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      KCI등재후보

      The Analysis on Korean Documentary Market and Competitive Strategies

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      https://www.riss.kr/link?id=A104966023

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      다국어 초록 (Multilingual Abstract)

      This study analyzes the strengths, weaknesses, opportunities and threats of Korean documentary in multi platform environment and explains market strategies and regulatory alternatives for the vitalization of Korean documentary. For the SO strategy, a ...

      This study analyzes the strengths, weaknesses, opportunities and threats of Korean documentary in multi platform environment and explains market strategies and regulatory alternatives for the vitalization of Korean documentary. For the SO strategy, a differentiated documentary production strategy based on platform diversification and killer contents for HD are required. For the ST strategy, international co-production supports are required. One the other hand, for the WO strategy, the training of professional workforce for documentary production, HD infrastructure support, investment for post-production are needed. For the WT strategy, resolving copyright issue for distribution and fundraising for documentary are needed. Government support is essential for the vitalization of the documentary industry in Korea. It would be important that the government should run a short or long term project, and make continuous investment in the industry.

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      참고문헌 (Reference)

      1 김미라, "다큐멘터리 소재(Topics)와 시장 성과 간의 관계 연구" 한국방송학회 21 (21): 7-37, 2007

      2 "Yonhap News. ‘Warnangsori’, the winner of American Documentary Film Festival"

      3 Hilliard, R. L., "Writing for Television and Radio, Fourth Edition" Hasting House 1981

      4 Yoon Kyeong Chung, "Trends in Production and Distribution of International Documentaries" (152) : 2002

      5 Jong Soo Lee, "The Study of Global Trend in TV Documentaries in the Age of Multiplatform: Comparative Analysis on International Text" Production. Distribution. Foundation for Broadcast Culture 2007

      6 Myeong Jun Seo, "The Rise of Animal Docusoft" 2008

      7 In Gyu Park, "The Reality of Documentaries and Change in the Genre: Focusing on Mokumentary" 2006

      8 Vista Advisers for RAI, "The Documentary Market Worldwide" Rome RAI 2001

      9 김예란, "TV 리얼리티 프로그램의 이론과 실제: 제작자 심층 인터뷰 분석을 중심으로" 한국방송학회 20 (20): 7-48, 2006

      10 김연식, "TV 다큐멘터리 수출 활성화 방안에 관한 연구" 한국방송학회 16 (16): 113-139, 2002

      1 김미라, "다큐멘터리 소재(Topics)와 시장 성과 간의 관계 연구" 한국방송학회 21 (21): 7-37, 2007

      2 "Yonhap News. ‘Warnangsori’, the winner of American Documentary Film Festival"

      3 Hilliard, R. L., "Writing for Television and Radio, Fourth Edition" Hasting House 1981

      4 Yoon Kyeong Chung, "Trends in Production and Distribution of International Documentaries" (152) : 2002

      5 Jong Soo Lee, "The Study of Global Trend in TV Documentaries in the Age of Multiplatform: Comparative Analysis on International Text" Production. Distribution. Foundation for Broadcast Culture 2007

      6 Myeong Jun Seo, "The Rise of Animal Docusoft" 2008

      7 In Gyu Park, "The Reality of Documentaries and Change in the Genre: Focusing on Mokumentary" 2006

      8 Vista Advisers for RAI, "The Documentary Market Worldwide" Rome RAI 2001

      9 김예란, "TV 리얼리티 프로그램의 이론과 실제: 제작자 심층 인터뷰 분석을 중심으로" 한국방송학회 20 (20): 7-48, 2006

      10 김연식, "TV 다큐멘터리 수출 활성화 방안에 관한 연구" 한국방송학회 16 (16): 113-139, 2002

      11 Rose, B., "TV Genre" Greenwood Press 1985

      12 Hogarth, D., "Realer than Reel Global Directions in Documentary" Austin University of Texas Press 2006

      13 "Nocut News. KBS‘s Scientific Documentaries Won Two Awards at the International Broadcasting Awards"

      14 Johnson, C. B., "International Television Co-Production From Access to Success" MA Focal Press 1992

      15 Jae Sik Yoon, "International Co-production: Expansion of Global Cultural Exchange" Korea Creative Content Agency 2007

      16 Kilborn, R., "How real can you get? Recent developments in “reality” television" 9 (9): 421-440, 1994

      17 Ofcom, "Guidelines for broadcasters in drafting codes of practice for commissioning programmes from independent suppliers"

      18 Agrave, A. B, "Going Regional and Local to Survive in a world of 4,000 channels" (2) : 2006

      19 Jae Yeong Kim, "Drama Copyrights and Distribution Structure" 2007

      20 Sang Ki Lee, "Documentary that Shows the True Life, Advances to the International Market" 2008

      21 Hollywood Reporter, "Documentary programming struggles to survive in the age of the reality show" 389 (389): 2005

      22 "Chosun Ilbo, Looking forward to ‘Documentary Korea Current’"

      23 Graham, D, "British Television: The Global Market Challenge" British Television Directors Association 2000

      24 Joon Hee Chung, "Britain, the mass production of blue chip documentaries with the advanced technological changes" 2008

      25 The Seoul Shinmun, "At the filming site of the first 3D documentary in Korea, EBS ‘Angkor Civilization’ production team’s ambitious challenge"

      26 Ung Jin Park, "Analysis and Implications of Air Time Schedule for 3 Terrestrial Broadcasting Corporations in 2005 (KBI Focus06-05)" Foundation for Broadcast Culture 2006

      27 Ellis, J. C., "A New History of Documentary Film" Continuum 2006

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      공동연구자 (7)

      유사연구자 (20) 활용도상위20명

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2018 평가예정 신규평가 신청대상 (신규평가)
      2017-12-01 평가 등재후보 탈락 (계속평가)
      2016-12-01 평가 등재후보로 하락 (계속평가) KCI등재후보
      2012-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2011-01-01 평가 등재후보 1차 PASS () KCI등재후보
      2009-04-17 학회명변경 한글명 : 방송산업연구소 -> 방송·예술연구소
      영문명 : Telecommunications Research Institute -> Broadcasting & Arts Research Institute
      KCI등재후보
      2009-01-01 평가 등재후보학술지 선정 () KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.31 0.31 0.34
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.28 0.26 0.535 0
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