RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      KCI등재

      동양회화(東洋繪畵) 미학(美學)으로서 형신(形神)의 관계성(關係性) 및 구현사례(具現事例) 연구(硏究) = A Study on the Concept of The Shape and Spirit theory in the Chinese Traditional Painting`s relationships and realization example

      한글로보기

      https://www.riss.kr/link?id=A100574695

      • 0

        상세조회
      • 0

        다운로드
      서지정보 열기
      • 내보내기
      • 내책장담기
      • 공유하기
      • 오류접수

      부가정보

      다국어 초록 (Multilingual Abstract)

      We can recognize that the Image and the Spiritual being are basic concepts of explaining the chinese painting. Because these concepts are key concepts in the chinese philosophy. It is useful that Image and Spiritual being concepts searching by Chinese Traditional Painting Aesthetics Theories, which are records about ancient oriental paintings. ``The shape and spirit theory(形神論)``, the basis of Chinese painting is the core proposition in the history of Chinese painting theory. This proposition is an actually fundamental matter about a relation of a Chinese painting and objective reality and subjective thought(情思) corresponded to. To see the developed history of Chinese painting theory, other proposition in Chinese painting are developed from this proposition, what is more all of them could have been developed, deepened and changed. The issue about ``The shape and spirit(形神)`` is basically the issue about the material and spiritual that is called ``the body and mind(身心)`` in ancient. ``The body(身)`` that comes under ``the shape(形)`` means a form or body, ``the mind(心)`` that comes under ``the spirit(神)`` means soul or divinity. The issue that comes from a separation and combination of ``the shape and spirit`` is a subject investigated in philosophy, religion, natural science and all fields of study. In my opinion, Spiritual being, which is mentioned in painting theory, has various hidden meanings and need to researched by various spectrum. So I``m going to explain the chinese painting theories by finding and analyzing the hidden meanings of Spiritual being and Image. Getting new meaning from the concept of Image and Spiritual being, It would like to be a useful way, that is to connect the concept of Research. To connect Research with Shape and Spiritual being, we know that the concept of Spiritual being has hidden meaning.
      번역하기

      We can recognize that the Image and the Spiritual being are basic concepts of explaining the chinese painting. Because these concepts are key concepts in the chinese philosophy. It is useful that Image and Spiritual being concepts searching by Chinese...

      We can recognize that the Image and the Spiritual being are basic concepts of explaining the chinese painting. Because these concepts are key concepts in the chinese philosophy. It is useful that Image and Spiritual being concepts searching by Chinese Traditional Painting Aesthetics Theories, which are records about ancient oriental paintings. ``The shape and spirit theory(形神論)``, the basis of Chinese painting is the core proposition in the history of Chinese painting theory. This proposition is an actually fundamental matter about a relation of a Chinese painting and objective reality and subjective thought(情思) corresponded to. To see the developed history of Chinese painting theory, other proposition in Chinese painting are developed from this proposition, what is more all of them could have been developed, deepened and changed. The issue about ``The shape and spirit(形神)`` is basically the issue about the material and spiritual that is called ``the body and mind(身心)`` in ancient. ``The body(身)`` that comes under ``the shape(形)`` means a form or body, ``the mind(心)`` that comes under ``the spirit(神)`` means soul or divinity. The issue that comes from a separation and combination of ``the shape and spirit`` is a subject investigated in philosophy, religion, natural science and all fields of study. In my opinion, Spiritual being, which is mentioned in painting theory, has various hidden meanings and need to researched by various spectrum. So I``m going to explain the chinese painting theories by finding and analyzing the hidden meanings of Spiritual being and Image. Getting new meaning from the concept of Image and Spiritual being, It would like to be a useful way, that is to connect the concept of Research. To connect Research with Shape and Spiritual being, we know that the concept of Spiritual being has hidden meaning.

      더보기

      참고문헌 (Reference)

      1 최진석, ""욕망"(欲): 선진철학을 읽는 또 하나의 창-직하학(稷下學)을 중심으로" 철학연구회 (69) : 25-48, 2005

      2 배병삼, "한글세대가 본 논어, in 孔子 論語" 문학동네 2002

      3 김기주, "중국화론선집" 미술문화 2002

      4 장언원, "중국화론선집" 미술문화 2002

      5 이상선, "중국심성론" 법인문화사 1996

      6 나성, "중국 고대 사상의 세계" 살림출판사 2004

      7 멀빈 리이더, "예술과 인간가치" 도서출판 까치 2001

      8 석도, "석도화론" 통나무 2002

      9 최병식, "미술의 이해" 숙명여자대학교 출판부 1989

      10 정진룡, "동양화인식에 있어서 형상의 문제-象의 이해를 중심으로" 2003

      1 최진석, ""욕망"(欲): 선진철학을 읽는 또 하나의 창-직하학(稷下學)을 중심으로" 철학연구회 (69) : 25-48, 2005

      2 배병삼, "한글세대가 본 논어, in 孔子 論語" 문학동네 2002

      3 김기주, "중국화론선집" 미술문화 2002

      4 장언원, "중국화론선집" 미술문화 2002

      5 이상선, "중국심성론" 법인문화사 1996

      6 나성, "중국 고대 사상의 세계" 살림출판사 2004

      7 멀빈 리이더, "예술과 인간가치" 도서출판 까치 2001

      8 석도, "석도화론" 통나무 2002

      9 최병식, "미술의 이해" 숙명여자대학교 출판부 1989

      10 정진룡, "동양화인식에 있어서 형상의 문제-象의 이해를 중심으로" 2003

      11 손보미, "동양화의 형(形)과 신(神)에 대한 고찰 - 형․신과 지(知)의 관계를 중심으로 -" 한국미술교육학회 24 (24): 311-330, 2010

      12 손보미, "동양화의 ‘사신(寫神)’ 개념 변천에 대한 연구" 한국조형교육학회 (30) : 143-162, 2007

      13 손보미, "동양화 창작론에서 ‘신’개념에 대한 고찰" 한국조형교육학회 (33) : 349-366, 2009

      14 최영찬, "동양철학과 문자학 - 유가철학 주요 개념의 형성과 변천" 아카넷 2003

      15 장파, "동양, 서양 그리고 미학" 도서출판 푸른 숲 1999

      16 성백효, "논어집주" 전통문화원 2000

      17 장립문, "기의 철학" 예문서원 2004

      18 안영길, "宋代 畵論에 나타난 形神論 硏究" 홍익대학교 2005

      19 조남호, "反 논어" 예문서원 1996

      20 兪劍華, "中國歷代畵論" 다운샘 2004

      21 葉朗, "中國美學史大綱" 상해인민출판사 2001

      더보기

      분석정보

      View

      상세정보조회

      0

      Usage

      원문다운로드

      0

      대출신청

      0

      복사신청

      0

      EDDS신청

      0

      동일 주제 내 활용도 TOP

      더보기

      주제

      연도별 연구동향

      연도별 활용동향

      연관논문

      연구자 네트워크맵

      공동연구자 (7)

      유사연구자 (20) 활용도상위20명

      인용정보 인용지수 설명보기

      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2023 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 선정 (재인증) KCI등재
      2019-12-01 평가 등재후보로 하락 (계속평가) KCI등재후보
      2016-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2012-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2011-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2009-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
      더보기

      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.28 0.28 0.29
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.29 0.29 0.613 0.07
      더보기

      이 자료와 함께 이용한 RISS 자료

      나만을 위한 추천자료

      해외이동버튼