This study is intended to construct the poetics of Bob Dylan’s songs by demonstrating what poetic effects his songs and lyrics in the 1960s have. First of all, I look into the frequently raised question, ‘Can Bob Dylan be called a poet?’ To answ...
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https://www.riss.kr/link?id=A104000405
손광수 (동국대학교)
2010
Korean
Bob Dylan ; 1960s ; poetics ; popular culture ; “Like a Rolling Stone” ; 밥 딜런 ; 1960년대 ; 시학 ; 대중예술 ; 「구르는 돌멩이처럼」 ; Bob Dylan ; 1960s ; poetics ; popular culture ; “Like a Rolling Stone”
KCI등재
학술저널
29-53(25쪽)
1
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This study is intended to construct the poetics of Bob Dylan’s songs by demonstrating what poetic effects his songs and lyrics in the 1960s have. First of all, I look into the frequently raised question, ‘Can Bob Dylan be called a poet?’ To answ...
This study is intended to construct the poetics of Bob Dylan’s songs by demonstrating what poetic effects his songs and lyrics in the 1960s have. First of all, I look into the frequently raised question, ‘Can Bob Dylan be called a poet?’ To answer it, we need to take it into account that his poetic medium is a song. The uniqueness of his art lies in a new way of fusing poetry, voice and music and it contributes to the creation of poetic spaces crossing between high and popular(or mass) cultures. To illuminate these arguments, I point to the peculiar total effects stemming from the aspects that language, voice and music as his three key elements intermingle, strain or contradict with each other. It turns out that we can’t approach Dylan’s works of art in the same way as when approaching other print-based poetry. So approaches towards his art have to be more holistic by going over the processes and ranges of his compositions and performances. In addition, both his poetic and musical elements have to be focused on as the same important ones. This leads us to the possibility of a new poetics with no boundaries between poems and songs, while pointing to an aesthetic democracy.
참고문헌 (Reference)
1 Gracyk, Theodore, "When I Paint My Masterpiece: What Sort of Artist Is Bob?. in: Bob Dylan and Philosophy" Open Court 169-181, 2006
2 Wenner, Jann S., "The Rolling Stone Interview: Bob Dylan"
3 Dettmar, Kevin J. H., "The Cambridge Companion to Bob Dylan" Cambridge UP 2009
4 Roe, Nicholas, "Playing Time. in: 'Do you, Mr Johns?': Bob Dylan with the Poets and Professors" Pimlico 2003
5 Shelton, Robert, "No Direction Home: The Life and Music of Bob Dylan" Penguin Books 1986
6 "No Direction Home. Dir. Martin Scorcese. DVD. Paramount Home Video"
7 Dylan, Bob, "Lyrics: 1962-1985" Alfred A. Knopf, Inc. 1985
8 Hinchey, John, "Like a Complete Unknown: The poetry of Bob Dylan's songs 1961-1969" Stealing Home Press 1969
9 Day, Aidan, "Jokerman: Reading the Lyrics of Bob Dylan" Basil Blackwell Ltd 1989
10 Ricks, Christopher, "Dylan's Vision of Sin" HarperCollins Publishers 2003
1 Gracyk, Theodore, "When I Paint My Masterpiece: What Sort of Artist Is Bob?. in: Bob Dylan and Philosophy" Open Court 169-181, 2006
2 Wenner, Jann S., "The Rolling Stone Interview: Bob Dylan"
3 Dettmar, Kevin J. H., "The Cambridge Companion to Bob Dylan" Cambridge UP 2009
4 Roe, Nicholas, "Playing Time. in: 'Do you, Mr Johns?': Bob Dylan with the Poets and Professors" Pimlico 2003
5 Shelton, Robert, "No Direction Home: The Life and Music of Bob Dylan" Penguin Books 1986
6 "No Direction Home. Dir. Martin Scorcese. DVD. Paramount Home Video"
7 Dylan, Bob, "Lyrics: 1962-1985" Alfred A. Knopf, Inc. 1985
8 Hinchey, John, "Like a Complete Unknown: The poetry of Bob Dylan's songs 1961-1969" Stealing Home Press 1969
9 Day, Aidan, "Jokerman: Reading the Lyrics of Bob Dylan" Basil Blackwell Ltd 1989
10 Ricks, Christopher, "Dylan's Vision of Sin" HarperCollins Publishers 2003
11 Ball, Gordon, "Dylan and the Nobel" 22 (22): 14-29, 2007
12 Meisel, Perry, "Dylan and the Critics" 26 (26): 101-119, 2007
13 Boucher, David, "Dylan & Cohen: Poets of Rock and Roll" Continuum 2004
14 Dylan, Bob, "Chronicles: Volume I" Simon & Schuster 2004
15 Gezari, Janet, "Bob Dylan and the Tone Behind the Language" 86 (86): 480-499, 2001
16 Marshall, Lee, "Bob Dylan and the Academy. in: The Cambridge Companion to Bob Dylan" Cambridge UP 2009
17 Lebold, Christophe, "A Face like a Mask and a Voice that Croaks: An Integrated Poetics of Bob Dylan's Voice, Personae, and Lyrics" 22 (22): 57-70, 2007
18 Corcoran, Neil, "'Do you, Mr Johns?': Bob Dylan with the Poets and Professors" Pimlico 2003
19 Ford, Mark, ""Trust Yourself: Emerson and Dylan." 'Do you, Mr Johns?': Bob Dylan with the Poets and Professors" Pimlico 2003
20 Shank, Barry, ""That Wild Mercury Sound": Bob Dylan and the Illusion of American Culture" 29 (29): 97-123, 2002
“어떤 전쟁이든 죽은 이들에겐 소용없잖아요”― 에이드리언 리치, 베트남 전쟁 그리고 페미니즘
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2026 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2020-01-01 | 평가 | 등재학술지 유지 (재인증) | |
2017-01-01 | 평가 | 등재학술지 유지 (계속평가) | |
2013-01-01 | 평가 | 등재 1차 FAIL (등재유지) | |
2010-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2007-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
2006-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
2004-01-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.16 | 0.16 | 0.19 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.15 | 0.15 | 0.548 | 0 |