아쿠타가와 류노스케(芥川龍之介)의 『히나(雛)』고찰

다국어 초록 (Multilingual Abstract)

This work is of a story describing deep emotion and discord of former days before making over a traditional doll that had been kept preciously in a Japanese home to a foreigner by moving to the era of civilization of Meiji from Edo. The work is also describing well the description of ruin of a home that was living well owing to the changes of the times, for generation of an ancestor. And owing to the ruin some dependent cases occur. It is that between mother and son who are persisting in tradition not other, a big discord has been experienced due to the difference of opinion. In the discord with mother who has own former modern way of thinking, Eikichi"s expectation that was firm in his conviction has been frustrated. And the family that kept good position in the era of Edo, has been rather frustrated owing to changes of times so called modern ages, and also lowly people can enjoy occupation and freedom that they wanted to have after times are changed, taking an example of the lowly people as rickshaw. As a result, owing to arrival of the era of Meiji, it shows well that the society is becoming equalization slowly.

목차 (Table of Contents)

• Abstract
• 1. 서론
• 2. 근대이전의 사회의 모습과 근대로의 이행과정
• 3. 기노쿠니야(紀の國屋) 집안의 위상과 몰락경위
• 4. 아들과 어머니 간의 갈등모습
• 5. 새 시대를 맞이한 도쿠조(??）
• 6. 결론
• 참고문헌
• REFERENCES

참고문헌 (Reference)

1 김효순, "일본의 근대화와 일본인의 문화관-여성·민족·계급" 보고사 168-, 2005

2 이상훈, "교양으로 읽는 일본사회와 문화" 제이앤씨 62-, 2006

3 海老井英次, "芥川龍之介 『作品論』" 双文社出版 284-, 1990

4 海老井英次, "芥川龍之介 『作品論』" 281-, 1990

5 텍스트, "芥川竜之介全集" 岩波書店 1978

6 三好行雄, "トロッコ·一塊の土" 角川書店 284-, 1969

7 石割透, "『雛』(芥川龍之介)について" 21-29, 1975