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      Decolonizing Kate: D. H. Lawrence’s The Plumed Serpent as a Critique of Modern Western Individualism

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      다국어 초록 (Multilingual Abstract)

      By giving a postcolonial edge to T. M. Thompson’s suggestion that The Plumed Serpent registers “the real transformation occur[ing] in Lawrence’s vision,” a crucial part of which is “unlearning Europe,” I would like to argue in this essay t...

      By giving a postcolonial edge to T. M. Thompson’s suggestion that The Plumed Serpent registers “the real transformation occur[ing] in Lawrence’s vision,” a crucial part of which is “unlearning Europe,” I would like to argue in this essay that The Plumed Serpent concerns the process of “decolonizing” Kate. In the novel, Kate’s identity is dubious; although Kate seems to be present in the novel as “a European,” the novel as well as Kate notes that she is Irish. If Kate is the colonized as well as the colonizer, we can read The Plumed Serpent as a novel about decolonizing Ireland represented by Kate as much as about decolonizing Mexico. It is interesting that few Western critics have written about this issue. They tend to think of Kate more European than Irish, and they agree that this novel covers an encounter between a European woman and Mexicans, and in their reading, consequently, Kate represents Europe and her perspective is a Western perspective. Although seeing Kate this way is somewhat inevitable, it can imply the completeness of Kate’s colonization. This kind of criticism is only half-true. Therefore, in this essay, I would like to examine the ways in which the novel handles the issue of decolonizing Kate, arguing that an emphasis on Kate’s Irishness can make a significant revision of the reception of this novel. In particular, I will focus on the ideology of Western individualism as one of the lessons for Kate to unlearn before she is decolonized. After connecting this issue with insights from Franz Fanon, the main body of the essay deals with the process of decolonizing Kate. In the meantime, the genre of The Plumed Serpent is also discussed as the novel contains within itself a number of genres such as songs, hymns, and prayers, both Western and non-Western. This aspect of the novel, I argue, is identical with issue of decolonizing Kate. My conclusion, however, is not that individualism is replaced by collectivity or something of this nature in this novel but that the novel poses a serious question about modern Western individualism without providing any precise solution.

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      참고문헌 (Reference)

      1 Thompson, Theresa Mae, "Unlearning Europe: Postcolonial Questions for Teaching The Plumed Serpent. in Approaches to Teaching the Works of D. H. Lawrence" MLA 221-225, 2001

      2 Jopi Nyman, "Under English Eyes: Constructions of Europe in Early Twentieth-Century British Fiction" Amsterdam 2000

      3 Fanon, Franz, "The Wretched of the Earth. Trans. Constance Farrington" Grove 1968

      4 Lawrence, D. H, "The Plumed Serpent" Cambridge UP 1987

      5 Hyde, Virginia. Introduction, "The Plumed Serpent" Penguin -xxxv, 1995

      6 Lok, Chua Cheng, "The European Participant and the Third-World Revolution: André Malraux’s Les Conauerants and D. H. Lawrence’s The Plumed Serpent. in Discharging the Canon: Cross-cultural Readings in Literature" Singapore UP 101-111, 1986

      7 Lawrence, D. H, "Sons and Lovers" Cambridge UP 1992

      8 Laird, Holly, "Self and Sequence: The Poetry of D. H. Lawrence" UP of Virginia 1996

      9 Burden, Robert, "Radicalizing Lawrence: Critical Interventions in the Reading and Reception of D. H. Lawrence’s Narrative Fiction" Amsterdam 2000

      10 Martz, Louis L, "Quetzalcoatl: The Early Version of The Plumed Serpent" 22 (22): 286-298, 1990

      1 Thompson, Theresa Mae, "Unlearning Europe: Postcolonial Questions for Teaching The Plumed Serpent. in Approaches to Teaching the Works of D. H. Lawrence" MLA 221-225, 2001

      2 Jopi Nyman, "Under English Eyes: Constructions of Europe in Early Twentieth-Century British Fiction" Amsterdam 2000

      3 Fanon, Franz, "The Wretched of the Earth. Trans. Constance Farrington" Grove 1968

      4 Lawrence, D. H, "The Plumed Serpent" Cambridge UP 1987

      5 Hyde, Virginia. Introduction, "The Plumed Serpent" Penguin -xxxv, 1995

      6 Lok, Chua Cheng, "The European Participant and the Third-World Revolution: André Malraux’s Les Conauerants and D. H. Lawrence’s The Plumed Serpent. in Discharging the Canon: Cross-cultural Readings in Literature" Singapore UP 101-111, 1986

      7 Lawrence, D. H, "Sons and Lovers" Cambridge UP 1992

      8 Laird, Holly, "Self and Sequence: The Poetry of D. H. Lawrence" UP of Virginia 1996

      9 Burden, Robert, "Radicalizing Lawrence: Critical Interventions in the Reading and Reception of D. H. Lawrence’s Narrative Fiction" Amsterdam 2000

      10 Martz, Louis L, "Quetzalcoatl: The Early Version of The Plumed Serpent" 22 (22): 286-298, 1990

      11 Watt, Ian, "Myths of Modern Individualism: Faust, Don Quixote, Don Juan, Robinson Crusoe" Stanford UP 1996

      12 Leon-Protilla, "Miguel and Earl Shorris. In the Language of Kings: An Anthology of Mesoamerican Literature—Pre-Columbian to the Present" Norton: New York 2001

      13 Foster, David William, "Mexican Literature: A History" Austin 1994

      14 Hyde, Virginia, "Introduction.. “Picking Up ‘Life-Threads’ in D. H. Lawrence’s Mexico.” in Approaches to Teaching the Works of D. H. Lawrence" MLA 172-182, 2000

      15 Hyde, Virginia, "Introduction.. “Mexican Cypresses: Multiculturalism in Lawrence’s ‘Novel of America.’” in D. H. Lawrence: New Worlds" Fairleigh Dickinson University Press,Associated University Presses 195-215, 2003

      16 Ashcroft, Bill, "Gareth Griffiths, and Helen Tiffin. The Empire Writes Back: Theory and Practice in Post-Colonial Literatures" Routledge 1989

      17 Gilbert, Sandra, "D. H. Lawrence’s Mexican Hat Dance: Rereading The Plumed Serpent. in Rereading Texts/Rethinking Critical Presuppositions: Essays in Honour of H. M. Daleski" Peter Lang 291-304, 1997

      18 Burack, Charles Michael, "D. H. Lawrence’s Language of Sacred Experience" Palgrave 2005

      19 Oh, Eunyoung, "D. H. Lawrence’s Border Crossing: Colonialism in His Travel Writings and “Leadership” Novels" Routledge 2007

      20 Ellis, David, "D. H. Lawrence: Dying Game, 1922-1930" Cambridge UP 1998

      21 Chambers, Jessie, "D. H. Lawrence: A Personal Record" Cambridge UP 1980

      22 Roberts,Neil.D.H, "D. H. Lawrence, Travel and Cultural Difference" Palgrave 2004

      23 Chaudhuri, Amit, "D. H. Lawrence and ‘Difference.’" Oxford UP 2003

      24 Pinkney, Tony, "D. H. Lawrence and Modernism" U of Iowa P 1990

      25 Wexler, Joyce, "D. H. Lawrence Through a Postmodern Lens" 27 : 47-64, 1997

      26 Boehmer, Elleke, "Colonialism and Postcolonial Literature" Oxford UP 1995

      27 Barker, Francis, "Colonial Discourse/postcolonial Theory" Manchester UP 1994

      28 Lawrence, D. H, "Apocalypse and the Writings on Revelation" Cambridge UP 1980

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