1 강태경, "질풍노도, 그 이후(I) : 런던 <에쿠우스> - 전휘와 저항의 연착" 한국영미문학교육학회 8 (8): 5-39, 2004
2 강태경, "질풍노도 그 이후 II: 브로드웨이 Equus(1)―근육의 미학" 한국현대영미드라마학회 18 (18): 5-46, 2005
3 Long Beach Press Telegram, "‘Equus’ fills Studio Theatre with emotions that bound beyond the small stage"
4 Shim, Jung-soon, "What Happens When We Change Gender and Body?" National Theatre Association of Korea 90-91, 2001
5 Shaffer, Peter, "Three Plays: Equus, Shrivings, Five Finger Exercise" Penguin 1976
6 Freshwater, Helen, "Theatre and Audience" Palgrave Macmillan 2009
7 Han, Sang-Cheol, "Theatre Criticism in the 1990s I" Korean Association of Theatre Critics 311-, 1995
8 Kim, Yun-Cheol, "Theatre Criticism in the 1990s I" Korean Association of Theatre Critics 148-149, 1995
9 Kim, Kil-soo, "Theatre Criticism in the 1990s I" Korean Association of Theatre Critics 29-, 1995
10 Han, Sang-Cheol, "Theatre Criticism in the 1980s IV" Korean Association of Theatre Critics 44-, 1994
1 강태경, "질풍노도, 그 이후(I) : 런던 <에쿠우스> - 전휘와 저항의 연착" 한국영미문학교육학회 8 (8): 5-39, 2004
2 강태경, "질풍노도 그 이후 II: 브로드웨이 Equus(1)―근육의 미학" 한국현대영미드라마학회 18 (18): 5-46, 2005
3 Long Beach Press Telegram, "‘Equus’ fills Studio Theatre with emotions that bound beyond the small stage"
4 Shim, Jung-soon, "What Happens When We Change Gender and Body?" National Theatre Association of Korea 90-91, 2001
5 Shaffer, Peter, "Three Plays: Equus, Shrivings, Five Finger Exercise" Penguin 1976
6 Freshwater, Helen, "Theatre and Audience" Palgrave Macmillan 2009
7 Han, Sang-Cheol, "Theatre Criticism in the 1990s I" Korean Association of Theatre Critics 311-, 1995
8 Kim, Yun-Cheol, "Theatre Criticism in the 1990s I" Korean Association of Theatre Critics 148-149, 1995
9 Kim, Kil-soo, "Theatre Criticism in the 1990s I" Korean Association of Theatre Critics 29-, 1995
10 Han, Sang-Cheol, "Theatre Criticism in the 1980s IV" Korean Association of Theatre Critics 44-, 1994
11 Yu, Min-Young, "Theatre Criticism in the 1970s II" Korean Association of Theatre Critics 46-47, 1989
12 Lee, Tae-Joo, "Theatre Criticism in the 1970s II" Korean Association of Theatre Critics 119-182, 1989
13 Han, Sang-Cheol, "Theatre Criticism in the 1970s II" Korean Association of Theatre Critics 216-, 1989
14 Lee, Tae-Joo, "Theatre Critic Lee Tae-Joo"
15 Chaudhuri, Una, "The Spectator in Drama/Drama in the Spectator" 27 (27): 281-298, 1984
16 Ubersfeld, Anne, "The Pleasure of the Spectator" 25 (25): 127-139, 1982
17 Blau, Herbert, "The Audience" The Johns Hopkins UP 1-49, 1990
18 Davis, Jim, "Reflecting the Audience: London Theatregoing, 1840-1880" U of Herfordshire P 2001
19 Akstens, Thomas, "Redression as a Structural Imperative in Shaffer’s Equus" 6 (6): 89-98, 1992
20 Wardle, Irving, "Post-War British Theatre Criticism" Routledge 223-225, 1981
21 Plunka, Gene A., "Peter Shaffer: Roles, Rites, and Rituals in the Theater" Associated UP 1988
22 Wardle, Irving, "On John Dexter’s Advice"
23 Kershaw, Baz, "Oh for Unruly Audiences! Or, Patterns of Participation in Twentieth-Century Theatre" 44 (44): 134-154, 2001
24 Cha, Beom-seok, "Modern Civilization and Its Devastation—the Abnormal in Equus"
25 Cha, Beom-seok, "Looking for the Spirit of Theatre"
26 Phelan, Peggy, "Live: Art and Performance" Tate Publishing 16-27, 2004
27 Doug Iden of Equus Incline Theatre, "Incline’s Equus Complex and Challenging. Posted on Friday 7 July 2017 for Equus by Cincinnati Landmark Productions (April 6–April 23, 2017)"
28 Biggin, Rose, "Immersive Theatre and Audience Experience: Space, Game and Story in the Work of Punchdrunk" Macmillan 2017
29 Yu, Min-Young, "Historical Survey of Korean Theatre in the 1970s" National Theatre Association of Korea 51-60, 1984
30 Lee, Sang-Il, "Cultural Shaping Power of Korean Theatre: From Tradition to Experiment, From Experiment to Tradition 1969-1999" Noonbit Publishing 127-, 2000
31 Diamond, Elin, "Critical Theory and Performance" U of Michigan P 403-412, 2007
32 Esslin, Martin, "An Anatomy of Drama" Hill and Wang 1977