한·중 공동제작영화 = 문화유동(文化流動)과 영연상상(影緣想像)

다국어 초록 (Multilingual Abstract)

Since the new century, the economic/cultural globalization makes the industry/cultural cooperation-competition trends to around the core of “pan-asia movie”, which focusing on the subjectivity of the regional culture based on Asian countries/regions imagination and industrial practice. In this context, “China and South Korea film co-production agreement” highlights the more important model significance. However, due to the lack of mature mode of cooperation and successful cases, China and South Korea film still remain in the running-in stage of cooperation. The way to produce the common language in the narration of co-production in this two countries’ film market comes to be the key problem. This paper tries to stand on the perspective of "Culture Flows" and "Cinepolitics Imagination", to comb the film industrial ecological situation in the process of dialogue, competition and cooperation relationship.

목차 (Table of Contents)

• ABSTRACT
• ‘아시아’에서 ‘트랜스 아시아’로: 영화산업 합작경로의 탐색
• 트랜스 아시아영화: 한·중 영화공동제작의 배경과 계기
• 한중 공동제작: ‘문화유동(文化流動)’과 ‘영연정치(影緣政治)’
• 나머지 논술
• 참고자료