고통스러운 예술의 역설 : 스트롤의 부사구주의 쾌 이론과 강한 양가성 = The Paradox of Painful Art: Strohl on Adverbialist Theory of Pleasure and Strong Ambivalence

다국어 초록 (Multilingual Abstract)

In this paper I critically explore Matthew Strohl’s adverbialist theory of pleasure and its tenability as an account for the paradox of painful art under the category of strong ambivalence. Strohl proposes adverbialism as an alternative to the Folk Theory according to which pleasure and pain are taken to be phenomenally characterized feelings. I claim that, because of underestimating the role of phenomenal character of pleasure and pain, his theory has counterintuitive ramifications, though the explanatory power of his version of adverbialism is superior to that of other competing versions. Strong ambivalence solutions hold that we enjoy, or take pleasure in, the overall appreciation of painful art, not in despite of, but partly in virtue of the negative affect, or pain. I argue that Strohl’s adverbialism exaggerates the role of pain in response to painful art while being inferior to the Folk Theory where it must explain it rightly, and hold that it is not even a live option for explaining the inverse version of strong ambivalence.

참고문헌 (Reference)

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