조선족 만담ㆍ재담 고찰 = A Consideration of Korean-Chinese Mandam(漫談) · Jaedam(才談)

다국어 초록 (Multilingual Abstract)

Mandam(漫談, comic talk) and Jaedam(才談, witty remark) correspond to the story culture, which criticizes(批判) and satirizes(諷刺) the world and human feelings humorously and entertainingly. Sangseong(相声) in China, Racugo(落語, one-person mandam)ㆍManjai(漫才, two-person mandam) in Japan, and our Mandam(漫談)ㆍJaedam(才談) are similar. All point to ‘laugh’ through a story. This study considered Mandam(漫談)ㆍJaedam(才談) of having been designated as the Intangible Cultural Property in Jilin Province of China. It inquired into how Mandam(漫談) and Jaedam(才談), which are treading the path of decline in South Korea, were passed down to Korean-Chinese people, into the origin & the historic transmission relation of Korean-Chinese people's ‘Mandam (漫談)ㆍJaedam(才談),’ and into a representative transmitter, and looked at a transmission problem and a future task. As for a task of ‘Mandam(漫談)ㆍJaedam(才談)’ in Korean-Chinese people, first, there is a need to create a work that has a story close to life in line with the living culture in the 21st century because of requiring a realistic script of ‘Mandam(漫談)ㆍJaedam(才談).’ Second, ‘Mandam(漫談)ㆍJaedam(才談)’ must be educated with a teacher-student relationship in the formal sector. It will be art education that is in accord with the 21C theatrical art trend in which the convergence·complex art is progressed. Third, there is a need to highlight discrimination of tradition that Korean-Chinese people have, through making norms using a typical work like < Samnoin(三老人) >. A concern should not be naturally committed that fails to develop or deepen with protecting just the original form of entertainment from the beginning by regarding only the preservation of original form as important.