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      Continuous Pursuit of and Physical Injuries from Aesthetic Ballet Activities - How to Disconnect this Vicious Circle? -

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      https://www.riss.kr/link?id=A108380027

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      다국어 초록 (Multilingual Abstract)

      Ballet techniques as aesthetic expressions require extreme physical abilities beyond the anatomical limit of human body. This study was motivated from perceiving the situation in which ballet dancers’ efforts to pursue artistic aesthetics lead to ov...

      Ballet techniques as aesthetic expressions require extreme physical abilities beyond the anatomical limit of human body. This study was motivated from perceiving the situation in which ballet dancers’ efforts to pursue artistic aesthetics lead to overuse of body parts and eventually disrupt continuous artistic activities. To solve this contradictory problem, this study viewed this problem and conducted an empirical analysis in the multiple-causation framework; in which overuse does not cause injury alone, but only in combination with major ground-preparing causes, such as body misalignment or balance control. As a result of empirical analyses, it was confirmed that lower extremity misalignment or lack of balance control actually act as key ground-preparing causes that lead to injuries serious enough to disrupt continuous pursuit of artistic activities. As a next step, my findings suggest that it is desired to develop a strength training program that effectively suppresses those ground-preparing causes.

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      참고문헌 (Reference) 논문관계도

      1 Hopper, L. S, "The inherent movement variablility underlying classical ballet technique and the expertise of a dancer" 19 (19): 229-239, 2018

      2 Populous Magazine, "Suffering for Their Art: Ballet Turns to Cutting-Edge Sports Science"

      3 Metz, L, "Self-described differences between legs in ballet dancers : Do they relateto postural stability and ground reaction force measures?" 16 (16): 154-160, 2012

      4 Kenny, S. J, "Risk factors for musculoskeletal injury in preprofessional dancers : A systematic review" 50 (50): 997-1003, 2016

      5 Twitchett, E. A, "Physiological Demands of Performance in Classical Ballet and Their Relationships with Injury and Aesthetic Components" University of Wolverhampton 2009

      6 Sobrino, F. J, "Overuse injuries in professional ballet:Injury-based differences among ballet disciplines" 3 (3): 1-7, 2015

      7 Bruyneel, A. V, "Organization of postural equilibrium in several planes in ballet dancers" 485 (485): 228-232, 2010

      8 Watkins, A, "Lower extremity alignment and injury in young pre-professinal, college, and professional ballet dancers" 4 : 148-153, 1989

      9 Kimmerle, M, "Lateral bias, functional asymmetry, dance training and dance injuries" 14 (14): 58-66, 2010

      10 Kadel, N.J, "Foot and ankle Injuries in dance" 17 : 813-826, 2006

      1 Hopper, L. S, "The inherent movement variablility underlying classical ballet technique and the expertise of a dancer" 19 (19): 229-239, 2018

      2 Populous Magazine, "Suffering for Their Art: Ballet Turns to Cutting-Edge Sports Science"

      3 Metz, L, "Self-described differences between legs in ballet dancers : Do they relateto postural stability and ground reaction force measures?" 16 (16): 154-160, 2012

      4 Kenny, S. J, "Risk factors for musculoskeletal injury in preprofessional dancers : A systematic review" 50 (50): 997-1003, 2016

      5 Twitchett, E. A, "Physiological Demands of Performance in Classical Ballet and Their Relationships with Injury and Aesthetic Components" University of Wolverhampton 2009

      6 Sobrino, F. J, "Overuse injuries in professional ballet:Injury-based differences among ballet disciplines" 3 (3): 1-7, 2015

      7 Bruyneel, A. V, "Organization of postural equilibrium in several planes in ballet dancers" 485 (485): 228-232, 2010

      8 Watkins, A, "Lower extremity alignment and injury in young pre-professinal, college, and professional ballet dancers" 4 : 148-153, 1989

      9 Kimmerle, M, "Lateral bias, functional asymmetry, dance training and dance injuries" 14 (14): 58-66, 2010

      10 Kadel, N.J, "Foot and ankle Injuries in dance" 17 : 813-826, 2006

      11 Watson, T, "Dance, balance and core muscle performance measures are improved following a 9-week core stabilization training program among competitive collegiate dancers" 12 (12): 25-41, 2017

      12 Kline, J. B, "Core strength training using a combination of home exercises and a dynamic sling system for the management of low back pain in pre-professional ballet dancers" 17 (17): 24-33, 2013

      13 Ambegaonkar, J. P, "Core stability: Implications for dance injuries" 27 (27): 159-164, 2012

      14 Shan, G, "Comparison of repetitive movements between ballet dancers and martial aritists: Risk assessement of muscle overuse injuries and prevention strategies" 13 : 63-76, 2005

      15 Lin, C. F, "Comparison of postural stability between injured and uninjured ballet dancers" 39 (39): 1324-1331, 2011

      16 Befani, B, "Broadening the Range of Designs and Methods for Impact Evaluation" UK Government 2012

      17 Jang, Sojung, "Biomechnical Analysis of the Effect of Ballet PRS Program on Posture Balance and Stability" Chungnam National University 2019

      18 Deckert, J. L, "Analysis of pelvic plignment in pniversity ballet majors" 11 (11): 110-117, 2007

      19 Balding, K, "An epidemiological investigation of dance injuries in ballet dancers in the greater Durban area" Chiropractic in the Department of Chiropractic at the Durban Institute of Technology 2004

      20 Bowerman, E. A, "A Review of the risk factors for lower extremity overuse injuries in young elite female ballet dancers" 19 (19): 51-56, 2015

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