아베 신조 『아름다운 나라로』 속의 ‘미’와 ‘국가’: 미시마 유키오의 렌즈를 통해 본 전후 보수주의 미학 = Beauty and Nation in Abe Shinzo’s Toward a Beautiful Country: The Aesthetics of Postwar Conservatism through the Lens of Mishima Yukio

다국어 초록 (Multilingual Abstract)

This paper analyzes the concept of “beauty” in Abe Shinzo’s Toward a Beautiful Country: My Vision for Japan by comparing with Mishima Yukio’s political aesthetics, in order to address the problem of aesthetics in recent Japanese conservatism.
It has been understood that Abe’s doctrine of “post-postwar regime” is merely his way of idealizing or emulating his grandfather, Kishi Nobusuke. In this regard, this paper problematizes Abe’s attempt to overcome the limits of Kishi’s technical politics by bringing the controversial concept of “beauty” into the field of politics. His attempt to accomplish this through “patriotism,” an emotion which cannot be converted into visible value such as “beauty,” is problematic. This is why Abe appears to have radical understanding of postwar democracy, yet on the other hand it can also be understood as a very conservative viewpoint, in light of Mishima Yukio who also advocated the necessity of political aesthetics.
Though it was an important political role of the pre-war Emperor (Ten-no) to bestow beauty on the war dead, Abe, deviating from the old understanding of the political role of the Emperor, only acknowledges Emperor as a figure who prays for the safety of life.
After all, this shows that Abe’s concept of “beauty” falls into victim of the postwar legal order which paradoxically internalized the conflicting aspects of radicalism and conservatism. Lacking any awareness on the matter, Abe revised the law in order to intensify the legal enforcement under a false pretense of “the safety of life,” which led to further transcendence of the law. In this sense, Abe is more threatening than Mishima, who placed his hope on the beauty in order to suspend the enforcement of the law.

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