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      ‘운명’과 이에 대면한 위화의 인물들 ― 위화(余華) 소설의 변화 과정에 관한 일 고찰 = ‘Destiny’ and the Characters Who Confronted It: A Study of the Process of Change in Yu Hua’s Novels

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      https://www.riss.kr/link?id=A104458477

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      다국어 초록 (Multilingual Abstract)

      Yu Hua(余華) is one of the most famous writers in Contemporary China. Since 1987, he has written a number of distinguished novels. His early works written in 1980s are puzzling, fuzzy and unreal, and so are called as the avant-garde novel(先鋒小說). Unlike the early works, Yu Hua’s novels written in 1990s contains mostly real and touching stories. This change in Yu Hua’s works through different time periods has been discussed in this paper.
      As one of the key words in his novel, “the Destiny” has been analyzed. In Yu Hua’s works, most of the characters are thrown into miserable and unhappy situations, and some of them even face death. These infelicities are often conceived as “the Destiny” in many Asian countries including China, and Yu Hua, in his early works in 1980s, seems to share the same view about the concept of “the Destiny.” In Yu Hua's early novels, most characters are weak, flabby, self-defeated in their fatal struggles. However, in his later works in 1990s, Yu Hua demonstrates some level of change in his perception of “the Destiny” through his characters. Specifically, Fugui(福貴) and Xu Sanguan(許三觀), characters shown in his works in the 90’s, start to overcome their struggles and begin to cope with their destinies by acquiring the power for their survivals.
      This change observed in the character seems plausible in that the writer’s view toward life might have transformed into a more active and positive direction from the previous passive and negative one. This transition, however, appears that it has not been accompanied with his writing maturity and deep insight toward the life because the two main characters in “Brotherhood,” one of his recent works, has brought many readers and critics much disappointment.
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      Yu Hua(余華) is one of the most famous writers in Contemporary China. Since 1987, he has written a number of distinguished novels. His early works written in 1980s are puzzling, fuzzy and unreal, and so are called as the avant-garde novel(先鋒小...

      Yu Hua(余華) is one of the most famous writers in Contemporary China. Since 1987, he has written a number of distinguished novels. His early works written in 1980s are puzzling, fuzzy and unreal, and so are called as the avant-garde novel(先鋒小說). Unlike the early works, Yu Hua’s novels written in 1990s contains mostly real and touching stories. This change in Yu Hua’s works through different time periods has been discussed in this paper.
      As one of the key words in his novel, “the Destiny” has been analyzed. In Yu Hua’s works, most of the characters are thrown into miserable and unhappy situations, and some of them even face death. These infelicities are often conceived as “the Destiny” in many Asian countries including China, and Yu Hua, in his early works in 1980s, seems to share the same view about the concept of “the Destiny.” In Yu Hua's early novels, most characters are weak, flabby, self-defeated in their fatal struggles. However, in his later works in 1990s, Yu Hua demonstrates some level of change in his perception of “the Destiny” through his characters. Specifically, Fugui(福貴) and Xu Sanguan(許三觀), characters shown in his works in the 90’s, start to overcome their struggles and begin to cope with their destinies by acquiring the power for their survivals.
      This change observed in the character seems plausible in that the writer’s view toward life might have transformed into a more active and positive direction from the previous passive and negative one. This transition, however, appears that it has not been accompanied with his writing maturity and deep insight toward the life because the two main characters in “Brotherhood,” one of his recent works, has brought many readers and critics much disappointment.

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      참고문헌 (Reference)

      1 유경철, "金庸 武俠小說의 ‘中國 想像’ 硏究" 서울대학교 2005

      2 위화, "허삼관 매혈기" 푸른숲 1996

      3 심혜영, "위화(余華)의 형제(兄弟)와 ‘두 공간’의 공존" (45) : 2008

      4 이종민, "위화(余華)의 새로운 글쓰기에 대한 비판적 고찰:『형제』 속의 개혁개방 시대를 중심으로" 한국중국현대문학학회 (45) : 217-239, 2008

      5 심혜영, "위화(余华)의 글쓰기와 문학의 진실" 중국어문학회 19 (19): 319-339, 2005

      6 위화, "세상사는 연기와 같다―위화 중편소설" 푸른숲 2000

      7 위화, "살아간다는 것" 푸른숲 1992

      8 위화, "내게는 이름이 없다―위화 단편소설" 푸른숲 2000

      9 위화, "가랑비 속의 외침" 푸른숲 2004

      10 余華, "黃昏裏的男孩, 余華作品系列" 上海文藝出版社 2003

      1 유경철, "金庸 武俠小說의 ‘中國 想像’ 硏究" 서울대학교 2005

      2 위화, "허삼관 매혈기" 푸른숲 1996

      3 심혜영, "위화(余華)의 형제(兄弟)와 ‘두 공간’의 공존" (45) : 2008

      4 이종민, "위화(余華)의 새로운 글쓰기에 대한 비판적 고찰:『형제』 속의 개혁개방 시대를 중심으로" 한국중국현대문학학회 (45) : 217-239, 2008

      5 심혜영, "위화(余华)의 글쓰기와 문학의 진실" 중국어문학회 19 (19): 319-339, 2005

      6 위화, "세상사는 연기와 같다―위화 중편소설" 푸른숲 2000

      7 위화, "살아간다는 것" 푸른숲 1992

      8 위화, "내게는 이름이 없다―위화 단편소설" 푸른숲 2000

      9 위화, "가랑비 속의 외침" 푸른숲 2004

      10 余華, "黃昏裏的男孩, 余華作品系列" 上海文藝出版社 2003

      11 余華, "鮮血梅花, 余華作品系列" 上海文藝出版社 2003

      12 余華, "許三觀賣血記, 余華作品系列" 上海文藝出版社 2003

      13 余華, "虛僞的作品, 上海文壇"

      14 夏中義, "苦難中的溫情與溫情地受難-論余華小說的母題演變"

      15 余華, "現實一種, 余華作品系列" 上海文藝出版社 2003

      16 余華, "火焰的秘密心臟"

      17 余華, "活着, 余華作品系列" 上海文藝出版社 2003

      18 余華, "活着, 余華作品系列" 上海文藝出版社 2003

      19 張淸華, "文學的減法-論余華"

      20 余華, "戰慄, 余華作品系列" 上海文藝出版社 2003

      21 余華, "我膽小如鼠, 余華作品系列" 上海文藝出版社 2003

      22 洪治綱, "悲憫的力量-論余華的三部長篇小說及其精神走向"

      23 余華, "在細雨中呼喊, 余華作品系列" 上海文藝出版社 2003

      24 吳義勤, "告別“虛僞的形式”- 許三觀賣血記 之于余華的意義"

      25 余華, "兄弟 下部" 上海文藝出版社 2006

      26 余華, "兄弟 上部" 上海文藝出版社 2005

      27 洪治綱, "余華評傳" 鄭州大學出版社 2005

      28 劉康, "余華與先鋒派文學運動"

      29 洪治綱, "余華硏究資料, 中國當代作家硏究資料叢書" 天津人民出版社 2007

      30 余華, "世事如烟, 余華作品系列" 上海文藝出版社 2003

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      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
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      1999-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.44 0.44 0.36
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.37 0.34 0.589 0.43
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