하이퍼서사에서 다중서술의 전략과 효과 = Strategies and Effects of Multiple Narration in Hyperfiction

다국어 초록 (Multilingual Abstract)

This study analyzes the case of multiple narration in hyperfiction works. Hyperfiction is narrative text based on a ‘unit’ and the ‘hyperlink’ that connects it, multiple narration is a narrative technique which two or more narrators participates in storytelling. The works to be analyzed are hyperfictions that were recently created based on the blog platform in Korea. Of these works, ‘God of Others’, created in 2019, is a good representation of the evilness hidden inside of human beings by strategically utilizing the technique of multiple narration. This study conceptualizes the complex multiple narrative structure of hyperfiction as a multiaxial structural model. The multiaxial structure of hyperfiction is a structure in which there are axes composed of several linearly arranged units, and each unit existing on each axis can be connected to units in other axes. The recent hyperfiction works created in Korea are mostly biaxial or triaxial hyper narratives, while ‘God of Others’ is analyzed as a work with a 7-axis structure. As ‘God of Others’ is complex in structure, there are many aspects of the narrators. ‘God of Others’ is a story about three Sociopath-like murderers and their surrounding victims. The narratives of the victims are described through external focalization, and the narratives of offenders such as Min Seung, Jun Ho and Yoon Ah are described through internal focalization. The narratives of the victims are conveyed through extremely objective and activist descriptors, and the narratives of the perpetrators through special aspects of the descriptors with limited vision. ‘God of Others’ strategically utilizes multiple narration to escape the solid physicality of modern printing fiction and acquire a changeable body of hyper narrative.

목차 (Table of Contents)

• 1. 들어가는 말 2. 하이퍼서사의 다축형 위상구조 3. 다중서술의 전략과 서술자의 여러 양상 4. 해체되고 재구성되는 서사구조 5. 마무리

참고문헌 (Reference)

1 장노현, "하이퍼텍스트 서사" 예림기획 2005

2 조지 P. 란도, "하이퍼텍스트 3.0 : 지구화 시대의 비평이론과 뉴미디어" 커뮤니케이션북스 2009

3 장노현, "하이퍼서사의 복합양식적 재현 양상" 한국언어문화학회 (65) : 307-332, 2018

4 김민희, "타인의 신"

5 최영송, "질 들뢰즈의 ‘감각의 논리’ 읽기" 세창미디어 2019

6 정인영, "일본현대소설에 나타난 메타픽션과 리얼리티 - 미즈무라 미나에(水村美苗) 『본격소설(本格小說)』論" 세계문학비교학회 (52) : 141-163, 2015

7 한상윤, "여성향 연애 시뮬레이션 게임의 다중 서사적 특징과 그 효과－체리츠 사의 <네임리스>(2013)를 중심으로" 대중서사학회 24 (24): 237-271, 2018

8 도민주, "순혜뎐"

9 김미자, "서정인 소설의 다중 초점화 서술전략" 한국현대소설학회 (56) : 97-122, 2014

10 미케 발, "서사란 무엇인가" 문예출판사 1999

11 제라르 즈네뜨, "서사담론" 교보문고 1992

12 송정수, "생성과 통합의 시학: 러시아 네오리얼리즘" 한국노어노문학회 23 (23): 223-251, 2011

13 장노현, "다중서술의 변화와 영혼서술자의 등장" 대중서사학회 (17) : 187-218, 2007

14 오르한 파묵, "내 이름은 빨강, 1·2" 민음사 2006

15 이난아, "내 마음의 낯섦" 민음사 2017

16 질 들뢰즈, "[단행본] 감각의 논리" 민음사 2008

17 A. Mangen, "Why Don't We Read Hypertext Novels?" 23 (23): 166-181, 2015

18 Hornik, L. M., "Two Sides(or More)to Every Story : Books with Multiple Narrators" 15 (15): 2006

19 문홍연, "Truth"

20 Wolfgang Hallet, "The Rise of the Multimodal Novel Generic Change and Its Narratological Implications, Storyworlds Across Media: Toward a Media-Conscious Narratology" U of Nebraska Press 151-172, 2014

21 김기랑, "Offing"

22 Tsung-che Lu, "Multiple Narrators, Heterogeneous Voices: Heteroglossia in Orhan Pamuk's My Name is Red" Chinese Culture University 2008

23 정숙희, "God Bless You"

24 윤서연, "Fugue"

25 편희주, "A에서 A까지"