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      배우의 캐릭터 구축에 대한 방법론 연구 = A Study on the Acting Method of the Building a Character

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      https://www.riss.kr/link?id=A104857120

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      다국어 초록 (Multilingual Abstract)

      Disciple of Platōn and Aristoteles, Theophrastos who is philosopher of Greek tells that there are 30 characteristics of human being in his book.
      In this way, various characters are needed in the work of arts. Because even in the same situation, the behavior that character takes is different.
      Then, the audiences is not simply follow the flow of stories, but based on their interest and affection for the character, they can identify with the audience themselves and become immersed in the work of arts.
      Through the character, the work of art becomes vitality.
      Many actors forget the significance of these characters and memorize the ambassadors and miss out on the process of character building in the postponement.
      This phenomenon occurs more frequently in film actors who believe in capturing camera moments than theater actors who go on stage for a long time.
      Although, movie acting contains all the important cinematography camera and editing technique, it is not easy to shine as a movie actors without supporting great acting ability. For an actor who wants to show a good performance, the character building work for the role is necessary and systematic research is needed.
      It is studied in this thesis that Stanislavski system which widely known as traditional methodology of constructing characters as well as Michael Chekhov method which written by Michael Chekhov known as not only director but also educators acting.
      In addition, it is examined that not only stage for a play, but also importance of constructing and utilizing characters in video media such as movie shooting site.
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      Disciple of Platōn and Aristoteles, Theophrastos who is philosopher of Greek tells that there are 30 characteristics of human being in his book. In this way, various characters are needed in the work of arts. Because even in the same situation, the b...

      Disciple of Platōn and Aristoteles, Theophrastos who is philosopher of Greek tells that there are 30 characteristics of human being in his book.
      In this way, various characters are needed in the work of arts. Because even in the same situation, the behavior that character takes is different.
      Then, the audiences is not simply follow the flow of stories, but based on their interest and affection for the character, they can identify with the audience themselves and become immersed in the work of arts.
      Through the character, the work of art becomes vitality.
      Many actors forget the significance of these characters and memorize the ambassadors and miss out on the process of character building in the postponement.
      This phenomenon occurs more frequently in film actors who believe in capturing camera moments than theater actors who go on stage for a long time.
      Although, movie acting contains all the important cinematography camera and editing technique, it is not easy to shine as a movie actors without supporting great acting ability. For an actor who wants to show a good performance, the character building work for the role is necessary and systematic research is needed.
      It is studied in this thesis that Stanislavski system which widely known as traditional methodology of constructing characters as well as Michael Chekhov method which written by Michael Chekhov known as not only director but also educators acting.
      In addition, it is examined that not only stage for a play, but also importance of constructing and utilizing characters in video media such as movie shooting site.

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      참고문헌 (Reference)

      1 류훈, "한국 상업영화, 캐릭터의 획일성과 비확장성에 대한 연구" 한국영상제작기술학회 1 (1): 181-201, 2017

      2 Theophrastos, "캐릭터" 주영사 2014

      3 박서연, "즉흥연기의 이론과 방법론 연구" 한국영상제작기술학회 1 (1): 99-117, 2015

      4 박서연, "영화 연기의 이론과 방법론 연구" 건국대학교 대학원 2016

      5 박서연, "영화 연기" 커뮤니케이션북스 2015

      6 O’Brien, M. E., "영화 연기" 연극과인간 2003

      7 김석만, "연기의 세계" 연극과 인간 2007

      8 Stanislavski, C., "역할창조" 예니 2013

      9 한창호, "여배우들" 어바웃어북 2015

      10 Stanislavski, C., "액터스 북" 예니 2001

      1 류훈, "한국 상업영화, 캐릭터의 획일성과 비확장성에 대한 연구" 한국영상제작기술학회 1 (1): 181-201, 2017

      2 Theophrastos, "캐릭터" 주영사 2014

      3 박서연, "즉흥연기의 이론과 방법론 연구" 한국영상제작기술학회 1 (1): 99-117, 2015

      4 박서연, "영화 연기의 이론과 방법론 연구" 건국대학교 대학원 2016

      5 박서연, "영화 연기" 커뮤니케이션북스 2015

      6 O’Brien, M. E., "영화 연기" 연극과인간 2003

      7 김석만, "연기의 세계" 연극과 인간 2007

      8 Stanislavski, C., "역할창조" 예니 2013

      9 한창호, "여배우들" 어바웃어북 2015

      10 Stanislavski, C., "액터스 북" 예니 2001

      11 송낙원, "아메리칸 메소드 연기의 기원과 발전" 한국영상제작기술학회 1 (1): 25-48, 2015

      12 이진아, "스타니슬랍스키 연극론에 있어서 배우와 역할의 관계 -『역할에 대한 배우의 작업』 을 중심으로 -" 한국드라마학회 (42) : 185-219, 2014

      13 김석만, "스타니슬랍스키 연극론" 이론과 실천 1993

      14 Stanislavski, C., "성격구축" 예니 2001

      15 Michael Chekhov, "배우에게" 동인 2015

      16 Michael Chekhov, "미카엘 체홉의 테크닉연기" 예니 2000

      17 L.M Shikhmatov, "무대 에튜드" 한국문화사 2014

      18 Edward. D. Easty, "메소드 연기" 경서원 1998

      19 Stanislavski, C., "나의 예술 인생" 책숲 2012

      20 Aaron Couch, "Heath Ledger Asked Christian Bale to Hit Him for Real in ‘The Dark Knight’"

      21 "<캐리비안의 해적2:망자의 함>(Pirates Of The Caribbean: Dead Man's Chest)DVD 조니 뎁의 ‘잭 스패로우’ 선장 캐릭터 관련 인터뷰 내용"

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2022 평가예정 재인증평가 신청대상 (재인증)
      2019-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2016-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2015-12-01 평가 등재후보로 하락 (기타) KCI등재후보
      2013-05-28 학회명변경 한글명 : 영상기술학회 -> 한국영상제작기술학회 KCI등재
      2011-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2010-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2008-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.1 0.1 0.1
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.11 0.12 0.369 0
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