1930년대 베이핑(北平) 문화 살롱의 양가적 의미 = Ambivalent Meaning of Beiping Cultural Salon in 1930s

다국어 초록 (Multilingual Abstract)

The cultural salons in Beiping were very unique phenomenon in the 1930’s Chines cultural history. These salons were created in the Beiping’s urban environment with generosity to scholarship and art. The typical examples of these were the ‘Lin Huiyin’s salon’ by Lin Huiyin and ‘Poetry reading salon’ by Zhu Gunagqian. ‘Lin Huiyin’s salon’ became the representative salon in Beiping before the Sino-Japanese War broke out in 1937. In ‘Lin Huiyin’s salon’ they held meeting in an impromptu, free and somewhat distracted atmosphere without any specific theme. On the other hand, Zhu Guangqian’s ‘Poetry reading salon’, which included scholars, critics, poets and theoreticians centered on Peking University and Tsinghua University, tendered to be academic because its main purpose was to test the “successful readability of new poetry”. These two cultural salons have received a positive evaluation in terms of promoting the ‘Beiping school’ and activating the literary world, but the members who attended these salons were satirized as bluffers and hypocrites in the novels The living room of our wife(1933) and The cat(1946) which were written by Bingxin and Qian Zhougshu, respectively. In this article, I examined the positive influences on cultural topography at the time and showed how they were reflected to the intelligent intellectuals who did not participate in the salons. Based on these contemplations, I also had a chance to look at the 1930’s salons correctly through ambivalent viewpoint.

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