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      Shaping Thought, Knowledge and Wisdom through Dance and Moving Bodies: Reading between Janet Lansdale, Susan Leigh Foster and Body-Mind Centering®

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      https://www.riss.kr/link?id=A106488297

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      다국어 초록 (Multilingual Abstract)

      Since the rise of ‘dance studies’ as an academic discipline in Anglo-American dance scholarship in the late 1980s and 1990s, interdisciplinary methodologies borrowed from cultural studies have been dominating the field, generating valuable research that places central focus on the role and value of dance and/or dancing/moving bodies in ways that transcend and traverse the disciplinary boundaries between sociology, politics, and aesthetics. In more recent years, however, such theoretical interdisciplinarity itself has, to some extent, become a burden for dance scholarship, at times distracting researchers from focusing on the core concepts, viz. dance and the body, and at the cost of a balanced adoption of interdisciplinary and medium-specific methods. Accordingly, this paper focuses explicitly on these concepts, selecting three key studies on the themes of dance and the body–in particular, the works of Janet Lansdale, Susan Leigh Foster and Body-Mind Centering®(BMC)–to reveal how each exhibits different yet somehow interlinked interpretations of dance and dancing/moving bodies.
      To this end, the paper examines three key concepts: (1) Lansdale’s understanding of ‘dance’ as a performance piece; (2) Foster’s concept of ‘dancing’ and ‘dancing bodies’ as a performing act involving active agency; and (3) BMC’s idea of ‘mindfully moving bodies’, which highlights the interconnectedness of and interactions between body and mind. Through comparative evaluation, the paper demonstrates the distinct ways in which each discourse perceives dance and the body in relation to processes of thought and mind, revealing how dance and/or the body play an active role in shaping discursive thought, socially contingent knowledge, and human wisdom. In doing so, the paper reveals the diverse forms of knowledge that dance and the body bring out, in the process highlighting the enduring effort (intentional or unintentional) to construct renewed discourses and disciplines that challenge the long-standing western dichotomy between body and mind.
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      Since the rise of ‘dance studies’ as an academic discipline in Anglo-American dance scholarship in the late 1980s and 1990s, interdisciplinary methodologies borrowed from cultural studies have been dominating the field, generating valuable researc...

      Since the rise of ‘dance studies’ as an academic discipline in Anglo-American dance scholarship in the late 1980s and 1990s, interdisciplinary methodologies borrowed from cultural studies have been dominating the field, generating valuable research that places central focus on the role and value of dance and/or dancing/moving bodies in ways that transcend and traverse the disciplinary boundaries between sociology, politics, and aesthetics. In more recent years, however, such theoretical interdisciplinarity itself has, to some extent, become a burden for dance scholarship, at times distracting researchers from focusing on the core concepts, viz. dance and the body, and at the cost of a balanced adoption of interdisciplinary and medium-specific methods. Accordingly, this paper focuses explicitly on these concepts, selecting three key studies on the themes of dance and the body–in particular, the works of Janet Lansdale, Susan Leigh Foster and Body-Mind Centering®(BMC)–to reveal how each exhibits different yet somehow interlinked interpretations of dance and dancing/moving bodies.
      To this end, the paper examines three key concepts: (1) Lansdale’s understanding of ‘dance’ as a performance piece; (2) Foster’s concept of ‘dancing’ and ‘dancing bodies’ as a performing act involving active agency; and (3) BMC’s idea of ‘mindfully moving bodies’, which highlights the interconnectedness of and interactions between body and mind. Through comparative evaluation, the paper demonstrates the distinct ways in which each discourse perceives dance and the body in relation to processes of thought and mind, revealing how dance and/or the body play an active role in shaping discursive thought, socially contingent knowledge, and human wisdom. In doing so, the paper reveals the diverse forms of knowledge that dance and the body bring out, in the process highlighting the enduring effort (intentional or unintentional) to construct renewed discourses and disciplines that challenge the long-standing western dichotomy between body and mind.

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      참고문헌 (Reference)

      1 조기숙, "주체적인 몸 살아있는 춤 -몸학(Somatics)에 기반한 안무방식에 관한 탐구" 대한무용학회 61 (61): 259-276, 2009

      2 김현정, "수잔 리 포스터를 중심으로 시작된 일련의 무용 문화연구 경향 연구" 한국무용예술학회 18 (18): 71-98, 2006

      3 김경희, "소매틱 체(현)화 과정을 위한 방법과 도구" 대한무용학회 75 (75): 1-17, 2017

      4 김경희, "소매틱 움직임 교육/치료를 위한 기본 원리 연구" 대한무용학회 75 (75): 21-36, 2017

      5 김경희, "소매틱 관점에서의 발레 교수법 연구" 대한무용학회 74 (74): 17-31, 2016

      6 조기숙, "서구의 무용학 현황과 한국의 무용학 발전을 위한 일 제언" 대한무용학회 44 (44): 213-229, 2005

      7 조기숙, "매튜 본의 <백조의 호수>에 관한 연구 - 상호텍스트성 이론을 기반으로" 대한무용학회 61 (61): 277-294, 2009

      8 김경희, "국선도와 갓츠겐 운도에 내재된 소매틱 움직임 특질 비교 연구" 한국무용예술학회 75 (75): 19-35, 2019

      9 "הֶ עֵ מ"

      10 Hartley, L., "Wisdom of the Body Moving: An Introduction to Body-Mind Centering" North Atlantic Books 1995

      1 조기숙, "주체적인 몸 살아있는 춤 -몸학(Somatics)에 기반한 안무방식에 관한 탐구" 대한무용학회 61 (61): 259-276, 2009

      2 김현정, "수잔 리 포스터를 중심으로 시작된 일련의 무용 문화연구 경향 연구" 한국무용예술학회 18 (18): 71-98, 2006

      3 김경희, "소매틱 체(현)화 과정을 위한 방법과 도구" 대한무용학회 75 (75): 1-17, 2017

      4 김경희, "소매틱 움직임 교육/치료를 위한 기본 원리 연구" 대한무용학회 75 (75): 21-36, 2017

      5 김경희, "소매틱 관점에서의 발레 교수법 연구" 대한무용학회 74 (74): 17-31, 2016

      6 조기숙, "서구의 무용학 현황과 한국의 무용학 발전을 위한 일 제언" 대한무용학회 44 (44): 213-229, 2005

      7 조기숙, "매튜 본의 <백조의 호수>에 관한 연구 - 상호텍스트성 이론을 기반으로" 대한무용학회 61 (61): 277-294, 2009

      8 김경희, "국선도와 갓츠겐 운도에 내재된 소매틱 움직임 특질 비교 연구" 한국무용예술학회 75 (75): 19-35, 2019

      9 "הֶ עֵ מ"

      10 Hartley, L., "Wisdom of the Body Moving: An Introduction to Body-Mind Centering" North Atlantic Books 1995

      11 Adshead-Lansdale, J., "The Struggle with the Angle: A Poetics of Lloyd Newson’s Strange Fish" Dance Books 2007

      12 Burt, R., "The Specter of Interdisciplinarity" Congress on Research in Dance 41 (41): 3-22, 2009

      13 Lansdale, J., "The Routledge Dance Studies Reader" Routledge 158-167, 2010

      14 "Strongs's #4578: me`ah - Greek/Hebrew Definitions"

      15 "Strong's #4578 - הֶ עֵ מ - Old Testament Hebrew Lexicon"

      16 Bainbridge Cohen, B., "Sensing, Feeling, and Action: The Experiential Anatomy of Body-Mind Centering®" Contact Collaborations 2012

      17 Foster, S. L., "Reading Dancing: Bodies and Subjects in Contemporary American Dance" University of California Press 1986

      18 Eddy, M., "Mindful Movement: The Evolution of the Somatic Arts and Conscious Action" Intellect Ltd 2017

      19 GospelSub, "Laipeu seong-gyeongsajeon" Saengmyeong-uimalsseumsa 2011

      20 "Intestines"

      21 Shin, D. W., "Hangwon-eulo ilgneun Donguibogam" Dulnyouk 1999

      22 Daly, A., "Gender in Performance: The Presentation of Difference in the Performing Arts" Tufts University/University Press of New England 239-259, 1992

      23 Miller, G. W., "Exploring Body-Mind Centering: An Anthology of Experience and Method" North Atlantic Books 2011

      24 Miller, G. W., "Exploring Body-Mind Centering: An Anthology of Experience and Method" North Atlantic Books 13-17, 2011

      25 Bainbridge Cohen, B., "Exploring Body-Mind Centering: An Anthology of Experience and Method" North Atlantic Books 3-11, 2011

      26 Wikipedia, "Donguibogam"

      27 Lansdale, J., "Decentering Dancing Texts: The Challenge of Interpreting Dances" Palgrave Macmillan 2008

      28 Adshead-Lansdale, J., "Dancing Texts: intertextuality in interpretation" Dance Books 1-25, 1999

      29 Adshead-Lansdale, J., "Dancing Texts : intertextuality in interpretation" Dance Books 1999

      30 Adshead, J., "Dance Analysis: Theory and Practice" Dance Books 1988

      31 Jackson, N., "Dance Analysis in the Publications of Janet Adshead and Susan Foster" The Journal of the Society for Dance Research 12 (12): 3-11, 1994

      32 Foster, S. L., "Choreographing History" Indiana University Press 1995

      33 Foster, S. L., "Choreographing History" Indiana University Press 3-21, 1995

      34 Foster, S. L., "Choreographing Empathy: Kinesthesia in Performance" Routledge 2011

      35 Foster, S. L., "Choreographing Empathy" 24 (24): 81-91, 2005

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      2021-12-03 학술지명변경 외국어명 : The Journal of SDDH -> Asian Dance journal KCI등재
      2020-04-09 학회명변경 영문명 : The Dance Society for Documentation & History -> The Society for Dance Documentation & History KCI등재
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
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      2015-08-26 학술지명변경 외국어명 : The Journal of DSDH -> The Journal of SDDH KCI등재
      2014-04-22 학회명변경 한글명 : 한국무용기록학회 -> 무용역사기록학회
      영문명 : The Korea Society for Dance Documentation -> The Dance Society for Documentation & History
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      2014-04-17 학술지명변경 한글명 : 한국무용기록학회지 -> 무용역사기록학
      외국어명 : The Korean Jounal of Dance Documentation -> The Journal of DSDH
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