로버트 무친스키 피아노 트리오 2번의 분석적 연구 = An Musical Analysis of Robert Muczyniski`s Piano Trio No.2 -Focus on the First Movement-

다국어 초록 (Multilingual Abstract)

The purpose of this study is to provide scholastic research on Robert Muczynski`s Second Piano Trio (1975) by presenting his biographical background, discussing influences and his musical style, and analyzing the work. Robert Muczynski (b.1929), a composer-pianist of Polish descent, studied with Alexander Tcherepnin (1899-1977). From traditional forms and techniques, he fashioned his own unique and innovative compositional style. The second piano trio, in particular, was deeper and more complex in its conception and affect than previous compositions. The first movement Andante molto opening leads to an allegro section, and the somber second movement builds to a heavy climax. The third movement is highly rhythmic and dramatically driven. Chapter I outlines the purpose of the study and the composer`s biography. Chapter II describes Muczynski`s compositional influences and the evolution of his musical language. Emphasis to this respect will be placed on the pedagogical role of Alexander Therepnin, as well as the important connections between Prokofiev, Tcherepnin and Muczynski. An exploration of other elements that has informed Muczynski`s style is offered. Chapter III details the circumstances, general characteristics, and compositional technique of the Second Piano Trio. Detailed analysis of all three movements will be provided, with particular attention paid to aspects of theme, form, harmony, rhythm, meter, tempo, articulation, texture, and dynamic. The theoretical analysis is the main portion of this document, and after a discussion of treatment of the piano, concluding reflections are offered in Chapter IV.