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      로사(老舍)의 《합조집(蛤藻集)》에 반영된 문화비판(文化批判)의 함의(含意)

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      https://www.riss.kr/link?id=A104572280

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      During the Cultural Controversy, Laoshe wrote a short stories of 《Ha Zao Ji》. With respect to the conflicting culture of ‘traditional culture and westernization’, Chinese intellectuals held a debate on acceptance and compromise. In this paper, I divided some works of 《Ha Zao Ji》 into Chinese - centered culture and personal - centered culture, and analyzed the contents of the criticism of culture which is included in the work. In terms of cultural tradition, < A Traditional Store > emphasizes the necessity of preserving the commercial ethics of the old Chinese style and emphasizes the desire to accept Western culture appropriately. Sha Zilong in < A Spear to get rid of souls > declared that he would “not teach” his legendary martial arts skills. [Unnecessary and disconnected] This mean is a desire to wish for the revival of true traditional martial arts, and a discourse to appreciate traditional martial arts without a future.
      In terms of cultural ambiguity, < A Story I heard > is the story of Meng Zhichen, a personalist who even deceives himself. He ultimately does not live a happy life [like Song Bogong]. That is to say, it is only a nuisance that blocks the new culture [future-oriented], although it can be controlled politically by the name of ‘classical reading’ [past regression]. < The Old Tragedy of the New Age > inspired the false moral virtues of the Chinese and showed a literary discourse that the hypocritical use of Chen's old man eventually led to his family tragedy.
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      During the Cultural Controversy, Laoshe wrote a short stories of 《Ha Zao Ji》. With respect to the conflicting culture of ‘traditional culture and westernization’, Chinese intellectuals held a debate on acceptance and compromise. In this paper,...

      During the Cultural Controversy, Laoshe wrote a short stories of 《Ha Zao Ji》. With respect to the conflicting culture of ‘traditional culture and westernization’, Chinese intellectuals held a debate on acceptance and compromise. In this paper, I divided some works of 《Ha Zao Ji》 into Chinese - centered culture and personal - centered culture, and analyzed the contents of the criticism of culture which is included in the work. In terms of cultural tradition, < A Traditional Store > emphasizes the necessity of preserving the commercial ethics of the old Chinese style and emphasizes the desire to accept Western culture appropriately. Sha Zilong in < A Spear to get rid of souls > declared that he would “not teach” his legendary martial arts skills. [Unnecessary and disconnected] This mean is a desire to wish for the revival of true traditional martial arts, and a discourse to appreciate traditional martial arts without a future.
      In terms of cultural ambiguity, < A Story I heard > is the story of Meng Zhichen, a personalist who even deceives himself. He ultimately does not live a happy life [like Song Bogong]. That is to say, it is only a nuisance that blocks the new culture [future-oriented], although it can be controlled politically by the name of ‘classical reading’ [past regression]. < The Old Tragedy of the New Age > inspired the false moral virtues of the Chinese and showed a literary discourse that the hypocritical use of Chen's old man eventually led to his family tragedy.

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