문화예술을 활용한 도시재생의 공간디자인에 관한 사례 비교연구 = Comparative Study on Cases of Space Design for Urban Regeneration Utilizing Culture and Arts

다국어 초록 (Multilingual Abstract)

(Background and Purpose) This study compares and researches existing cases of urban regeneration that achieved successful results by utilizing foreign culture and arts and design methods of each urban regeneration case by referring to urban regeneration cases that utilize culture and arts of similar purposes in Korea. (Method) As a research method, first, this study conducts a theoretical review of urban regeneration. The methods of space design utilizing culture and arts found from urban regeneration cases in Korea and overseas are analyzed and compared, respectively. The selected cases are The High Line of the US and Seoullo7017, Tate Modern of UK and Mapo Oil Tank Culture Park, and Zeche Zollverein of Germany and Samtan Art Mine. (Results) The High Line and Seoullo7017 have similar uses before and after regeneration. The spaces were regenerated from railroad and driveways to sidewalks that serve as parks. In the High Line, many facilities borrowed from and utilized the past places and roles as a design concept. Seoullo7017 did not sufficiently utilize the unique location where symbolism or temporality of the overpass of Seoul Station in the past could be experienced in terms of the spatial design. Tate Modern and Mapo Oil Tank Culture Park exhibit the commonality in that both utilized the distinctive spatial characteristics as a cultural space that triggers communication of the present, time, and memory. Tate Modern has been regenerated into a distinguished art museum by utilizing the vast space of a thermal power plant, while, similarly, the space design of Mapo Oil Tank Culture Park used the original characteristics of the oil tank. In both Zollverein and Samtan Art Mine cases, modern space works and artworks were arranged, while the dark and bleak image of a mine was utilized as diverse art spaces along with artworks. The difference is that Zollverein has a stronger aspect of programs that attempt to 'utilize' space continuously and to a greater extent. Samtan Art Mine showed a stronger aspect of aiming at cultural and artistic utilization of the place's characteristics within the existing space. (Conclusions) First, spatiality appears as a three-dimensional application that provides the horizontal and vertical composition and changes of sequence in the existing facility's space. Second, the space that leads symbolism is exhibited to a greater extent as a space that contains unique memories and historical stories through the distinctive harmony of the store of the place with modern elements. Third, temporality is shown as an exhibition method that induces movements to embody the continuity of perception, enabling temporal flow experience.

참고문헌 (Reference)

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