
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
What quality of Beckett"s literature made Adorno have an idea to dedicate his entire Aesthetic Theory to Beckett? Earlier on, he also dedicated an extended study of Beckett"s play Endgame to Beckett. This paper tries to solve thi...
What quality of Beckett"s literature made Adorno have an idea to dedicate his entire Aesthetic Theory to Beckett? Earlier on, he also dedicated an extended study of Beckett"s play Endgame to Beckett. This paper tries to solve this enigma through close reading of Adorno"s Aesthetic Theory paying special attention to the concept of mimesis, one of his major aesthetic categories.<BR> For Adorno, all authentic mimesis is that of utopia, Since the nature uncontaminated by nature-domination of instrumental reason does not exist any more, artworks can only point toward the possibility of a nature which "is not yet" by determinate negation of "what actually is", implying determinate criticisms on what is and has been. Artworks can only express this utopian negativity by a configuration of materials which already contain history sedimented within them.<BR> In terms of practical theory of art, the ideal mimesis should pursue the nonsignificative language. Thus, for Adono, the expression of artworks is the non-subjective in the subject, or to put differently, art is the imitation of an objective expression remote from (subjective) psychology. Seen in this way Beckett"s Endgame does not copy any specific individual nor any specific historical event. The play conveys through expression what caused the decline and catastrophe of history and subject and yet, it does this not through the meaning of their dialogues. Rather, it acquires objectivity through non-discursive means such as regressive language, stage images and historical allegories. This kind of nonrepresentational affinities to the objective reality are dramatized and portrayed through the clownish subjects-characters who are not subjects-individuals but "the protohistory of subjectivity." Although Endgame is historically mediated, the expression, or the spirit that has guided the formal procedure of the construction, is far removed from the one that has inspired the official realism(Lukacs) or didactic literature(Brecht). The abstract quality of Beckettian mimesis proves the workings of material imagination of the author as well as an assimilation to the spell of objective reality which in their immediacy fail to articulate the essential(the truth content).
The Emergence of a Novelistic Culture - Modernity and the Perverse Topography of Narrative Desire
“포스트페미니즘” 시대의 페미니즘 비평 - 보편성과 여성, 그리고 문학
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2027 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2021-01-01 | 평가 | 등재학술지 유지 (재인증) | |
2018-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2015-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2011-01-01 | 평가 | 등재 1차 FAIL (등재유지) | |
2009-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2006-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
2005-05-30 | 학회명변경 | 영문명 : The Criticism And Theory Society Of Korea -> The Criticism and Theory Society of Korea | |
2005-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
2004-11-28 | 학술지등록 | 한글명 : 비평과이론외국어명 : The Journal of Criticism and Theory | |
2004-01-01 | 평가 | 등재후보 1차 FAIL (등재후보1차) | |
2003-01-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.69 | 0.69 | 0.51 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.43 | 0.36 | 1.442 | 0.13 |