헤겔의 ‘화해’ 규정을 통해 본 근대예술 : 장르화에서 객관적 유머까지 = Seeing modern art through Hegel’s ‘reconciliation’: From genre painting to objective humor

다국어 초록 (Multilingual Abstract)

In Hegel's ‘Romantic Form of Art’, modern art phenomena are described alongside with the history of modern subjectivity, so one can encounter the brilliant Christian art that blossomed in Italian paintings and immortal literatures that outstandingly portray the heart of modern people. Hegel diagnosed that the world was separated from reality and abstracted due to the contradictions prevalent in modern life and consciousness, and presented reconciliation with reality as the task of philosophy. Art was also identified as having a vocation to manifest this reconciliation through external existence. In Dutch genre painting This reconciliation was expressed in contentment and joy savored amid life hardships. However, at the turn of the 19th century when this form of art were on the verge, there was a disastrous phenomena in German art that have lost their subject matter and failed to find an appropriate expression form. Many genius artists had been paying attention to everyday life that by then completely had become the material of art by closely observing the reality to which they belong, with the power and talent to destroy existing regulations and to create new things. Nevertheless, they have not yet been able to express reconciliation, as staying in the subjective humor completely separated from the art object or the infinite longing for the time passed away. However, from objective humor the deep movement of the mind to discover the vitality in even insignificant objects and to savor everyday lives were occurred, and through this the empty longing and capricious subjectivity are sublated. Eventually, the new subject matter of universal humanity and the free interior of the artist had reached to reconciliation, and Hegel witnessed the spiritual beauty as a representation of this reconciliation in Goethe's West-östlicher Divan.

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