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      고대 이스라엘의 성전모티프에 관한 연구 = A Study on the Temple Motifs in Ancient Israel

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      https://www.riss.kr/link?id=T16023921

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      Abstract


      A Study on the Motifs of a Temple in Ancient Israel


      Surk Il Im
      Department of Theology
      Graduate School, Hyupsung University



      Supervised by Professor Myung Soo Suh, Ph.D.


      This thesis explores the motifs of a temple in ancient Israel. There are some motifs of a temple in the Old Testament. Typical types of a temple/sanctuary are an archetypal sanctuary and its antitypal sanctuary in earth. The former represents the world itself which was created by God, and the latter represents earthly sanctuary as a human holy architecture. The archetypal temple reflects heavenly temple. The typical antitypal temple are Solomon's temple and the second temple which was rebuilt by Zerubbabel (BCE 515) after the Babylonian period.
      The inquiry of the motifs of a temple/sanctuary will help Korean churches and believers understand the theological meaning and purpose of the church as a place where God lives today.
      The book of Genesis starts from the story of creation of heaven and earth(Gen.1:1-2:3), where the world itself contains a temple motif. The world presupposes a three-story structure just like the structure of the sanctuary, and after completion of the creation of heaven and earth, God rests(shābat) on the 7th in the world. Therefore, it can be said that the created world itself is a temple where God lives and rests. This is often referred to as an archetypal temple because it is an invisible temple. In the story of the second creation(Gen.2:4-3:24) the Garden of Eden contains a temple motif as a miniature version of the world. Motif, where water flows out of the center of the garden and wets the river on a slope, is like a temple motif, meaning a river of life in which water flows from the temple gate area through the Jordan River to the Dead Sea. In addition, there are pure gold and jewelry in the Garden of Eden, which is reminiscent of precious metals and jewelry decorated in the tabernacle and Solomon's Temple. The group that guarded the Garden of Eden was shaped like the insignia of the tabernacle and atonement, and the two candle sticks (menorah) at the altar of the tabernacle were shaped like the tree of life and the tree of knowledge in Garden of Eden. As such, the Garden of Eden is not a temple as a visible building, but it can be called a archetypal sanctuary in where God lives and meets people.
      God who dwells in the mountain after the exodus orders Moses to instruct the construction of the tabernacle to dwell in the Israelite camp. As God commands seven times, Moses executes seven times. This seven times command-execute pattern also applies to the appointment ceremony of priests in the chapter of Leviticus. In this pattern world, the tabernacle, and the appointment of a priest are closely linked by priestly theology and perspective. The tabernacle is divided into a courtyard, alter, and the Most Holy Place. This triadic division is similar to the three grades of Mt. Sinai, that is the foot of a mountain(on where the Israelites stay), mountainside(where Joshua and elders stay), top of mountain(where Moses stay and meet with God).
      Another temple motif can be found in Noah's ark(tēbah). Noah's ark has the same three-story structure as a sanctuary. Noah coated the a가 of cypress with pitch inside and outside for prevention of a chaotic water. Pitch in Hebrew is 'Koper', its verbal form is 'kāpar' which means 'spread over'. And sometimes 'kāpar' is used as a metaphor of atonement, that is 'spread over a sin'. Atonement means to cover up a sin. And according to God's command, Noah took seven of every kind if clean animal, a male and its mate, and two pf every kind of unclean animal, a male and its mate. This clean and unclean animals reflect the sprit of the code of purity and impurity in the book of Leviticus. For these reasons, Noah's ark can be called a floating temple on the water. Some scholars argue that Noah's ark corresponds to a floating ziggurat.
      Moses mother made a reed basked for child Moses. The reed basket in Hebrew is also <tēbah> which is same to Noah's Ark. In spite of difference of size the reed basket is called <tēbah>. It is why that two are coated with pitch for prevention of a great water(mābbûl in Hebrew) flooding into. Just as those who are in temple are safe, Noah's Ark and the reed basket function as a shelter.
      As visible temples on the ground, there are Solomon and Zerubbabel temples, which reflect an archetypal sanctuary as mentioned above. But it is difficult to say that they have been embodied in 100%. The temple of Solomon differs from the tabernacle because Solomon's temple has some The second temple is restoration of the first temple. So two temples are same.
      During the exilic period the prophet Ezekiel suggested a new vision of temple(Ezk. 40-48) for the near future. His new vision is not a restoration of the historical temple (the first temple), but an ideal temple that reflects the ideals of the heavenly temple and the archetypal temple.
      Through the above discussion on the temple motifs, some implications and implications for correcting the distorted temple architecture phenomenon of today's Korean churches can be indirectly inferred. In conclusion, all kinds of temple should be a place where the order, preservation, and reproduction of creation take place. Only God will be there(Yahweh-shammah).
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      Abstract A Study on the Motifs of a Temple in Ancient Israel Surk Il Im Department of Theology Graduate School, Hyupsung University Supervised by Professor Myung Soo Suh, Ph.D. This thesis explores the motifs of a temple in ancient Israel....

      Abstract


      A Study on the Motifs of a Temple in Ancient Israel


      Surk Il Im
      Department of Theology
      Graduate School, Hyupsung University



      Supervised by Professor Myung Soo Suh, Ph.D.


      This thesis explores the motifs of a temple in ancient Israel. There are some motifs of a temple in the Old Testament. Typical types of a temple/sanctuary are an archetypal sanctuary and its antitypal sanctuary in earth. The former represents the world itself which was created by God, and the latter represents earthly sanctuary as a human holy architecture. The archetypal temple reflects heavenly temple. The typical antitypal temple are Solomon's temple and the second temple which was rebuilt by Zerubbabel (BCE 515) after the Babylonian period.
      The inquiry of the motifs of a temple/sanctuary will help Korean churches and believers understand the theological meaning and purpose of the church as a place where God lives today.
      The book of Genesis starts from the story of creation of heaven and earth(Gen.1:1-2:3), where the world itself contains a temple motif. The world presupposes a three-story structure just like the structure of the sanctuary, and after completion of the creation of heaven and earth, God rests(shābat) on the 7th in the world. Therefore, it can be said that the created world itself is a temple where God lives and rests. This is often referred to as an archetypal temple because it is an invisible temple. In the story of the second creation(Gen.2:4-3:24) the Garden of Eden contains a temple motif as a miniature version of the world. Motif, where water flows out of the center of the garden and wets the river on a slope, is like a temple motif, meaning a river of life in which water flows from the temple gate area through the Jordan River to the Dead Sea. In addition, there are pure gold and jewelry in the Garden of Eden, which is reminiscent of precious metals and jewelry decorated in the tabernacle and Solomon's Temple. The group that guarded the Garden of Eden was shaped like the insignia of the tabernacle and atonement, and the two candle sticks (menorah) at the altar of the tabernacle were shaped like the tree of life and the tree of knowledge in Garden of Eden. As such, the Garden of Eden is not a temple as a visible building, but it can be called a archetypal sanctuary in where God lives and meets people.
      God who dwells in the mountain after the exodus orders Moses to instruct the construction of the tabernacle to dwell in the Israelite camp. As God commands seven times, Moses executes seven times. This seven times command-execute pattern also applies to the appointment ceremony of priests in the chapter of Leviticus. In this pattern world, the tabernacle, and the appointment of a priest are closely linked by priestly theology and perspective. The tabernacle is divided into a courtyard, alter, and the Most Holy Place. This triadic division is similar to the three grades of Mt. Sinai, that is the foot of a mountain(on where the Israelites stay), mountainside(where Joshua and elders stay), top of mountain(where Moses stay and meet with God).
      Another temple motif can be found in Noah's ark(tēbah). Noah's ark has the same three-story structure as a sanctuary. Noah coated the a가 of cypress with pitch inside and outside for prevention of a chaotic water. Pitch in Hebrew is 'Koper', its verbal form is 'kāpar' which means 'spread over'. And sometimes 'kāpar' is used as a metaphor of atonement, that is 'spread over a sin'. Atonement means to cover up a sin. And according to God's command, Noah took seven of every kind if clean animal, a male and its mate, and two pf every kind of unclean animal, a male and its mate. This clean and unclean animals reflect the sprit of the code of purity and impurity in the book of Leviticus. For these reasons, Noah's ark can be called a floating temple on the water. Some scholars argue that Noah's ark corresponds to a floating ziggurat.
      Moses mother made a reed basked for child Moses. The reed basket in Hebrew is also <tēbah> which is same to Noah's Ark. In spite of difference of size the reed basket is called <tēbah>. It is why that two are coated with pitch for prevention of a great water(mābbûl in Hebrew) flooding into. Just as those who are in temple are safe, Noah's Ark and the reed basket function as a shelter.
      As visible temples on the ground, there are Solomon and Zerubbabel temples, which reflect an archetypal sanctuary as mentioned above. But it is difficult to say that they have been embodied in 100%. The temple of Solomon differs from the tabernacle because Solomon's temple has some The second temple is restoration of the first temple. So two temples are same.
      During the exilic period the prophet Ezekiel suggested a new vision of temple(Ezk. 40-48) for the near future. His new vision is not a restoration of the historical temple (the first temple), but an ideal temple that reflects the ideals of the heavenly temple and the archetypal temple.
      Through the above discussion on the temple motifs, some implications and implications for correcting the distorted temple architecture phenomenon of today's Korean churches can be indirectly inferred. In conclusion, all kinds of temple should be a place where the order, preservation, and reproduction of creation take place. Only God will be there(Yahweh-shammah).

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      목차 (Table of Contents)

      • 제Ⅰ장: 서론 5
      • 제1절: 문제제기 및 연구목적 5
      • 제2절: 연구범위와 방법 및 절차 6
      • 제3절: 연구사 7
      • 제Ⅱ장: 고대 이스라엘의 성전유형 9
      • 제Ⅰ장: 서론 5
      • 제1절: 문제제기 및 연구목적 5
      • 제2절: 연구범위와 방법 및 절차 6
      • 제3절: 연구사 7
      • 제Ⅱ장: 고대 이스라엘의 성전유형 9
      • 제1절: 원형적 성전(Archetypal Temple) 10
      • 1. ‘원형적 성전’건축으로서의 세계창조(창 1:1-2:3) 10
      • 2. ‘원형적 성전’으로서의 에덴동산(창 2:4-3:24) 14
      • 제2절: 대형적 성전(Antitypal Temple) 15
      • 1. ‘대형적 성전’으로서의 이동성소(moving sanctuary) 15
      • 2. ‘대형적 성전’으로서의 고정성소(fixed sanctuary) 17
      • 제Ⅲ장: 창조와 성전 18
      • 제1절: 첫 번째 세계창조(창 1:1-2:3)와 성전 18
      • 1. 3층 구조의 세계와 성전 18
      • 2. 성소(Sanctuary)의 3층 구조 20
      • 3. 세계창조와 성막건축 21
      • 제2절: 두 번째 창조기사(창 2:4-3:24)와 성전 25
      • 1. 에덴 동산의 바깥지역(Outside Area) 28
      • 2. 에덴 동산의 안쪽지역(Inner Area) 30
      • 3. 에덴 동산의 중심지역(Central Area) 34
      • 제Ⅳ장: 물 위에 떠 있는 성전(Floating Temple) 41
      • 제1절: 혼돈의 물 41
      • 제2절: 노아방주에 투영된 성전 모티프 43
      • 1. 혼돈의 물과 성소로서의 방주 43
      • 2. 방주와 정결한 짐승 48
      • 3. 방주의 구조와 방수기능 49
      • 제3절: 나일강과 갈대상자 51
      • 제4절: 고대 근동의 지구라트와 방주 54
      • 제Ⅴ장: 족장들의 제단과 성전 61
      • 제1절: 아브람의 돌제단 63
      • 제2절: 야곱의 네러티브와 성전 67
      • 1. 야곱의 사닥다리 68
      • 2. 엘벧엘과 성전 75
      • 제Ⅵ장: 이동 성전으로서의 성막 80
      • 제1절: 원형적 성전과 성막 84
      • 1. 성막의 뜰 87
      • 2. 성막의 성소 91
      • 3. 성막의 지성소 99
      • 제2절: 공동체의 구심점으로서의 성막 102
      • 1. 제의 장소로서의 성막 103
      • 2. 군사령부로서의 성막 104
      • 3. 야훼의 국고로서의 성막 106
      • 제3절: 제사장 임명과 원형적 성전 107
      • 제Ⅶ장: 성전 산(Mountain Temple) 모티프 108
      • 제1절: 짜폰 산(Mt. Zaphon)과 성전 108
      • 제2절: 시내 산(Mt. Sinai)과 성전 111
      • 1. 제사장의 나라, 거룩한 백성 113
      • 2. 성소로서의 시내산 115
      • 제3절: 시온 산(Mt. Zion)과 성전 118
      • 제Ⅷ장: 지상 성전에 구현된 성전 모티프 120
      • 제1절: 솔로몬 성전(제1성전) 120
      • 1. 솔로몬 성전의 뜰 121
      • 2. 솔로몬 성전의 성소 122
      • 3. 솔로몬 성전의 지성소 124
      • 제2절: 모세의 성막과 솔로몬의 성전 125
      • 제3절: 스룹바벨 성전(제2성전) 127
      • 제Ⅸ장: 에스겔의 이상적인 미래성전 129
      • 제1절: 성전구조의 재정립 130
      • 1. 왕권의 재정립 130
      • 2. 토지의 재정립 131
      • 3. 성전의 재정립 135
      • 제2절: 에스겔의 새 성전모티브 139
      • 1. 에스겔 성전의 바깥뜰 139
      • 2. 에스겔 성전의 안뜰 141
      • 3. 에스겔 성전의 성소 144
      • 제3절: 에스겔의 신학적 의미 148
      • 1. 에스겔 성전의 단면도 151
      • 제Ⅹ장: 결론 157
      • 참고문헌 163
      • ABSTRACT 169
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      참고문헌 (Reference) 논문관계도

      1 이진, "창세기에 계시된 성소신학", 서울: 해드림출판사, 2017

      2 윤형, "에스겔 43장 1-12절을 중심으로 본 에스겔 환상성전의 성격", 장신논단48, 2016

      1 이진, "창세기에 계시된 성소신학", 서울: 해드림출판사, 2017

      2 윤형, "에스겔 43장 1-12절을 중심으로 본 에스겔 환상성전의 성격", 장신논단48, 2016

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